Changing environment requires not just creativity, but disruptive creativity. The traditional planning paradigm within business organizations heavily relies on long- and short-term forecasting in order to predict the future and plan accordingly. However, a large share of business development is now characterized by rapid changes, inconsistency and unpredictability. Taking that into account a key task for managers is to explore and innovate in chaotic conditions, but how can owner–managers, business leaders and the employees respond to such rapid changes without the (...) appropriate skillset and educational background? This study calls for the modernization of enterprise education systems in order to provide students and graduates with tools relevant to the changing requirements of the business environment. We argue that such needed mastery of unconventional innovative thinking and acting “as if” rather have a lot in common with art education concepts and theatrical skills. Using videography as an example, we illustrate how advances in digital technology can help incorporate such theatrical concepts into enterprise education. As a contribution we provide insights and falsifiable propositions toward a renewal and revitalization of enterprise education pedagogy. (shrink)

Mike Shur’s Netflix-aired The Good Place has been a focus of philosophical attention by both popular-culture (written by pop-philosophers) and professional philosophers. This attention is merited. The Good Place is a philosophically rich TV show. The Good Place is based in three places: The Good Place, The Medium Place and The Bad Place. Every human being ends up in one of these places after they die based on their good points (points received for doing good actions e.g., chewing with your (...) mouth closed) and bad points (points received for doing bad actions e.g., virtue-signaling). Spoiler alert: by Season 4 of The Good Place (the fourth and final season), the main characters of the show – Eleanor, Chidi, Jason and Tahani – eventually reach the real Good Place (not the fake “Good Place” they had been tortured in by the human-formed, architect demon Michael in Season 1). However, when they reach the real Good Place after much struggle with ethical dilemmas, recognition of their moral flaws and moral development, they find themselves wanting to leave: they were unsatisfied with what The Good Place had to offer and wanted to be freed from it. This paper is concerned with the following questions: What accounts for their desire to be freed from The Good Place? What kind of freedom were they trying to achieve, and how did The Good Place represent it? Reflecting on these (and similar) questions, I argue that St. Thomas (who made it into The Good Place!) gives an ingenious and plausible answer: it was not merely that The Good Place was characterized by pure hedonism (a core deficit of The Good Place, identified by its creators), but more specifically that they had a positive desire for a freedom from temporal goods/experiences which do not satisfy the longings of the human heart and a freedom for the enjoyment of perfect freedom. While The Good Place ends in much perplexity, I argue that the freedom they desired was a rudimentary articulation of the freedom that St. Thomas identifies in heaven. (shrink)

Contemporary Nigerian society is in its doldrums as regards the culture of violence and distrust among peoples from various ethnic groups that make-up this nation. To an extent, religio-political reasons are fueling this culture of violence and distrust. The thrust of this paper is that: Christian military chaplains are stakeholders as promoters of peace and mutual co-existence in Nigeria with regard to controlling the culture of violence and disunity. The core of this thesis remains Jesus’ convictions concerning non-resistance to the (...) evil one as documented in the Sermon on the Mount, Matthew 5: 38-42, and His life as the Peace-Builder. Therefore, contemporary Nigerian context calls for Christian military chaplains to be more conscious that being messengers of peace and promoters of peaceful coexistence in our country, they have ethical responsibility to build bridges to harmony. Since Christ (God) is love, the chaplains should rediscover the poetics of testimony as a principle for building and reconstructing paths that lead to mutual co-existence in view of encouraging the reign of justice, unity, and peace in Nigeria. (shrink)

