The ArgumentIt is not easy to point to the place of knowledge in our culture. More precisely, it is difficult to locate the production of our most valued forms of knowledge, including those of religion, literature and science. A pervasive topos in Western culture, from the Greeks onward, stipulates that the most authentic intellectual agents are the most solitary. The place of knowledge is nowhere in particular and anywhere at all. I sketch some uses of the theme of the (...) solitary philosopher across a broad sweep of history, giving particular attention to its deployment in and around the scientific culture of seventeenth-century England. I argue that the rhetoric of solitude is strongly implicated in individualistic views of society and empiricist portrayals of scientific knowledge. Solitude is a state that symbolically expresses direct engagement with the sources of knowledge – divine and transcendent or natural and empirical. At the same time, solitude publicly expresses disengagement from society, identified as a set of conventions and concerns which act to corrupt knowledge. Hence, the study of the social uses of solitude adds further support to the notion that problems of knowledge and problems of social order are solved together. (shrink)

In this book, Diana Senechal confronts a culture that has come to depend on instant updates and communication at the expense of solitude. Schools today emphasize rapid group work and fragmented activity, not the thoughtful study of complex subjects. The Internet offers contact with others throughout the day and night; we lose the ability to be apart, even in our minds. Yet solitude plays an essential role in literature, education, democracy, relationships, and matters of conscience. Throughout its (...) analyses and argument, the book calls not for drastic changes but for a subtle shift: an attitude that honors solitude without descending into dogma. (shrink)

One of the primary and most consequential properties of consciousness is that it is absolutely isolated. One’s consciousness cannot be shared by anyone else. Self- consciousness about this condition can give rise to a debilitating sense of loneliness. One important task of culture is to manage this sense of loneliness, to defer and diminish it. Religion supplies ideas that function in this way. Literature supplies imaginative experiences to the same ends. After introducing the general topic through a literary example, (...) the paper takes up the problem of other minds and solipsism, considering aspects of the issue treated by Wittgenstein, Moore, Heidegger and Descartes. The possibility of solipsism both demonstrates and results from the unbridgeable isolation of consciousness. The second section turns to the mind/body relation. It argues that intentionality is irreducible to a purely physical explanatory account. This is not because the mind is a brain-like entity that interacts with the body. Rather, it is because any physical explanatory account presupposes an observer or speaker outside the system being observed or described. The irreducibility of that observer is, so to speak, the flip side of solipsism. The unobserved observer is, precisely, each one of us. Each of us is removed in just this way from the world he/she is perceiving and addressing hence, our isolation. The third section turns to the varieties of loneliness here called ‘longing’, ‘grief’ and ‘despair’ relating these to the inevitability of death, primarily the death of others. The fourth part takes up the feeling that makes loneliness intense, love. It goes on to consider the thematization of loneliness in the most common narrative structure cross- culturally, romantic tragi-comedy. The concluding sections examine the ways in which religion and literature serve not only to represent loneliness, but, what is more important, to inhibit or manage it. (shrink)

As interest in aesthetic experience evolved in the eighteenth century, discussions of the sublime located two opposed accounts of its place and use. Ferguson traces these two positions - the Burkean empiricist account and the Kantian formalist one - to argue that they had significance of aesthetics, including recent deconstructive and New Historicist criticism.

What makes solitude a positive experience? What distinguishes experiences of solitude from experiences of loneliness? We review some of the literature on the benefits of solitude, focusing on freedom, creativity, and spirituality. Then, we argue that the relationship between agent and environment is an important factor in determining the quality of experiences of solitude. In particular, we find that solitude may support a person’s sense of agency, expanding the possibilities for action that a person (...) has, and creating the conditions for authenticity. We describe a phenomenology of solitude, based on a study that explores the nature of experiences of loneliness and solitude in a religious community. One finding is that solitude is characterised by presence, whereas loneliness is characterised by absence. Another finding is that solitude can contribute to a sense of empowerment that enables agents to pursue and achieve the goals they find valuable. (shrink)

This article examines various meanings of solitude in eighteenth-century Europe, with emphasis on French thought and culture. Part 1 is a survey of literary representations of solitude and contemplation. Part II is devoted to the Jansenist convulsionnaires, Catholic dissidents who took part in a larger appeal against the repressive Unigenitus Bull of 1713. Although the convulsionary movement sought to attract crowds and publicity, it was also grounded in a Jansenist tradition of spiritual retreat that was emulated by the (...) movement’s de facto patron saint, the appellant deacon François de Pâris. Part III features writings by Zimmermann and Tissot, who medicalized solitude for three reasons: belief in the ethos of sociability, concern over the pathogenic powers of the imagination, and suspicion towards the passions that drove some people to fix their minds exclusively on certain ideas. To show solitude’s harmful consequences for those who spent too much time absorbed in ideas, they made intriguing connections between secular knowledge-seekers and the religiously devout. The Jansenist convulsionnaires were one of the dangerously zealous groups whom they cited to illustrate their arguments. (shrink)

A philosophical anthropology of solitude is presented through the art, literature and music of and around Modernism, Postmodernism. It is presented as an insight into both Modernism and Postmodernism. These movements portrayed and contributed to the lonely alienated worlds of the early-to-mid twentieth century. Culture and society together developed forms of loneliness that were centred on individualist, alienated, guilt and shame, to which a response may be appropriately silent or humorous, living or dead, and sometimes a lewd masochism. (...) Even those who rejected Modernism and Postmodernism help describe – either positively or apophatically – the distinctive forms of lonely solitude in those movements. (shrink)

