Abstract

The symbol refers to “substituted entities,” to something other than what is translated by the direct meaning of the expression. One principle of symbolization is that of placing ourselves in the order of recognition which opens an access path to knowledge, that of keeping us within the horizon of remembrance in order to recompose the initial truth in its fullness and communicate its strong impression. In parallel with the universe ordered, according to objective laws, a symbolic universe is developed, ordered according to its own laws (universes between the structures of which analogies are possible). Starting from these premises, in my paper I will refer in particular to the anthropological and cultural relevance of religious discourse and artistic language, to the interferences between them.