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The Address of the Eye: A Phenomenology of Film Experience
Princeton University Press (1992)
Abstract
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. This title challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus.Other Versions
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Citations of this work
Phenomenology, Pokémon Go, and Other Augmented Reality Games: A Study of a Life Among Digital Objects.Nicola Liberati - 2018 - Human Studies 41 (2):211-232.
The Borg–eye and the We–I. The production of a collective living body through wearable computers.Nicola Liberati - 2020 - AI and Society 35 (1):39-49.
On the Meaning of Screens: Towards a Phenomenological Account of Screenness.Lucas D. Introna & Fernando M. Ilharco - 2006 - Human Studies 29 (1):57-76.
Digital hermeneutics for the new age of cinema.Stacey O. Irwin - 2023 - AI and Society 38 (6):2207-2215.
Nature Screened: An Eco-Film-Phenomenology.Ilan Safit - 2014 - Environmental Philosophy 11 (2):211-235.
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