In this article, I consider two interpretations of Spinoza's account of the good life in recent literature, which I call the social activist model and the solitary intellectualist model, in order to shed light on his underexamined views on solitude within this context. The former model has gained more support than the latter due to Spinoza's criticism of the solitary life and the importance he ascribes to friendship and living cooperatively with others within his corpus. While I recognize (...) its strengths, I am skeptical as to whether the social activist model appreciates the complexity of Spinoza's account of the good life in the Ethics. For even though Spinoza clearly values friendship, he has a largely pessimistic view of those he calls ordinary people, which bears on the possibility of friendship between the philosopher and ordinary people. Furthermore, intuitive knowledge is unlike reason in that it concerns an asocial and intellectual insight beyond an identification with humanity and imaginative dimensions of ordinary life. It is, thus, conducive to what psychologists James Averill and Louise Sundararajan have called authentic solitude to the extent that it brings about a metaphysical awareness of our ontological status as finite modes of God. Although neither of the aforementioned models offers an entirely accurate representation of Spinoza's understanding of freedom in the Ethics, considering them enables us simultaneously to appreciate the complexity of Spinoza's thought and recognize a problematic tension within it. This tension is due to the gap between, on the one hand, his pessimistic view of ordinary people and his intellectualist portrayal of the philosopher who becomes disconnected from ordinary people as she increases her knowledge of the eternal, and his insistence on the shareability of knowledge and the importance he ascribes to the task of bringing ordinary people to enlightenment, on the other. (shrink)

Austen's heroines need all their resources to overcome the suffering that their virtues occasion. Isolation threatens Emma Woodhouse, Anne Elliot, and Elinor Dashwood because of rather than in spite of their characteristic excellences. But this cannot be: virtue is supposed to contribute to flourishing, not detract from it. Fortunately, Emma, Anne, and Elinor also possess proper self-sufficiency, enabling them to endure and overcome the trials of their own virtue. Thus, Austen's heroines avoid misery, and virtue theorists learn to attend to (...) virtues that respond to the struggle that partially constitutes even excellent human lives. (shrink)

Certain strands of modern literature and philosophy have laid pronounced emphasis upon the impossibility of sharing the experience of dying: in the face of death, all social bonds dissolve and the human being finds himself in the deepest and most inescapable of solitudes. Greek myth, however, depicts stories in which death is physically shared by two individuals, or magically transferred from one individual to another: such stories provide a fascinating starting point for comparing ancient and modern views on the (...) same problem, or, rather, for exploring ancient perspectives on a modern problem. This article takes as its premise the idea that ‘death’ as an abstract notion is a human construct, and argues that feelings and questions associated with death, such as that of its inexorable power to isolate the dying person psychologically from the rest of mankind, are not intrinsic to the phenomenon, but instead determined by culture. (shrink)

In this paper, the “secret” that the Other always retain for us and the unescapable loneliness of every existence are approached in the double light projected on them by philosophy and literature, and for the latter more particularly Proust and Rilke. The author’s claim is that philosophy, and especially phenomenology with a cartesian background, has misunderstood the meaning of both phenomena – secret and loneliness – by interpreting the first one as absolute transendance, and the second one as egological (...) closeness. Of greater interest is the writers’ testimony that would lead us to a completely different phenomenology of the Other. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Solitude: A Philosophical EncounterRobert D. CottrellSolitude: A Philosophical Encounter, by Philip Koch; xiv & 375 pp. La Salle, Illinois: Open Court, 1994, $39.95 cloth, $17.95 paper.A professor of philosophy at the University of Prince Edward Island (an attractively solitary spot, I should imagine), Philip Koch divides his book into two parts, asking in Part I: what is solitude? and in Part II: what role does (...) class='Hi'>solitude play in our lives? At the beginning of his inquiry, Koch identifies two primary modes of human experience: solitude, the core definition of which is social disengagement, and encounter, that is to say, interaction with others. Both are essential for human completion; indeed, the inescapable link between solitude and encounter is illustrated in the book’s full title, which contains both words. Still, in today’s society solitude is probably less understood and appreciated than encounter, for we tend to stress the supposed primacy of relationships and bonds. Calling himself a partisan of solitude, Koch sets out to correct the imbalance he discerns between solitude and encounter by focusing on how solitude (different, he insists, from loneliness, isolation, privacy, or alienation) contributes to our physical, moral, and emotional well-being.Koch is a philosopher; he defines his terms and then, as he moves along, makes subtle distinctions in his original definitions, rendering each term ever more precise and accurate. Conscious of the slippage of meaning that often occurs in language and of the mischief that can be caused by using terms improperly, Koch points out how Tillich (p. 164) and Mijuskovic (p. 173) go astray by gliding confusedly from one term to another, the result being that their arguments drift into muddle. Koch’s own thinking is pellucidly clear. The major part of his book is a discussion of the value of solitude. He identifies five primary virtues linked to solitude: freedom, attunement to self, attunement to nature, reflective perspective, and creativity. After discussing each of the virtues, Koch answers the objections that have been raised throughout the centuries to the claims he has made for the positive tole of solitude in our lives.Ranging over the whole history of human thought, Koch draws on a vast array of writers, including Tao Tze, Plotinus, Seneca, Augustine, Petrarch, Saint Teresa of Avila, Meister Eckhart, Montaigne, Descartes (always a key figure in any discussion of the evolution of Western thought), Goethe, Wordsworth, Hugo, Emerson, Thoreau, Dickinson, Whitman, Proust, Lawrence, Rilke, Sartre, Eiseley, Woolf, and Sarton. A meticulously learned book, Solitude is also a deeply meditative and an intensely personal one. In this, it resembles the work of Montaigne and of Loren Eiseley, where philosophical or (in the case of Eiseley) scientific knowledge is inseparable from imaginative vision; inseparable, too, from the distinctive voice of the author, for Koch, like Montaigne and Eiseley, moves easily from meditation to recollection, recounting moments of joy or sorrow in his own life. Even Koch’s prose bears some resemblance to that of Montaigne or Eiseley for, like theirs, it vibrates with the peculiarly poetic [End Page 155] intensity that a great writer can find in plain, unadorned speech. Indeed, what remains with the reader of this book, beyond the philosophical arguments and the erudite explanations, relegated wisely to the footnotes at the back of the volume where they are available to serious students without intimidating casual readers, is the seductive charm of the author’s voice, the sense of being addressed directly and intimately. To encounter this marvelous book, written in solitude, read in solitude, is to move beyond solitude and to experience, in the strange way that only a good book can provide, intimacy with another mind, another spirit that is engaged—it, too—in the process of encountering other minds, other spirits.Robert D. CottrellOhio State UniversityCopyright © 1995 The Johns Hopkins University Press... (shrink)

Building on research and measures on solitude, ethical leadership theories, and decision making literatures, we propose a conceptual model to better understand processes enabling ethical leadership neglected in the literature. The role of solitude as antecedent is explored in this model, whereby its selective utilization focuses inner directionality toward growing authentic executive awareness as a moral person and a moral manager and allows an integration between inner and outer directionality toward ethical leadership and resulting decision-making processes that (...) will have an impact on others’ perceptions of leader authentic ethical leadership. Thus it is proposed that utilization of solitude positively predicts executive-level authentic ethical leadership action and in turn, ethical decision making perceived fairness and integrity. We also propose two moderators, strengthening the hypothesized (positive) association between solitude and ethical leadership; these are the executive’s ability for moral reasoning and a motivation for socialized (as opposed to personalized) power. (shrink)

Augustine and Proust—the passion for God and the passion for creation.

