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Deconstructive Variations: Music and Reason in Western Society
U of Minnesota Press (1996)
Abstract
Balanced between the traditional and the postmodern, Subotnik (music, Brown U.) deftly and articulately manages to use the philosophies of Kant, Adorno, Bakhtin, and Derrida to review the music of Chopin, Mozart, and Stravinksy. Her discussion of the Magic Flute brings new rigor to the more usual romantic studies, and her exposition on Allan Bloom and Spike Lee in the final essay contextualizes the deconstructive critique she employs. Annotation copyright by Book News, Inc., Portland, OR.Other Versions
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Similar books and articles
Rose Rosengard Subotnik, Developing Variations: Style and Ideology in Western Music.Garry Hagberg - 1994 - Journal of Aesthetics and Art Criticism 52 (2):254-254.
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Developing Variations: Style and Ideology in Western Music.Rose Rosengard Subotnik - 1994 - Journal of Aesthetics and Art Criticism 52 (2):254-255.
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Citations of this work
Hildegard of Bingen: A Woman for our Time.June Boyce-Tillman - 1999 - Feminist Theology 8 (22):25-41.
The Role of Critical Formalism in Music Education.J. Paul Louth - 2012 - Philosophy of Music Education Review 20 (2):117-134.
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