Toward an Ontology of Film: A Phenomenological Approach

Film-Philosophy 5 (1) (2001)
  Copy   BIBTEX

Abstract

Our intention is to focus attention upon the nature of the film medium and the peculiar possibilities that it affords. We will approach the study by a double method: a phenomenological inventory, and a comparison with other cognate artforms. The comparison with other artforms, most especially painting, theater, and the novel, will show the peculiarities of film

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,139

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Film theory.Cynthia Freeland - 1998 - In Alison M. Jaggar & Iris Marion Young (eds.), A companion to feminist philosophy. Malden, Mass.: Blackwell. pp. 353–360.
Making Comics into Film.Henry John Pratt - 2012-01-27 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics. Wiley‐Blackwell. pp. 145–164.
Film Art from the Analytic Perspective.Deborah Knight - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 357-379.

Analytics

Added to PP
2013-11-24

Downloads
49 (#449,045)

6 months
20 (#147,431)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references