Abstract

Provoked by Tom Geue’s recent book Author Unknown (2019), this article argues that a close reading of Calpurnius Siculus’ fourth Eclogue provides significant information about how and where the poet expected his poem to be received by its audience. Read against Vitruvius’ description of painted porticos and Diomedes’ account of the ‘common kind’ of poetry, in which ‘the poet himself speaks and speaking characters are also introduced’, the text was evidently designed to be presented as a performance, probably in the imperial property on the Palatine.