Human beings create their private worlds of feelings and thoughts through immersion in the semiosphere created through situated activity contexts. Processes of internalization/externalization are at the center of development of human beings through the whole of their life courses. We consider the contexts of schooling as organized through Semiotic Demand Settings (SDS) for development of intrinsic motivation of the students. Intrinsic motivation is a process mechanism that operates as internalized and hyper-generalized feeling at the most central layer of internalization. It (...) is a result of integration of social suggestions, hyper-generalized as an affective field, and turned into a value that directs future actions. (shrink)

The aim of this article is twofold. Firstly, it explicates Simone de Beauvoir’s views on literature as a means of communication. Secondly, it draws from her theoretical framework to illuminate the discussion on mortality and death in a poem by an ancient Greek woman epigrammatist, Anyte. These two goals are combined by the fact that for Beauvoir one of the most important tasks of literature was to break down the solitude of human existence by sharing the most (...) intimate and painful experiences, such as the death of our loved ones. I will argue that Beauvoir’s insights help us understand literature and its most profound, communicative dimension. On the other hand, taking the Beauvoirian framework to a field unknown to it before will elucidate its potential as a tool for literary analysis. Finally, the dialogue the article establishes between two women authors, Beauvoir and Anyte, will provide us with a more detailed understanding of the meaning of death in human existence and in literary communication. (shrink)

Howard Callaway's new edition of Ralph Waldo Emerson's Society and Solitude is an invaluable contribution to both the primary and secondary literature on Emerson. Its contribution to the primary sources is its use of the original 1870 edition of Emerson's text, though with modernized spellings to facilitate the reader's understanding. Its contribution to the secondary literature consists in the scholarly apparatus of page-by-page annotations, an introduction, a chronology, a bibliography, and an index. Callaway's Society and Solitude (...) is a worthy companion to his earlier edition of Emerson's The Conduct of Life. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 80-97 [Access article in PDF] Literary Truth as Dreamlike Expression in Foucault's and Borges's "Chinese Encyclopedia" Robert Wicks ALTHOUGH THE TOPIC REMAINS MOSTLY unexplored, Michel Foucault had an aesthetic and intellectual attraction towards writers and artists in the Spanish-speaking tradition. For example, at the conclusion of his Histoire de la folie (Madness and Civilization, 1961)—a book which brought him extensive intellectual recognition in (...) France—Foucault drew his readers' attention to José de Goya y Lucientes's (1746-1828) well-known etching, El Sueño de la Razón Produce Monstruos (The Sleep of Reason Brings Forth Monsters, Plate 43 of Los Caprichos, 1797). In Foucault's estimation, by revealing a "night which is doubtless that of classical unreason," Goya's work represented a socially removed condition within which people encounter "what is most solitary" and experience what is "deepest" within themselves. With his reference to Goya's imagery, Foucault illustrated a major theme of his history of madness, namely, how people referred to as "mentally ill" experienced a gradual, physical exclusion from participation in public society, and how they were eventually isolated in a more frightening way: within their physical confinement, they were subject to techniques of psychological and spiritual alienation that reduced them to a condition of utter solitude.In a comparable, if not more central manner, Foucault used as thematic motifs for the preface, first and second chapters of a book for which he is widely known, Les Mots et les choses (The Order of Things, 1966), the work of three major writers and artists from the Spanish-speaking world: Jorges Luis Borges (1899-1986), Diego Velázquez (1599-1660), and Miguel de Cervantes (1547-1616). Among these references, the most popular is probably Foucault's discussion of [End Page 80] Velázquez's Las Meninas—a painting which captured Foucault's interest as a perfect exemplar of its time period—and which inspired him to devote the entire first chapter of his book to decoding the mechanics of its perspectival arrangement. And within the community of those who read, write and discuss the interrelationship between Foucault's thought, literary theory and the contemporary emphasis upon the multivocal quality of textual meaning, Foucault's citation of an excerpt from a short story by Borges—the subject of this essay—is also familiar. Foucault introduced his 1966 book, The Order of Things, with the following words: This book first arose out of a passage in Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought, the thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a "certain Chinese encyclopedia" in which it is written that "animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies." In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that. 1The short story from which Foucault extracted the above, quasi-cubistic, excerpt was published in Borges's 1952 collection, Otras Inquisiciones (Other Inquisitions), and is entitled, "The Analytical Language of John Wilkins." Although this story's entirety is rarely surveyed in discussions of Foucault, appreciating its broader contents helps illuminate why Foucault began The Order of Things with this entertaining and bizarre segment. Borges's original... (shrink)

Drawing on a rich variety of Indian texts across multiple traditions, including Vedanta, Buddhist, Yoga and Jain, this collection explores how emotional experience is framed, evoked and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading Indian philosophers showcase the unique literary texture, philosophical reflections and theoretical paradigms that classical Indian sources provide in their own right. From solitude in the Saundarananda and psychosomatic theories (...) of disease in the Yogavasistha to female lament in Greek, Sinhala Buddhist and Sanskrit epic tales, their chapters reveal the range and diversity of the phenomena encompassing the English term 'emotion'. In doing so, they contribute towards a more cosmopolitan, comparative and pluralistic conception of human experience. Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition. (shrink)

