The ethics of exhibitions: On the presentation of religious art

Journal of Aesthetics and Art Criticism 62 (3):277–284 (2004)
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10.1111/j.0021-8529.2004.00159.x

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Sarah Worth
Furman University

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The suberogatory.Julia Driver - 1992 - Australasian Journal of Philosophy 70 (3):286 – 295.
Memory, distortion, and history in the museum.Susan A. Crane - 1997 - History and Theory 36 (4):44–63.

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