Art, Ethics, and Critical Pluralism

Metaphilosophy 43 (3):275-293 (2012)
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Abstract

Those who have views about the relation between aesthetic and ethical value often also have views about the nature of art criticism. Yet no one has paid much attention to the compatibility of views in one debate with views in the other. This is worrying in light of a tension between two popular kinds of view: namely, between critical pluralism and any view in the art and ethics debate that presupposes an invariant relation between aesthetic value and ethical value. Specifically, the tension with invariance arises insofar as critical pluralism accommodates the aesthetic value of interpretive richness, including the aesthetic value of ethically conflicted interpretive richness. Given this tension, a shift of focus is needed in the art and ethics debate; from specifying the criteria for the aesthetic relevance of a work's ethical qualities to defending the fundamental nature of the aesthetic-ethical value relation

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Citations of this work

Meriting a Response: The Paradox of Seductive Artworks.Nils-Hennes Stear - 2019 - Australasian Journal of Philosophy 97 (3):465-482.
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Ethical Criticism and the Interpretation of Art.Ted Nannicelli - 2017 - Journal of Aesthetics and Art Criticism 75 (4):401-413.
How Not to Defend Response Moralism.Aaron Smuts - 2015 - Journal of Aesthetic Education 49 (4):19-38.

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References found in this work

Morals in Fiction and Fictional Morality (I).Kendall Lewis Walton - 2015 [1994] - Proceedings of the Aristotelian Society 68:27-50.
Art, emotion and ethics.Berys Nigel Gaut - 2007 - New York: Oxford University Press.
Moderate moralism.Noël Carroll - 1996 - British Journal of Aesthetics 36 (3):223-238.
The ethical criticism of art.Berys Gaut - 1998 - In Jerrold Levinson, Aesthetics and Ethics: Essays at the Intersection. New York: Cambridge University Press. pp. 182--203.

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