In book 5 of his historically controversial autobiography, the _Confessions_, Jean-Jacques Rousseau describes his involvement in a perfectly harmonious ménage à trois centered around the charming Mme. de Warens. Despite his assertions to the contrary, however, the text indicates that Rousseau harbored jealous feelings and banked on Mme. de Warens's passion for music to gain an edge over his rival, Claude Anet. But Rousseau's apparently sincere denial of jealous feelings and lost hold over Mme. de Warens's romantic imagination after Anet's (...) sudden death might have been related to the philosophical life, which often demands and imposes solitude. (shrink)

The essay examines the relation between the explicit aesthetic ideology of Proust’s Recherche and the structure of the “involuntary memory” that is supposed to serve as that ideology’s empirical basis. I challenge the apparent solipsism and idealism of the narrator’s aesthetics by focusing on the one experience of involuntary memory that he omits from his final reflections, in Time Regained, on the relation between memory and art: this is the involuntary memory, in the earlier volume Sodom and Gomorrah, of his (...) dead grandmother, a memory that he describes there as an experience of true otherness. Through a close reading of this passage, I argue that Proust’s interest in involuntary memory implies a concept of literary art as above all ethical in nature, in so far as it is the only means by which individuals can emerge from the solitude to which they are otherwise existentially condemned. In both the Sodom and Gomorrah passage and a later passage from Time Regained this emergence is cast in terms of a rhetoric of multiplicity that emphasizes both the disturbing and the productive dimensions connecting literature with life. (shrink)

Anticipation of future decisions can be important for individuals at risk for diseases to maintain autonomy over time. For future treatment and care decisions, advance care planning is accepted as a useful anticipation tool. As research with persons with dementia seems imperative to develop disease-modifying interventions, and with changing regulations regarding research participation in Germany, advance research directives (ARDs) are considered a solution to include persons with dementia in research in an ethically sound manner. However, little is known about what (...) affected people deem anticipatable.This contribution provides a critical reflection of the literature on anticipation and of a qualitative study on the assessment of ARDs with persons with cognitive impairment in Germany. It combines theoretical and empirical reflections to inform the ethical-legal discourse.Anticipation involves the conceptual separation of the past, the present, and the future. Including dimensions such as preparedness, injunction, and optimization helps in establishing a framework for anticipatory decision-making. While dementia may offer a window of time to consider future decisions, individual beliefs about dementia including fears about stigma, loss of personhood, and solitude strongly impact anticipating sentiments. Concepts of anticipation can be useful for the examination of uncertainty, changing values, needs, and preferences interconnected with the dementia trajectory and can serve as a means to make an uncertain future more concrete. However, fears of losing one’s autonomy in the process of dementia also apply to possibilities of anticipation as these require cognitive assessment and reassessment of an imagined future with dementia. (shrink)

This essay dedicates itself to poetically think about childhood, philosophy and solitude. By using some literary images, it provokes us to think of childhood beyond chronology, linear time, life phases, investing in the potentiality of the minimum, of the tiniest, of the minutiae as a force that can move us from the common places of thought, to expose or disturb our ways of seeing, of understanding, of thinking. Childhood, literature, philosophy and solitude keep alive the flame of (...) unfinishing, of incompleteness, making the wheel of life spin: poetry is made of everything that easily breaks, of the unusable, which lasts just a little less than an instant wich is, in it’s turn, minimal, is what undoes the civilization of gold, the merchandise of blasphemy, including what can not be remembered, the least, the odd, the insufficient. Thus, this essay is an invitation so that we can look attentively, calmly, at the unseemly things, at the almost silent words, at the minimal gestures and then to be able to listen and to see, perhaps, another poetic of the childhood and the philosophy, a distinct relationship with the childhood, the literature, the philosophy and the solitude in such a way that we can say: yes, childhood has a voice; yes, childhood without a voice is a disgrace. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.3 (2001) 401-423 [Access article in PDF] Petrarch and the Genealogy of Asceticism W. Scott Blanchard The morality of thought lies in a procedure that is neither entrenched nor detached. --Theodor Adorno Perhaps no author within or outside of the canon of Western literature wrote as extensively on the topic of solitude as did Francesco Petrarch. While many of our modern (...) associations with the term may find some of their origins traceable as far back as Petrarch's career, the term "solitude" carried with it much different associations in his century than it does for us today, influenced as we are by the Romantic tradition and especially by Wordsworth's absorption with the idea of solitude as an ideal state for self-conscious reflection on the individual's personal history and its meaning. No less than three of Petrarch's major prose works--the De otio religioso, the De vita solitaria, and the Secretum--confront the topic of solitude directly, and we can also point to many letters, poems, and portions of his treatises that either directly or indirectly reflect Petrarch's virtual obsession with solitude. In Petrarch we are confronted with an author who was at once the most politically connected intellectual of his century--we are even tempted to call him a "public intellectual"--and yet who constantly invoked his desire for solitude, for an escape from the many distractions and seductions that the cities and courts of his society offered. For Petrarch these were invariably places where desire lurked and power held sway, so that the life of solitude was often invoked as an alternative--a counter-cultural locus, perhaps--where freedom from temptation and subjection was imagined as an escape from the negotium of worldly life. There is much in Petrarch's writings on the solitary life that is wishful and that we might characterize as merely compensatory in a life that was otherwise quite active and engaged, but there is also a [End Page 401] strain of thought in these works that indicates a certain intransigence beneath Petrarch's overdetermined attachment to the idea, if not the practice, of withdrawal and detachment. An inquiry into Petrarch's idealization of the solitary life may even yield a somewhat reactionary aspect of his complex mind, a conservative strain in an author who was in almost every other way the literary herald of a humanism that was at the center of the cultural avant-garde of the Trecento. Is the Petrarch that in so many accounts of his character is construed as the "first modern man" actually something else, a reluctant ascetic holdover from the Middle Ages? How did Petrarch use his unique understanding of the life of solitude, of ascesis, as a pose from which to construct his sense of himself as an author and intellectual? Or are we simply confronted in the figure of a worldly and an ascetic Petrarch with yet another set of contradictions so appropriate to the "immensely complex" author whose poetic signature was the oxymoron? 1"Asceticism" and "solitude" are of course not synonymous terms, but any examination of a number of Petrarch's works as they fall within what might be called a genealogy of asceticism must recognize from the start that Petrarch's brand of asceticism was somewhat unique, especially insofar as it was deeply influenced by ancient Stoicism as well as by his reading in authors from the early Christian era. The most useful expression for our purposes may be the medieval concept of the "contemplative life," since much of the analysis in what follows will focus on how Petrarch often used his self-proclaimed pose of detachment and withdrawal as a technique for carrying on what were otherwise quite engaged dialogues with those worldly formations of power and authority that are normally conceived of as belonging to the "active" sphere of human existence. 2 For despite Petrarch's participation in or association with a number of political and civic ventures during his long and productive career, he likely never would have freely chosen... (shrink)

In so far as the Tao Te Ching and the Chuang Tzu are life-philosophies, they are philosophies of solitude. My aim in the following pages is to explain and defend this claim, clarifying the distinctive kind of solitude that is taught by Lao Tzu and Chuang Tzu.