Pamela had, throughout her life, an ambivalent relationship with the church. She wanted her work to make a difference to it and she was committed to being a feminist philosopher of religion. There are many recurrent themes in her work that clearly relate to her background in the church, and particularly in the Lutheran church of her upbringing. Her challenge to the patriarchy of what she called “hyper-traditional” Christianity is clear, but also her critique of some forms of forgiveness and (...) her search for new understandings of love and vulnerability. Her work presents significant challenges to the church, but does not abandon it, instead offering new ways of connecting with some of its most profound and important teachings and themes. Her work encourages us women in the church to value our own life experience as a source of knowledge, to re-frame our vulnerabilities and to find love in ways that offer freedom and hope. Pamela saw her work as her own contribution to the community of the church. It remains important that her voice, even and especially with its “speaker vulnerability,” is heard in that place. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Gospel of Mark: A Mahayana ReadingDonald G. LuckThe Gospel of Mark: A Mahayana Reading. By John P. Keenan. Maryknoll, NY: Orbis Books, 1995.This is the latest effort of society member John Keenan to “pass over” (as John Dunne puts it) from one tradition to another in order to return to one’s point of departure with fresh perspective and heightened awareness. This book reflects impressive scholarship and (...) builds on the theological indebtedness to Madhyamika [End Page 210] and Yogacara thought that shaped Keenan’s earlier work, The Meaning of Christ: A Mahayana Theology, also published by Orbis. The noses of academic purists may be put out of joint by what some might construe as a blurring of boundaries between Buddhism and Christianity, but Keenan places himself right in the thick of current hermeneutical discussions to establish the fruitfulness of Mahayana perspective in interpreting the “charter document of the Christian Gospel” (p. 4). He finds methodological legitimization both in the arguments of narrative criticism and in the lines of connection he discerns between deconstruction and the Mahayana recognition of emptiness. And in so arguing, he finds himself able to account for forms of New Testament criticism such as those advanced by John Dominic Crossan and Werner Kelber that not only undermine forms of essentialism but also resort to conventional modes of thinking and discourse without justifying the latter.What is unwittingly going on, argues Keenan, is parallel to the Mahayana identification of emptiness (shunyata) with dependent co-arising (pratitya samutpada). Like deconstructionist hermenuetics, emptiness destablizes all fixed views by recognizing that ultimate truth is ineffable and silent. However, unlike deconstruction, emptiness avoids the vertigo of a text lost in the interplay of interpretations doubling back on themselves. “That is emptiness ineptly apprehended as itself an essentialist viewpoint that there are no viewpoints” (p. 7). Instead, Mahayana analysis connects recognition of the total otherness of ultimate meaning with the affirmation of worldly convention in its limitation. The result is a hermeneutic of nonabsolutizing suggestiveness shaped by upaya, which leads the reader to the possibility of enlightenment —or, in the case of Mark, disclosure.According to Keenan, this Mahayana recognition of the identity of emptiness and dependent co-arising not only has hermeneutical legitimation but also is the key for unlocking a fresh appreciation of Mark’s contents. Accounting for this is the fact that “the Marcan rhetoric of indirection and irony is the narrative analogue to the Madhyamika dialectical rhetoric employed in Nagarjuna’s Stanzas on the Middle” and the fact that “Mahayana eschews precisely those clarifying elements that Matthew and Luke have added to domesticate Mark’s story and discourse, preferring the opacity of ultimate meaning to the full explication of stated truths, opting for the emptying of all themes and ideas in order to reclaim them with an awakened mind” (p. 4).Keenan’s approach is coherent with Crossan’s observation that while mythos creates a universe of meaning, parable undermines established cosmoi. In this respect, Jesus not only speaks parable, he is parable. Utilizing the Mahayana identification of emptiness with dependent co-arising as a heuristic device and paying close attention to the Greek text, Keenan traces the simultaneously destablizing and restorative effect that Jesus has on his hearers—and that the evangelist potentially can have on his readers. Jesus’ “desert spirituality,” that is, his radically unconventional vision, undermines the expectations and securities of both hearer and reader. But it also reconnects those effected by the liberation he works “not to the ultimate glory of a false kingdom imagined by the disciples and the readers, but to the conventional realm of human living in which alone the kingdom may be established” (p. 73; italics added). Indeed, Jesus’ crucifixion makes clear that the transformation wrought [End Page 211] by the Gospel is an existential reappropriation of ordinary life in the face of ultimate mystery, not some supernatural deliverance within or from it. Appropriately, Mark ends with the women being confronted by both the jarring and ineffable mystery of Jesus’ empty tomb and the promise that he will see the disciples again in the familiar—and open-ended—context of life in Galilee.Keenan has done more... (shrink)