Abstract

Jonathan Edwards (1703–1758) is widely acknowledged to be America's most important and original philosophical theologian. His work as a whole is an expression of two themes — the absolute sovereignty of God and the beauty of God's holiness. The first is articulated in Edwards' defense of theological determinism, in a doctrine of occasionalism, and in his insistence that physical objects are only collections of sensible “ideas” while finite minds are mere assemblages of “thoughts” or “perceptions.” As the only real cause or substance underlying physical and mental phenomena, God is “being in general,” the “sum of all being.” Edwards' second theme is articulated in accounts of God's end in creation, and of the nature of true virtue and true beauty. God creates in order to manifest a holiness which consists in a benevolence which alone is truly beautiful. Genuine human virtue is an imitation of divine benevolence and all finite beauty is an image of divine loveliness. True virtue is needed to discern this beauty, however, and to reason rightly about “divine things.”