The twentieth century began with the deconstruction of the image, as it is ending with the effort to restore it. Cubism, dada, and abstract expressionism took apart what, in their various ways, pop art, magic realism, and neoexpressionism have tried to put back together. Tonality in music and narrative in literature have undergone similar change.1 What has been at stake in each case has been the redefinition of a center, a normative or ordering principle as such. Yeats intuited this (...) general phenomenon in his famous observation that “the center cannot hold,” and though whether one applauds or, with Yeats, condemns the result, it is undeniable that the crisis of contemporary culture has been in large part experienced as a deprivation of norms.This sense of deprivation has been most apparent in the plastic arts. The fashioning of images has been one of the primary impulses of human art. It has been the basis of most systems of visual representation and constitutes the earliest record we have off art itself. Its loss or abandonment has been in good part responsible for the bewilderment and hostility much of the general public continues to express toward modern art.The experience of this loss, however, has not been confined to the public alone. For many artists, the sense of modern art’s expressive potential has been tempered by an anxiety about its ultimate direction.2 For these artists, the image had not been transcended but rather rendered inaccessible, and implicitly or explicitly they sought its restoration. At the same time, they were keenly aware that there could be no return to exhausted modes of representation, no looking back except as parody or quotation.3 1. Among the studies comparing changes across the arts in the early twentieth century are Georges Edouard Lemaître, From Cubism to Surrealism in French Literature , and Bram Dijkstra, The Hieroglyphics of a New Speech: Cubism, Stieglitz, and the Early Poetry of William Carlos Williams . More recently, visualization in cubist art and relativity theory has been compared in Linda Dalrymple Henderson, The Fourth Dimension and Non-Euclidean Geometry in Modern Art . For a general overview, see Stephen Kern, The Culture of Time and Space, 1880-1918 . Marxist critics, notably Walter Benjamin, have long insisted on the relationship between modernism in the arts and the crisis of the traditional order.2. This is clearly visible in the work and writing of pioneers such as Kandinsky and Klee or, to take a later case, Adolph Gottlieb. The correspondence between Kandinsky and Schönberg is illuminating as well.3. Much of the neoimagistic art of the past twenty-five years falls into these categories, and thus signals a prolongation rather than a resolution of the crisis. Pop art was clearly an art of parody, while work of an artist such as Malcolm Morley might almost be taken as an illustration of Benjamin’s thesis about the work of art in an age of mechanical reproduction. His “imitations,” like those of Robert Lowell in verse, betray a deep anxiety about mastery and tradition. Much the same can be said for such musical compositions as Lukas Foss’ “Baroque Variations” and “Phorion” or Luciano Berio’s “Sinfonia,” to name but a random few among many. Robert Zaller is professor of history and head of the department of history and politics at Drexel University. He was formerly on the faculties of Queens College , the University of California at Santa Barbara, and the University of Miami. His books include The Parliament of 1621: A Study in Constitutional Conflict and The Cliffs of Solitude: A Reading of Robinson Jeffers. (shrink)

Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.

M'illumino/d'immenso - I'm lit/with immensity is Geoffrey Brock's translation of Giuseppe Ungaretti's poem Mattina. In the poem's minimalism, Ungaretti points to the maximal: the richness of poetry's expressive possibilities and the power of thinking in literature. This book addresses the fascination of readers to transcend the boundaries of their own in fiction, and literature's capacity, according to Kant, even to evoke, with the help of the development of aesthetic ideas, representations that exceed what is empirically and conceptually graspable (...) - in case studies about myths of creativity, images of death and the beyond after the 'death of God', of the soul, of melancholy as the dark ground of genius, of metamorphoses of both evil and good, of ecstasy, of the economy of self-sacrifice, of the art of resistance, and, among others, about figurations of biography and the portrait as approaches to singularity, what is particular and cannot be fully subsumed to any universality. (shrink)

From the twentieth century into the twenty-first, psychoanalysis and deconstruction have challenged, and continue to challenge, our conceptions of subjectivity and selfhood. This book argues that taking forward this heritage we must retrace the subject and the self as undergoing perpetual auto-deconstruction, through the lens of solitude.

