Abstract

The main title of this work is a little misleading. Hobbs does not begin to consider in any detail Plato’s relation to traditional Greek models of the hero until chapter 6, nearly two-thirds of the way through the book. In fact, Hobbs’s treatment of Plato’s re-working of the hero-figure is embedded in a nexus of themes revolving round the Greek virtue of andreia and its psychological basis in that part of the soul that Plato in the Republic calls the thumos. Commonly translated ‘spirit’, the term is notoriously hard to render by a single English equivalent. Plato’s conception of this human drive can be captured, according to Hobbs’s succinct phrase, as “the need to believe that one counts for something”.