Drama as Philosophical Genre

Journal of Speculative Philosophy 28 (4):454-471 (2014)
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Abstract

This article will consider the unique contribution that the dramatic arts can make to philosophical practices of communication and reflection. While argumentation typically advocates a particular position over and against less plausible options, dramatic performance can convey the rich possibilities and tensions among conflicting points of view without ultimately taking a definitive stance. This genre, as a performed narrative involving multiple perspectives, can illuminate the complexity and legitimacy of a plurality of—often competing—theoretical commitments, whereas direct argumentation, by its very nature, must weaken the opposition by putting it in a less compelling light. Theater, by its very methods, can ..

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Jessica Wahman
Emory University

Citations of this work

Pluralistic Conceptualizations of Empathy.Mark Fagiano - 2016 - Journal of Speculative Philosophy 30 (1):27-44.
The Idea(s) of America.Jessica Wahman - 2017 - Journal of Speculative Philosophy 31 (1):16-39.

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References found in this work

A world of pure experience.William James - 1904 - Journal of Philosophy, Psychology and Scientific Methods 1 (21):533-543.
Essays in Radical Empiricism.William James (ed.) - 1976 - Cambridge: Harvard University Press.

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