In lieu of an abstract, here is a brief excerpt of the content:MetanoiaRichard G. T. Gipps, ClinPsyD, PhD (bio)A “honeysuckle on a broken fence”: Scrutton’s (2024) theologically potent image offers us a dignified vision of how a living faith and the experience of mental illness might intersect. Mental and physical illness, deprivation and bereavement sometimes provide a propitious structure on which faith’s bright strands may grow. Scrutton posits no simply causal relationship between faith and mental illness, and steers us helpfully (...) away from the narcissistic overvaluation of inner experience too often met with in (1) mysterium tremendum (meeting-God-blew-my-mind), and (3) mental openness (divine-light-pours-through-the-cracks), formulations. She helps us to avoid settling, too, for the clever-sounding but ultimately too-easy idea of (2) ‘mental illness’ and ‘religious experience’ as different descriptions under which identical experiences may sometimes be brought. For one thing, and to animadvert now in my own vein: can we really—as William James aspires to, say, when he takes it for granted that the “more personal branch [of] feelings, acts, and experiences of individual men in their solitude, so far as they apprehend themselves to stand in relation to... the divine” can be neatly hived off from the “institutional branch of religion... worship... theology... ceremony... ” and so on—even individuate the relevant experiential phenomena independently of their meaning-conferring contexts? For another, it seems to me that too often in the literature of (1) (2) and (3) do we meet with a fatal confusion that can be expressed in terms of a conflation of two meanings of “ego,” as when a) the dropping of the kinds of boundaries which it makes sense to talk of putting up (i.e., our ego’s defensive, prideful, shame-driven shirking of intimacy) is muddled together with b) the crumbling of such individuating ego boundaries as constitute us. Such a confusion gets readily promulgated by vague and tacitly polysemic talk not only of ‘ego’ but also of ‘non-duality,’ ’transpersonal,’ and ‘higher’ and ‘lower’ ‘levels’ of ‘self’ and ‘consciousness’ (e.g., see Kasprow & Scotton 1999). Sometimes driving this, one can’t help suspect, is the narcissistic gain of conflating the dismal dissolution of ego boundaries in illness (Conrad, 1958) with the epiphanic transcendence of a grasping and fearful ego. Spiritual pride and spiritual bypass (i.e. fleeing the relational tasks of adult development into a self-preoccupied ‘spiritualised’ inner journey) (Welwood, 2000) then abound, not only for the sufferer but also for the lowly therapist who now receives their shamanic guide/hierophant upgrade. By contrast with all of this, Scrutton’s (4) honeysuckle on a broken fence model stands out in its theological dignity and psychological sobriety.Even so I found myself, on reading Scrutton’s piece, wondering whether a more romantic conception of a growing faith’s possible relation [End Page 257] to psychological disturbance might yet be available and sometimes even find application. What particularly came to my mind was that notion of metanoia as offered us by the existential tradition in both theology and psychopathology.Mark’s gospel begins with John the Baptist heralding Christ’s arrival and preaching the “baptism of repentance [metanoia; μετανοίας] for the remission of sins” (Mark 1:4). Jesus’s first public words then proclaim the same message: “the kingdom of God is at hand: repent ye [μετανοεῖτε], and believe the gospel” (Mark 1:15). ‘Repentance’ is today often understood as a sorrowful acknowledgement of one’s wrongdoings, but it has long been acknowledged that, if that be the meaning we give the term, it is an inapt translation of ‘metanoia’ (Walden, 1896). For what the gospel instead calls for is rather a wholesale turning about, or conversion, from ‘ego-dominance to surrender’ (Barron, 2021), i.e. from (a) defensive and illusory attempts to handle our vulnerability and dependency through self-reliance and self-affirmation to (b) an aliveness to grace (i.e. seeing our lives and their bounties under the aspect of the freely given gift) and a trusting surrender to the dominion of that God of love in which we anyway inexorably ‘live and move and have our being’ (Acts 17:28). The ‘I’ in Paul’s “It is no longer I who... (shrink)

This article aims to examine Pierre Charron’s conception of solitude, a task which is complicated by the fact that this conception underwent several changes between the two editions of De la sagesse. Unlike the 1601 edition, the 1604 edition includes passages on the importance of the social dimension of the good life, which may look like an exhortation to actively participate in social life in order to acquire civil prudence. In order to clarify the Charronian position on this issue, (...) I undertake a comparative analysis of the two editions of De la Sagesse, as well as an enquiry into the letters sent to a Doctor of the Sorbonne and to Gabriel Michel de La Rochemaillet, in which Charron deepens his reflections on solitude. I will show that Charron describes solitude not only as a physical separation from a civil context, but also as an emotional autonomy which can be reached everywhere. Charron’s perspective on solitude is also the result of his reading of previous philosophers, such as Seneca, Aristotle and Michel de Montaigne, as well as an analysis of Renaissance discussions of the active and contemplative lives. (shrink)

Numinous spaces in British literature from William Wordsworth to Samuel Beckett -- Jesus figures in American literature from Ralph Waldo Emerson to Edward Albee -- Using Bakhtin's definitions to discover ethical voices in Solzhenitsyn and Tolstoy -- René Girard's categories of scapegoats in literature of the American South -- Hopkins's metaphysics of nature as sacred disclosure -- The book of job as mirrored in Hopkins's metaphysics -- Beckett's mythos of the absence of God.

This chapter explores a so-far neglected way of avoiding the bads of loneliness: by learning to value solitude, where that is understood as a state of ‘keeping oneself company’, as J. David Velleman puts it. Unlike loneliness, solitude need not involve any deprivation, whether subjective or objective. This chapter considers the various goods to which solitude is constitutive or instrumental, with a focus on the promise that proper valuing of solitude holds for combating loneliness. The overall (...) argument is this: If loneliness significantly detracts from individual wellbeing, and if the ability to value solitude protects against loneliness, then such an ability is obviously valuable to human flourishing. If, further, loneliness raises concerns of justice, then supporting people’s ability to value solitude is a way to implement a desideratum of justice. Individuals can cultivate their ability to value solitude, an ability that others can promote or hinder. (shrink)

The paper offers a counter- reading to Derrida's “utopian” reading of Nietzsche, focussing instead on Nietzsche's cynical view of friendship, based on the impossibility of being a friend to oneself. Unlike Aristotle, who sees the basis of human political nature in their shared rationality and mutual friendship, Nietzsche sees not only politics, but human beings themselves as being constituted by a violent act of submission, and characterised by an ongoing struggle for power. The paper further examines two intellectual traditions about (...) friendship and politics, one according to which the two are positively related and no real tension could exist between them. Another tradition holds friendship to be irreconcilable with politics. Elements of both traditions can be recognised in Nietzsche who, finding the radical deceptive nature of friendship unacceptable, moves to a solitude which is equally unbearable. For it is precisely the hermit that knows that his solitude makes him into an other to himself, which turns out to be a motive for real friendship, the third element which prevents the lonely hermit from sinking into the depth of self- interrogation. The paper concludes with the recognition that friendship, for Nietzsche, can only have an intermediary function on the way to full realisation of friendship, which will be a friendship of an inner difference or plurality, i.e. on our way to what is ultimately beyond the human condition, to the “over man”. (shrink)

(1996). Surprise in literature. Angelaki: Vol. 1, No. 1, pp. 58-68.

