Abstract

The article analyzes an issue in Jane Bennett’s vital materialism project, namely, a spe­cific conjunction of ideas about active matter that produces various combinations of be­ings, including humans, and the possibility of this matter to articulate itself in language, including poetic forms. After a brief, but necessary discussion of some essential aspects of Bennett’s theory such as ontology based on postulates of elementary particles physics (particle collisions, resonance, isomorphism), affective ethics (partial actions based on the “positive” repetition of random impressions) and ecology (“courteous” attention to representatives of other species), the author suggests to strengthen the fluctuating nature of Bennett’s project and explore its extremes: the cosmic level of theorizing where even sympathy appears as a “gravitational” force and the level of linguistic articulation where various forms of indirect utterance, the “middle voice”, are involved. Despite the fact that between these two levels one can observe a certain isomorphism of a “weak” “non-dramatism”, the author concludes that the “physicality” of solarity and sympathy viewed as cosmic manifestations are not equal in weight to their own expression in poetic lan­guage in the spirit of Whitman or Thoreau (as exemplified in many by Bennett’s books). Therefore, these two components do not remain in the state of balance, even though Ben­nett repeatedly tries to use the concept of an interval, which is responsible for the discon­tinuation of the narratives of both types. In other words, the project shifts from a study of materiality towards its non-romantic “naming” only.