Abstract

[opening paragraph]: Ramachandran and Hirstein in their article, ‘The Science of Art: A Neurological Theory of Aesthetic Experience’ make the grandiose claim of having developed a theory of human aesthetic experience, while reducing that very experience to meaningless terms. As a practising artist whose work is informed by contemporary theory as well as a Buddhist practice, I find it hard to take their argument seriously. Clearly, it is necessary to examine one's assumptions about the nature of the artistic experience before attempting to develop grand theory