In lieu of an abstract, here is a brief excerpt of the content:Anthony Close THE EMPIRICAL AUTHOR: SALMAN RUSHDIE'S THE SATANIC VERSES HOBBES, comparing the author ofan action to the owner ofgoods, asserts, "And as the right of possession, is called dominion; so the right of doing any action, is called authority" (Leviathan, Book I, chap. 16). My purpose in this essay is to apply this Hobbesian maxim to the relation Author/Text, expanding somewhat Hobbes's notion of authority. I presuppose that (...) in our day-to-day dealings with our fellow men, we envisage each others' acts as exhibiting purpose and commitment, which make them ours in more than the platitudinous sense that we performed them. By virtue of that, they confer on us a privileged, though clearly not unchallengeable, authority in saying what they are and what they are for. Such, in effect, is the position reached by Austin in How to Do Things with Words, and it broadly corresponds to that of various philosophical writings on human action—by Anscombe, Davidson, and Melden.1 To be sure, we may legitimately consider human behavior from other viewpoints (e.g., structuralist, anthropological, psychoanalytical, Marxist) trained on its unconscious presuppositions. Yet, insofar as such theorizing fails to acknowledge the priority of the Hobbesian perspective, it will seem perverse for a reason that has been well put by Charles Taylor. Precisely because history is made up of purposeful activity, Taylor argues, we need to explain historical patterns in a way that is "intelligible in relation to conscious action" even though they may not "issue from conscious action."2 By this criterion much of our modern literary theory is defective. A vivid measure of the deficiency is provided by the furor over Salman Rushdie's TL· Satanic Verses, culminatingin thefatwa pronounced against Philosophy and Literature, © 1990, 14: 248-267 Anthony Close249 him by the Ayatollah Khomeini in February 1989. I take it that for anyone vocationally committed to the practice or study ofliterature and to the cause of freedom of expression, the defense of Rushdie cannot be a matter of indifference. Nor can one be indifferent to the chasm of misunderstanding that separates Rushdie and his apologists from the novel's Muslim opponents. I believe that these two causes—defending Rushdie and bridging the chasm—can be reconciled by offering better explanations ofhis novel in place ofcrude denunciations or, from some non-Muslim quarters, smug and knowing dismissals. Yet, as we shall see, the task of explanation could be considered hamstrung by our modern poetics. I was reminded ofHobbes's textby Rushdie's lucid and cogent defense of his novel in TL· Independent (London, February 4, 1990). Against the accusations that he had deliberately reviled the Islamic faith, he argued as follows. Though TL· Satanic Verses, like many novels that Rushdie esteems, is a work of radical dissent, questioning, and reimagining, it is motivated by a spirit of serious inquiry rather than debunking derision. More particularly, it reflects a determination that underlies all Rushdie's work: "to create a literary language and literary forms in which the experience offormerly-colonised, still-disadvantaged peoples might find full expression." He continues: "It is written from the very experience of uprooting, disjuncture and metamorphosis... that is the migrant condition, and from which, I believe, can be derived a metaphor for all humanity.... [It] celebrates hybridity, impurity, intermingling, the transformation that comes of new and unexpected combinations of human beings, cultures, ideas, politics, movies, songs. It rejoices in mongrelisation and fears the absolutism of the Pure." Note the insistence on how these themes flow direcdy from Rushdie's own experience. Two days after the publication of this article, Harold Pinter gave on Rushdie's behalf a lecture on the relationship of literature to religion and society at the Institute of Contemporary Arts in London. In this lecture, Rushdie articulated a Bakhtinian view of the novelist's function: to dramatize ironically and noncommittally the clash of voices, languages, and ideologies in a world without gods and without traditionsanctioned truth. Rushdie referred specifically, I think, to a species of postmodernist novel which we may dub "palimpsest history";3 the species includes Rushdie's works, García Márquez's One Hundred Years of Solitude, Carlos Fuentes's Terra Nostra... (shrink)

In classical and Christian literature mountain symbolism takes many forms deriving from height and center. In so far as mountains are tall, lofty, and rise abruptly to touch heaven, they form part of the symbolism of transcendence and, in so far as they are often numinous places where the gods have revealed their presence, they share in the symbolism of manifestation. According to Gospel’s tradition, in Nonnus’ Paraphrase of St. John’s Gospel, the mountain, visible home of the invisible God, (...) situated next to the deity on account of its high peak and solitude, takes on a symbolic value in revealing the role of Christ and his future elevation on the Cross. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.1 (2001) 169-171 [Access article in PDF] Book Review The Passion for Happiness: Samuel Johnson and David Hume The Passion for Happiness: Samuel Johnson and David Hume, by Adam Potkay; 241 pp. Ithaca: Cornell University Press, 2000, $42.50. This book is a sustained attack on the widespread impression that Samuel Johnson and David Hume were antithetical characters, a notion largely nourished by that memorable moment (...) when Boswell brings up Hume "and other skeptical innovators" and Johnson replies, as we all remember, "Truth will not afford sufficient food to their vanity; so they have betaken themselves to error. Truth, sir, is a cow which will yield such people no more milk, and so they have gone to milk the bull." Professor Potkay feels that this image has radically distorted our perception of the truth.A large part of the problem, as Potkay sees it, is that the Johnson of the biography is not the same as the Johnson seen in his writings. Boswell, he claims, "superbly fashioned a Johnson after his own heart" (p. 29). Biography is beset with the misapprehensions we all have of another individual, but personal writing is equally subject to rhetorical posturing, selective memory, and other histrionics of the ego.Potkay makes a strong and interesting case for the proposition that Johnson and Hume were in accord as to their ideas of happiness. "Johnson and Hume set forth largely compatible visions of human happiness that, while rooted in Cicero, draw as well on modern authors..." (p. 5). In this view, happiness is intrinsically social, the inverse of Sartre's L'enfer, c'est les autres. We are estimable in our own eyes only if we are so in the eyes of others. The astronomer in Rasselas finally surmounts his delusion that he controls the weather only by leaving his solitude for the society of others. Hume declared that perfect solitude is the greatest punishment that we can suffer (p. 60). Hume and Johnson both agree that cities afford the greatest happiness through a multiplicity of agreeable consciousness--London for Johnson and Paris for Hume.Potkay argues that the chief ethic in the writings of both Hume and Johnson [End Page 169] "is the eclectic, Ciceronian brand of Stoicism Hume delineates in 'the Stoic', a sociable Stoicism whose end is 'the moderating of our passions, the enlightening of our reason'" (p. 77). The path to happiness lies in cultivating reason and moderating passion. However, unlike ethicists that downgrade the passions, Hume and Johnson see the passions as necessary and good. As against the whole duty of man, they think that pride is good, unless it causes pain to others. This is fresh news for those of us who have squirmed in Sunday school classes when pride was severely denounced and humility recommended--squirmed in spite of our reverence for Milton. Johnson and Hume viewed pride and the pleasure derived from praise as inspiring progress in trades, professions, arts, and science. It excites ingenuity. This is what we didn't dare say in Sunday school.Potkay searches indefatigably for parallels between the two men. We are told that they both rejected the hard determinism that some thinkers derived from Newtonian physics. In the midst of all this we have another discussion of tragedy, pity and fear, etc., the sort of thing that requires the reckless exuberance of youth in order to relish. Are we expected to feel astonished that here too we find them in accord? The parallels between the two men are pushed to the point that a reader might begin to suspect that there is a hidden half of the text that is being withheld, perhaps countervailing evidence. We begin to feel that lurking suspicion evoked by someone too zealously dedicated to a thesis.By the middle of the book, a reader is likely to be convinced that far from going forth to milk the bull, Hume was almost an intellectual twin of Johnson. At the same time, though, sepia thoughts begin to seep into the mind. We notice that these parallel thoughts... (shrink)

