Abstract

The development of the Niujiao Qin for contemporary cultural transmission in Aba Prefecture, China, is a multifaceted task that includes cultural heritage protection, adaptation, and rejuvenation. Significant changes in the structure, tuning system, and musical performance of the Niujiao Qin occurred between AD 618 and 1980, reflecting the region's rich cultural context. These transformations contributed to cultural contacts, artistic manifestations, and larger socio-cultural tendencies. Since 1980, significant progress has been made in Tibetan music culture, academic trends, and instrument reform, demonstrating efforts to revitalize traditional heritage while incorporating new ideas. The Niujiao Qin's evolution demonstrates the complex interplay of tradition, innovation, and globalization in Aba Prefecture's cultural scene. The challenges include preserving the instrument's cultural core, combining tradition with modern demands, and rekindling enthusiasm among younger generations. By embracing tradition and innovation, encouraging collaboration, and engaging in education and outreach, stakeholders can effectively manage these hurdles and ensure Niujiao Qin's continued life and relevance in the cultural environment of Aba Prefecture.