Abstract

Spinoza is in a potentially untenable position. On the one hand, he argues that those who claim to see harmony in the universe are badly mistaken; they are falsely imagining rather than properly reasoning. On the other hand, harmony is positively discussed in his ethical writings and even serves as the basis for his vision of society. How can both be maintained? In this chapter l argue that this prima facie conflict between the two treatments of harmony is resolvable, but that in resolving it, a new set of questions for Spinoza is raised. In doing so, I explore how harmony was used in the sixteenth through eighteenth centuries, which will help us better situate Spinoza. In doing so, we can recognize new possibilities and new connections between Spinoza and philosophers who are not often discussed in connection with him.