Performance practice

In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. New York: Routledge. pp. 91 (2011)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,219

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Authentic performance practice.Paul Thom - 2011 - In Theodore Gracyk & Andrew Kania (eds.), The Routledge Companion to Philosophy and Music. New York: Routledge.
Innovation and conservatism in performance practice.Stan Godlovitch - 1997 - Journal of Aesthetics and Art Criticism 55 (2):151-168.
A Beethoven Enigma: Performance Practice and the Piano Sonata, Opus III.Joanna Goldstein - 1989 - Journal of Aesthetics and Art Criticism 47 (1):101.
Performance practice: music, medicine and natural philosophy in Interregnum Oxford.Penelope Gouk - 1996 - British Journal for the History of Science 29 (3):257-288.

Analytics

Added to PP
2014-02-01

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Citations of this work

Managing Authenticity: Mission Impossible?Nick Wilson - 2014 - Journal of Critical Realism 13 (3):286-303.
Aesthetics of Opera.Paul Thom - 2011 - Philosophy Compass 6 (9):575-584.

Add more citations

References found in this work

No references found.

Add more references