Abstract

I am grateful to my critics for their careful attention to Art and Art-Attempts. Here I’ll respond to their central challenges.1As David Davies notes, I argue that Jerrold Levinson’s historical-intentional definition of art, despite the emphasis it places on intentions, does not pass my test of taking intention-dependence seriously. This is because it construes art-making as an activity that cannot fail: if we accept Levinson’s picture, every art-attempt is guaranteed to be a success. Davies suggests that, if we understand art-making along the same lines as lying, Levinsonian art-attempts can, in fact, fail, just as lie-attempts can.Before addressing Davies’s defense, let me clarify my criticism. Is making...