Abstract

Mugham is deeply rooted in Azerbaijan’s history as it is undoubtedly depicted as the pearl of Azerbaijani musical art. Mughаm is one of the main genres in traditional Azerbaijani music, part of the musical-poetic art of Azerbaijan’s nation. The Mughаm embodies philosophical poetry including the philosophy of music as a complement to the harmony of being. In 2008, UNESCO proclaimed the Azerbaijani Mugham as one of the masterpieces of verbal and intangible cultural heritage. This music must be understood in its two dimensions – as an example of an art and as a way of thinking, in which Sufism and Mysticism are two lines that intersect. The aim of the article is to show the unity of Azerbaijan’s spiritual culture and the synthesis of music and religion. Special attention is focused on Mugham as a type of connection with God, through mystical love and spiritual experience. This perspective differs from that of common research and discussions of Mugham, which view it principally as a unique type of poetic-musical communication between performers and a devoted audience. The post-Soviet period allowed Western scholars to become acquainted with the musical works of Azerbaijani masters of Mugham and to compare their musical-aesthetic features with those of German Romanticism. In this paper, we move beyond such considerations to claim that Mugham ought to be recognized ‘as a spiritual process preserving the dynamism of thinking’. The report will conclude with the concomitant claim that Mugham represents an intercultural philosophy.