- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
‘My heart inclines wholly to know where is the true good’: Mia Hansen-Løve's Postsecular Search for God
Paragraph 42 (3):316-332 (2019)
Abstract
This article explores how Mia Hansen-Løve's cinema thinks about the experience of a life in which God is absent, and yet his ghost continues to haunt us. It suggests links between her films and pos...Author's Profile
Other Versions
No versions found
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Ethics, Gender and Vulnerability in the Films of Mia Hansen-Løve.Kate Ince - 2020 - Film-Philosophy 24 (2):104-121.
Malabou's Cineplastics and Contemporary French Film: Jacques Audiard, Céline Sciamma and Mia Hansen-Løve.Martin O’Shaughnessy - 2024 - Film-Philosophy 28 (3):428-453.
Immanent Frames. Postsecular Cinema between Malick and von Trier. [REVIEW]Maria Irene Aparicio - 2021 - Cinema: Journal of Philosophy and the Moving Image 13:107-113.
Love's Endeavour, Love's Expense: the Response of Being to the Love of God, 2nded. By W. H. Vanstone.Bradford McCall - 2009 - Heythrop Journal 50 (4):751-751.
Two. Love’s Blindness : Love’s Closed Heart.Troy Jollimore - 2011 - In Love’s Vision. Princeton University Press. pp. 28-45.
Cinema and Sensation: Contemporary French Film and Cinematic Corporeality1.This article is part of a larger research project published in 2007 by Edinburgh University Press as a monograph entitled Cinema and Sensation: French Film and the Art of Transgression. [REVIEW]Martine Beugnet - 2008 - Paragraph 31 (2):173-188.
Analytics
Added to PP
2019-10-07
Downloads
21 (#990,682)
6 months
9 (#449,254)
2019-10-07
Downloads
21 (#990,682)
6 months
9 (#449,254)
Historical graph of downloads
Author's Profile
Citations of this work
Every Wholly Other: Postsecular Pluralism in Isabel Rocamora's Faith.Mark Cauchi - 2024 - Film-Philosophy 28 (2):269-293.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-667477cd97-2pm92 dc2