Mcluhan, or Modernism in Reverse

University of Toronto Press (1996)
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Abstract

The book is divided into two parts, representing modern and postmodern periods. Willmott examines McLuhan's relationship to critical and aesthetic modernism, and political and historical sense of modernity in North America, from the early 1930s to the 1950s.

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CONCLUSION: McLuhan's Message.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press. pp. 206-208.
8. The Postmodern Medium.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press. pp. 156-179.
7. The Postmodern Mask.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press. pp. 135-155.
6. The Modern Primitive.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press. pp. 119-134.
Notes.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press. pp. 209-244.
Index.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press. pp. 255-262.
Acknowledgments.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press.
Contents.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press.
Frontmatter.Glenn Willmott - 1996 - In Mcluhan, or Modernism in Reverse. University of Toronto Press.

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