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Double Vision: Moral Philosophy and Shakespearean Drama
Journal of Aesthetics and Art Criticism 66 (2):208-210 (2008)
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Double vision: Moral philosophy and Shakespearean drama by Zamir, Tzachi.Stephanie Patridge - 2008 - Journal of Aesthetics and Art Criticism 66 (2):208–210.
Double Vision: Moral Philosophy and Shakespearean Drama: Book Reviews. [REVIEW]Charles Altieri - 2008 - British Journal of Aesthetics 48 (1):101-103.
Double Vision: Moral Philosophy and Shakespearean Drama.Tzachi Zamir - 2011 - Princeton University Press.
The Epistemological Basis of Philosophical Criticism.Tzachi Zamir - 2011 - In Double Vision: Moral Philosophy and Shakespearean Drama. Princeton University Press. pp. 3-19.
Introduction.Tzachi Zamir - 2011 - In Double Vision: Moral Philosophy and Shakespearean Drama. Princeton University Press.
Doing Nothing.Tzachi Zamir - 2011 - In Double Vision: Moral Philosophy and Shakespearean Drama. Princeton University Press. pp. 168-182.
Love Stories.Tzachi Zamir - 2011 - In Double Vision: Moral Philosophy and Shakespearean Drama. Princeton University Press. pp. 112-128.
Works Cited.Tzachi Zamir - 2011 - In Double Vision: Moral Philosophy and Shakespearean Drama. Princeton University Press. pp. 213-224.
A Case of Unfair Proportions.Tzachi Zamir - 2011 - In Double Vision: Moral Philosophy and Shakespearean Drama. Princeton University Press. pp. 65-91.
Making Love.Tzachi Zamir - 2011 - In Double Vision: Moral Philosophy and Shakespearean Drama. Princeton University Press. pp. 129-167.
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Citations of this work
Narrative Representation and Phenomenological Knowledge.Rafe McGregor - 2016 - Australasian Journal of Philosophy 94 (2):327-342.
Transparent and Opaque Performance Personas.Wesley D. Cray - 2019 - Journal of Aesthetics and Art Criticism 77 (2):181-191.
The Renewal of Perception in Religious Faith and Biblical Narrative.Wolfe Judith - 2021 - European Journal for Philosophy of Religion 13 (4):111-128.
The Psychological Province of the Reader in Hamlet.Ali Salami - 2016 - In Fundamental Shakespeare: New Perspectives on Gender, Psychology and Politics. New Castle: Cambridge Scholars Publishing. pp. 162-175.
On (Not) Making Oneself Known.John Gibson - 2018 - In Tzachi Zamir (ed.), Shakespeare's Hamlet: Philosophical Perspectives. Oup Usa. pp. 17-45.
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