Abstract

From the nature and origin of expression in music to authenticity in performance, almost every topic implied by the title makes an appearance in this book. The author’s apparent familiarity with a vast number of publications on the subject is overwhelming, his acquaintance with the repertoire is impressive. If the reader is prepared to work through the maze of discussions, the final paragraph of the book reveals Sharpe’s thesis: “The marginalization of tonality... is... a tragedy for the art.”