This paper finds its origin in a debate between Georges Bataille (1897-1962) and Octavio Paz (1914-1998) on what is central to the idea of eroticism. Bataille posits that violence and transgression are fundamental to eroticism, and without prohibition, eroticism would cease to exist. Paz, however, views violence and transgression as merely intersecting with, rather than being intrinsic to, eroticism. Paz places focus on imagination, and transforms eroticism from a transgressive, to a ritualistic act. Eroticism thus functions as an intermediary, turning (...) animal sexuality into ceremony and rite. In this paper, I argue that Paz and Bataille are not fundamentally at odds in their conceptualisation of eroticism. Instead, Paz redefines the locus of eroticism by subverting its unsettling aspects. His conception of eroticism gives precedence to the imagination, which in itself is an act of violation. Imagination transgresses normal life, but this transgression – the violation of the habitual world – also introduces a glimpse of the numinous that Paz associates with belongingness. The paper further explores eroticism, as this is perceived today, and argues that it ultimately eliminates the threshold marked by transgression. The rise of the contemporary pornographic society is marked by a loss of imagination and transcendence, which ultimately reduces the subject into a mere automaton that demands instant gratification. (shrink)

« Qu'est-ce qu'un homme révolté? Un homme qui dit non. Mais s'il refuse, il ne renonce pas : c'est aussi un homme qui dit oui, dès son premier mouvement. »[réf. nécessaire] D'apparence, il existe une limite à la révolte. Cependant, la révolte est un droit. La révolte naît de la perte de patience. Elle est un mouvement et se situe donc dans l'agir. Elle se définit par le « Tout ou Rien », le « Tous ou Personne ». En premier, (...) elle soumet l'idée d'égalité : position d'égal à égal entre le maître et l'esclave. Mais le révolté finit par imposer cette égalité qui se traduit souvent par une inversion des rôles (dialectique hégélienne). Suivant le raisonnement de Scheler, l'homme révolté n'est pas l'homme du ressentiment, c'est-à-dire qu'il ne baigne ni dans la haine ni dans le mépris. La révolte enfante des valeurs. De fait, « pour être, l'homme doit se révolter ». La révolte extirpe l'homme de la solitude puisqu'elle est collective, c'est l'« aventure de tous ». Néanmoins, faire l'expérience de la révolte, c'est faire l'expérience de l'ascèse. Les mythes de Prométhée, d'Achille (avec Patrocle), d'OEdipe et d'Antigone, sont des archétypes de révoltes antiques au même titre que la révolte de Spartacus. La révolte est souvent légitime, elle est l'expression la plus pure de la liberté et semble revêtir le visage de l'espoir. De surcroît, la révolte impose une tension, elle refuse donc formellement le confort de la tyrannie ou de la servitude. Le révolutionnaire a la volonté de « transformer le monde » (Marx) alors que le révolté veut « changer la vie » (Rimbaud). (shrink)

Animal welfare scientific literature has accumulated rapidly in recent years, but bias may exist which influences understanding of progress in the field. We conducted a survey of articles related to animal welfare or well being from an electronic database. From 8,541 articles on this topic, we randomly selected 115 articles for detailed review in four funding categories: government; charity and/or scientific association; industry; and educational organization. Ninety articles were evaluated after unsuitable articles were rejected. The welfare states of animals (...) in new treatments, conventional treatments or control groups with no treatment were classified as high, medium or low according to one or more. More articles were published in which the welfare of animals in new treatments was better than that of animals in the conventional or no treatment groups, demonstrating a positive result bias. Failure to publish studies with negative or inconclusive results may lead to other scientists unnecessarily repeating the research. The authors’ assessments of the welfare state of the groups were similarly rated high, medium or low, and it was found that new treatments were rated lower if the research was funded by industry, and higher when funded by charities, with government funding agencies intermediate. These differences were not evident in the Five Freedoms assessment, demonstrating an authors’ assessment bias that appeared to support the funding agencies’ interests. North American funded publications rated the welfare of animals in New treatments higher and those in a Conventional or No Treatment lower, compared with European-funded publications. It is concluded that preliminary evidence was provided of several forms of publication bias in animal welfare science. (shrink)

Today humanity is in the midst of the massive expansion of new and fundamental technology, represented by advanced artificial intelligence (AI) systems. The ongoing revolution of these technologies and their profound impact across various sectors, has triggered discussions about the characteristics and values that should guide their use and development in a responsible manner. In this paper, we conduct a systematic literature review with the aim of pointing out existing challenges and required principles in AI-based systems in different industries. (...) We discuss our findings and provide general recommendations to be considered during AI deployment in production. The results have shown many gaps and concerns towards responsible AI and integration of complex AI models in the industry that the research community could address. (shrink)