In this article, I briefly sketch the “right to opacity” that Édouard Glissant details in Poetics of Relation and situate it as an ethical imperative with Simone de Beauvoir’s Ethics of Ambiguity, contrasting the distinctive contributions of opacity and ambiguity toward ethical-political living. I apply the principles of opacity and ambiguity toward one of Beauvoir’s most political and only co-written works, Pour Djamila Boupacha. I argue that the polyvalent use of the Islamic veil during the Algerian War for Independence (...) reveals the ethical application of opacity and ambiguity. Additionally, the veil clarifies the political stakes of gendered assumptions and racial hierarchy across geographies, positing a false body neutrality that obfuscates the violent global War on Terror. (shrink)

New translations tracing decades of Beauvoir's leftist political engagement during the turbulent era of decolonization, from articles exposing conditions in fascist Spain and Portugal in 1945 and hard hitting attacks on right-wing intellectuals in the 1950s, to a 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article calling for the 'two state solution' in Israel. The texts range from a surprising 1952 defense of the misogynistic 18th c. pornographer, the Marquis de Sade, to the transcription (...) of a co-written 1974 documentary film on the aged in France. (shrink)

In this paper, I take up the challenge that political activism runs the risk of generating abstract freedoms for oppressed subjects and neglecting the effects of oppression on the development of subjectivity. I argue that a political activism in concert with a companion ethics of advocacy and listening is best positioned to improve the political and economic conditions of individuals as well as ensure that they are able to realize their freedom in meaningful action. In this paper I distinguish political (...) emancipation from human emancipation using the political and ethical writings of Simone de Beauvoir. I then argue that a feminist ethics of advocacy and listening can serve the project of human emancipation as emancipatory advocacy. I then return to Beauvoir to illuminate the dynamics of privilege, risk, and ambiguity in emancipatory advocacy through her own activism and advocacy in the case of Djamila Boupacha and Algerian independence. (shrink)

Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, (...) from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel. Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization. (shrink)

Beauvoir's influence on contemporary conceptions of French feminism is undeniable, but it is unclear how to assess the influence and relevance of her thought for feminist social movements today in France's least advantaged neighborhoods. Beginning with the question of the legacy of The Second Sex to feminist activism in general, I identify key points of resonance between Beauvoir's work and contemporary women's struggles in the banlieues, then turn to Beauvoir's own intervention on behalf of Arab and North African women in (...) the case of Djamila Boupacha in order to raise the question of how far Beauvoir can really be extended into the activist worlds of the banlieues. The chapter ends with a modest proposal for a way of using Beauvoir to help draw out a methodology and an ethical imperative in recent works by women whose heritage links them to France's colonial past and present. (shrink)

Beauvoir's writings index the politics of ontological, structural, instrumental, and affective instances of violence. In all cases, she sees violence as a result of political practices. Rather than simply deploring or condemning violence, however, Beauvoir demonstrates that we have to understand that it delineates and is manifest in all our relationships and representations. Nevertheless, we need not accept violence, and indeed, we must struggle against it. Oppressive human relationships situate us as systematically and unequally exposed to violent injury and premature (...) death, and as unequally able to nourish a creative and flourishing life. These conditions are never justified. Beauvoir insists that we must affirm ambiguity and freedom against structural conditions of oppression, and act politically to minimize violence and its tragic effects. (shrink)