Abstract

The article deals with the problem of ideological principles applied to the space of art as a specific framework for the creative process and the work itself. The author also considers the phenomenon of democratization of art. Do democratic values penetrate into contemporary art and to what extent, to what extent do they shape it and how should this phenomenon be assessed? In her considerations, the author refers, among others, to the reflections of Ortega y Gasset or Chantal Mouffe. The context of the apology of democratic values that permeate the sphere of art is also worth analyzing. The deliberations are interdisciplinary in nature, they constitute only an outline of the title issue, oscillate around the issues of several philosophical sub-disciplines, with particular emphasis on the history of ideas, philosophy of culture, social philosophy and aesthetics. The author considers it worth considering the answer to the question: Is contemporary art democratic and what would it mean?