Abstract

This textual/visual/filmic essay discusses the artist Rebecca Weisman’s short video Cadere and the Weal within a framework of dark ecology, Lacanian psychoalysis, sexuality/femininity, animal theory and the usefulness of abjection in understanding our relationship to a collapsing environment. It draws on both philosophical ideas and visual representation and seeks to find an intermediary space in which they can elucidate one another in a momentary balance, neither one “describing” the other. By challenging how we approach making representations of nature and the environment, Weisman asks important questions about how we idealize, fetishize, pervert, and ultimately destroy the thing we are trying to capture