Abstract

This essay explores the epistemological implications of A Midsummer Night's Dream. It distinguishes among metaphors—some are mere "figures of speech," others have descriptive (and prescriptive) power, while others seem to be literalized in the action. The claim that lovers are epistemologically advantaged with regard to the love object is seen as both explored and mocked. The role of the fairies and the "love potion" is examined. Both are to be recognized as fictions. Theseus's speech about lovers, madmen, and poets is taken seriously, and the epilogue is taken as manifesting genuine anxiety that the play might be "reprehended."