Abstract

The first act ofThyestesis a challenge to the theory that the same Seneca wrote both thephilosophicaand the tragedies. We are compelled by the evil genius of Atreus and not by the common virtue of hisSatelles. Atreus not only feels no compunction at his words, but seems to hone his evil from the prodding. It is the death of philosophy, the anti-mirror of the prince: the tyrant is not reformed, but becomes more himself—more perfectly tyrannical. It is a performance of Socrates’ monster inRepublic9—the soul composed of a hydra of desires with its ring of heads constantly changing, a lion of anger and a small man, who is to domesticate the hydra like a farmer and befriend the lion (588c–589b). The ineffectualSatellesportrays the hopeless plight of Plato's ‘little man reason’ before a lion with monstrous desires like Atreus. There is a place left for philosophy to win over the tyrant only if theSatellesdoes not represent all that reason can do, and stands instead only for gentlemanly virtue or common sense, which lacks the kind oflogosneeded to control the beast.