Musical semiotics in growth

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Imatra: International Semiotics Institute (1996)
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Abstract

(by a semiotician) EERO TARASTI A semiotic interpretation of the two last centuries in the history of Western art music is in many respects a challenging ...

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ML3845.M9755 1996

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0253329493   0253210097   9780253329493

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Chapters

A model of development of the socio-cultural sphere.  (pages 4--277)O. Danilova & Ye Pokorskaya
A semiotic approach to computer assisted composition.  (pages 4--321)Francesco Giomi & Marco Ligabue
Analysis and fantasy from the viewpoint of the interpersonal hypothesis of musical semantics: An attempt at analysis.  (pages 4--285)Jarmila Doubravova
Les techniques de la narration aux origines de 1'opera: isotopies et strategies narratives dans.  (pages 4--437)Fabienne Desquilbe
Musical signs in Death in Venice by.  (pages 4--473)Benjamin Britten
Narratives of self-consciousness in Proust and Beethoven.  (pages 4--329)Michael Spitzer
Quelles perspectives sociologiques pour une sémiotique de la musique.  (pages 4--263)Jean-Marie Jacono
Some Greimasian concepts as applied to the analysis of film music.  (pages 4--347)Ennio Simeon
Some semiotic problems of Krzysztof Penderecki's sonoristic style.  (pages 4--73)Danuta Mirk
Survie ou renouveau?  (pages 4--295)Marta Grabocz
Vers une conception pluraliste de 1'analyse musicale.  (pages 4--129)Alfonso Padilla
Jeremy Bentham's Theory of Fictions: Some Reflections on Its Implications for Musical Semiosis and Ontology.  (pages 55--71)Cynthia M. Grund
Values and their cognition in the semiotic theory of Charles S. Peirce.  (pages 83)Ma Ciej Jablonski
Musical semiosis and the rasa theory.  (pages 99)José Luiz Martinez
Semiotic processes in music: Systemics and modelization in.  (pages 151)Mlchele Ignelziand Paolo Rosato
The role of semiotical terminology in musical analysis.  (pages 195--218)Márta Grabócz
The analysis of a holy song.  (pages 389)Willem Marie Speelman
La lecture du sens dans les oeuvres polysemiotiques.  (pages 451)Pa Trick Fa Rfa Ntoli

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The role of semiotical terminology in musical analysis.Márta Grabócz - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 195--218.
Some semiotic problems of Krzysztof Penderecki's sonoristic style.Danuta Mirk - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 4--73.
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The analysis of a holy song.Willem Marie Speelman - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 389.

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