Abstract

Starting from Jakob von Uexküll’s theory of meaning, the article explores the semiotic functions of the spider’s web, examining in depth its material characteristics and relationship to communication. This study reinterprets the biologist’s concepts, highlighting the vibration of webs as a mode of interspecific communication. By inquiring into the physical composition of spider webs, the research proposes artistic performances that seek to extend material vibration by exploring subjective experience. Thus, a performance-based biosemiotic and materialist approach is proposed to recreate the umwelt of the spider, bridging the human and arachnid realms through minimalist constructions by focusing on vibrational communication processes. In conclusion, the intricate interplay between material manifestations and subjective interpretations in the spider’s ecological niche will be outlined.