Abstract

Laurie Foos's feminist novel Ex Utero is a comic exploration of the value of the uterus. Simultaneously recursive and resistant, Foos's novel reenacts, with a difference, two confining essentialisms: hysteria, a female disorder, and fetishism, whether understood as the psychosexual response to female lack, or as capitalism's motor, the displacement of desire onto commodities. The essay explores how, if we think of the womb neither as individual possession or commodified object, we can create a new space of possibility for women at the end of the millennium