In lieu of an abstract, here is a brief excerpt of the content:“El secreto oficio de la abeja”A Sociopolitical Metaphor in the CelestinaCristina Guardiola (bio)Rojas returns again and again in La Celestina to the theme of the disruption of human relationships.—Stephen Gilman, The Spain of Fernando de RojasEnabled by the old bawd Celestina, the loco amor felt by the clandestine lovers Calisto and Melibea exposes a society living in disorder and conflict. Calisto and Melibea’s transgressive desire, and those who make (...) it possible, may be seen as directly contradicting moral and social laws upon which the tragicomedy claims to be predicated. Most of the characters in the work live their lives as transgression; their disorderly conduct leads inevitably to their death and destruction [Baranda 9]. The negative example offered by this work was, according to Maravall, what led early readers such as Quevedo to understand how the work: “debaxo del nombre de Comedia, enseña a vivir bien, moral y políticamente, acreditanto las virtudes y disfamando los vicios [under the title of Comedy, teaches one to live well, both moral and politically, accrediting virtues and discrediting vices]” [qtd. in Maravall 19].1 The Celestina lays bare its social and moralistic message by exposing the corruption of social and moral values prevalent in this late fifteenth-century work. Bringing together the aristocratic world of courtly love (already brought low through the Calisto’s crass treatment of waspish Melibea) and the bawdy world of the whorehouse, Rojas debases the people and passions therein. Connecting both worlds through her comings and goings is Celestina. Characterized as abeja, a political animal used in the Middle Ages and early modern period that informs the ideal structure of society, Celestina exposes a satire of society and its corruption of moral values.As the Síguese and prologue indicate, the tragicomedy was written with a dual and moral intent. The author wrote to disabuse the many “galanes y enamorados mancebos [handsome young men and enamored youth]” of his country from the cruel and evil fires of love, but also to expose “engaños de las alcahuetas y malos y lisonjeros siruientes [the deceptions of procuresses and evil sycophantic servants].” In the Celestina, the deceits of the bawd and servants Sempronio and (later) Pármeno complicate the narrative and move it to its tragic conclusion. As Celestina and Sempronio set out to profit by Calisto’s lovesickness, they are met with opposition from Pármeno. The initial resistance Pármeno puts up to defend himself and his master from the economic lust felt by Celestina and Sempronio serves to expose a conflict in social class. The heedless attainment of wealth demonstrated by the servants contradicts a more aristocratic principle that was perceived to guide economic thought in the Middle Ages [Maravall 60]. Celestina’s spoken adage, “[a] tuerto o a derecho, nuestra casa hasta el techo [by hook or by crook, our house [End Page 147] through the roof],” exposes her unmitigated greed and contrasts sharply with Calisto’s more courtly (if yet parodic) examples of largesse. The alcahueta’s greed is not merely opportunistic, it belies a certain Schadenfreude felt for Calisto’s woes. Like “cirurjanos [ante] los descalabrados [surgeons before patients with head trauma],” Celestina pursues Calisto in search of money, which at this particular moment in history was slipping through the hands of her real-life counterparts and into those of state-appointed brothel keepers. As Lacarra notes, the granting of royal mercedes for the incomes derived from prostitution to royal towns or notable persons became prevalent during the reign of Ferdinand and Isabel [40]. One must imagine women such as Celestina doubly feeling the pinch from this seemingly “catholic” imposition. Income from the alcahueta livelihood from all of Castile certainly must have been dwindling. At the same time, the alcahueta’s dishonest way of living was being usurped by speciously honorable citizens who no doubt maligned the prostitutes on whom their wealth was gained. Despite the growing danger of her increasingly clandestine profession, Celestina shows little shame or fear. Indeed, her sense of “honor” for the putería is so brightly and enthusiastically expressed in the work bearing her name that one wonders if it might not stem from... (shrink)

Este artículo se propone examinar el posicionamiento de Émilie Du Châtelet (1706-1749) respecto del tema de la defensa de la educación de las mujeres. Nos concentraremos en dos de sus obras: su adaptación al francés de La fábula de las abejas de Bernard Mandeville y su Discurso sobre la felicidad. Estudiaremos cómo Du Châtelet dialoga con distintos referentes de este debate, como François Fénelon, el abad de Saint-Pierre y Anna Maria van Schurman. Nuestro fin es demostrar la radicalidad de (...) la posición de Du Châtelet, en oposición a aquellas interpretaciones que tienden a desacreditar o a subestimar el compromiso de esta pensadora con la causa de la defensa de la educación de las mujeres. (shrink)

According to Carruthers ants and bees have minds. This claim is to be understood realistically. We do not interpret the overt behaviour of ants and bees by ascribing to them beliefs and desires in an instrumental manner. They rather possess minds in the relevant cognitive sense. In this paper, I propose to pave the way for a reductio against such a polemic view. In particular, I shall argue that if ants and bees have minds, by the same token, plants do (...) have minds too. In my view, the problem has to do with Carruthers' underlying technical concept of cognitive architecture; a concept which, as I shall argue, can be called into question both on empirical and conceptual grounds. Según Carruthers, las hormigas y las abejas tienen mente. Esta afirmación debe entenderse de modo realista. No es que interpretemos la conducta abierta de hormigas y abejas en términos de creencias y deseos atribuidos instrumentalmente. Se trata más bien de que tienen tales estados mentales en el sentido cognitivo relevante. En este trabajo, me propongo llevar esta polémica concepción a una reductio. En particular, argumentaré que si las hormigas y las abejas tienen mente, por la misma razón las plantas también la tendrían. A mi modo de ver, el problema tiene que ver con el concepto técnico de arquitectura cognitiva de Carruthers ; un concepto que puede ser cuestionado sobre bases empíricas y conceptuales, según argüiré. (shrink)

Este artículo pretende reflexionar acerca de la relación que existe entre nuestra percepción del mundo animal y nuestra realidad cultural. Para ello, en primer lugar se intenta situar el momento cultural que denominamos Postmodernidad. A continuación se investiga sobre algunos símiles (rebaño, abeja) con que se identifica al hombre en la Grecia Clásica y que, al parecer, permanecen a lo largo de la historia occidental. La tesis que se hace evidente es que el proceso de humanización y educación consiste, entre (...) otras cosas, en ir tomando distancia respecto al mundo animal. (shrink)

Cet article montre, à partir du cas des abeilles domestiques et du travail apicole et agricole, comment des êtres vivants participent à façonner des temporalités nocturnes. La nuit, du fait de l’absence de luminosité, les abeilles se rassemblent à l’intérieur de leur ruche et ne butinent plus. Ce comportement, issu de l’expérience que les abeilles ont des heures nocturnes, est mis à profit dans un ensemble de pratiques : d’une part, par les apiculteurs dans la réalisation de la transhumance des (...) abeilles, un travail de nuit exigeant lors duquel ces professionnels doivent se coordonner avec la temporalité nocturne de leurs abeilles ; d’autre part, par les agriculteurs dans l’utilisation des pesticides, encadrée juridiquement à partir d’une qualification de la nuit chez l’abeille. Au gré des contextes et de ces différentes pratiques relationnelles avec l’abeille, la nuit apparaît comme un moment vécu de multiples manières. C’est à partir d’un terrain ethnographique en vallée du Rhône (... (shrink)