Abstract

Can shifting to tidal time potentially slow the catastrophic realities of sea-level rise? Sarah Cameron Sunde’s 36.5 / A Durational Performance with the Sea is a site-specific performance during which Sunde stands in a tidal bay for a full cycle as water engulfs her body and then reveals it again. The public participates. What began in 2013 as a poetic impulse has grown into a complex series of nine durational performances involving communities around the world. In this article, durational performance artist and scholar Raegan Truax gleans insight from Indigenous feminist scholars and Indigenous women-led movements to analyse the choreographic and temporal dynamics of 36.5. Co-writing with the artist, and focusing specifically on Sunde’s durational shift to tidal time, Truax proposes a phenomenological undoing: ‘becoming Sea-swallowed’ as essential to the speculative possibility of ‘becoming otherwise’.