Abstract

Max Tomba aims to reconstruct how historical actors reconstructed the past to open the future in ways that diverged from the trajectory of the dominant modernity. Insurgent Universality would break open the dead logic of the juridical, political, and economic trajectory of modernity that limits what is given and constrains what is possible. This essay reflects on the practice and the role of the historian. Beyond merely adopting insurgents’ perspectives, the historian must engage in a practice of critical and reflective judgment. The essay draws on Michel-Rolph Trouillot on the silencing of the past, Reinhard Koselleck on the priority of the future, and Marisa Fuentes on the limits of the archives for voicing marginalized points of view. It concludes by calling for judgment and imagination where the archives run dry.