Abstract

This text is about Martin Seel’s philosophical experiment on »not wanting to be right« in the light of concepts of the neutral, as found in French philosophy (Nancy, Blanchot). In the »neither-nor« and »both-as-well« positionings neutralize themselves undialectically. In relation to this, the relationship between art and philosophy can be systematically redefined. According to the thesis of this essay, both fields gain their comparability, difference, and specific contour through their complementary relationship to the neutral.