Results for ' herd instinct'

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  1.  28
    The herd instinct in animals: Its bearing on the bases of human society.E. W. Macbride - 1929 - The Eugenics Review 21 (2):97.
  2. Sin and Herd Instinct.Laurence Housman - 1945 - Hibbert Journal 44:97.
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  3.  28
    Instincts of the Herd in Peace and War.W. Trotter - 1920 - Philosophical Review 29 (6):575-582.
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  4.  9
    Instincts of the Herd in Peace and War. [REVIEW]Frank Thilly - 1920 - Philosophical Review 29 (6):575-582.
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  5. (1 other version)The Great War and the Instinct of the Herd.I. W. Howerth - 1918 - International Journal of Ethics 29:171.
     
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  6.  48
    Collectivity, human fulfilment and the ‘force of life’.Gillian Swanson - 2014 - History of the Human Sciences 27 (1):21-50.
    The article traces the origination of the psychological concept of the ‘herd instinct’, popularized by British surgeon Wilfred Trotter, locating this in a distinctive moment of dialogue between the natural and human sciences. It challenges the incorrect association of Trotter’s model with the crowd theory of Gustave Le Bon and negative commentaries on mass culture. In contrast, it shows that Trotter’s model rests on imitation and suggestion not as the sign of a derogated culture but as the ground (...)
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  7. The Second Treatise in In the Genealogy of Morality: Nietzsche on the Origin of the Bad Conscience.Mathias Risse - 2001 - European Journal of Philosophy 9 (1):55-81.
    On a postcard to Franz Overbeck from January 4, 1888, Nietzsche makes some illuminating remarks with respect to the three treatises in his book On the Genealogy of Morality.2 Nietzsche says that, ‘for the sake of clarity, it was necessary artificially to isolate the different roots of that complex structure that is called morality. Each of these three treatises expresses a single primum mobile; a fourth and fifth are missing, as is even the most essential (‘the herd instinct’) (...)
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  8.  30
    Nietzsche, Sport, and Contemporary Culture.Yunus Tuncel - 2016 - Sport, Ethics and Philosophy 10 (4):349-363.
    The word ‘sport’ next to Nietzsche’s name may raise eyebrows among many Nietzsche readers. ‘What an odd pairing?’ one may ask. We prefer Nietzsche and arts or something from the domain of the Geist. Sport is embedded in mass culture and Nietzsche detests anything that has to do with masses; fandom, an important part of sport culture, is nothing Nietzsche would look at favourably but call it a manifestation of the herd instinct. Besides, clubs and sports organizations control (...)
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  9. Small Moments and individual taste.Pietro Gori - 2011 - In Volker Caysa & Konstanze Schwarzwald (eds.), Nietzsche - macht - größe. Nietzsche - philosoph der größe der macht oder der macht der größe? deGruyter. pp. 155-168.
    In the 1881 note 11 [156], Nietzsche mentions the “infinitely small moment” as “the highest reality and truth” for the individual who tries to contrast the “uniformity of sensations” and to affirm his “idiosyncratic taste”. The fragment explores some ideas on the herd instinct that will be developed in "The Gay Science"; observations on the cultural and anthropological value of science; critical refections on metaphysical realism. Most important, these considerations focus on the relationship between man and society, which (...)
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  10.  5
    Sortir du nihilisme : Nietzsche, Mill et l’individualité comme clé de transformation morale et civilisationnelle.Camille Dejardin - 2024 - Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics 26 (1):99-120.
    Nietzsche’s criticism of the masses could have looked hackneyed at the end of the XIXth century, had it not the originality of moving onto psychological and biological levels what others previously elaborated only at a social scale: a "herd instinct" explaining both the lack of social cohesion and the loss of possible individual affirmation in democratic and egalitarian ages. As he sees the utilitarian promotion of happiness and empathy as part of the problem, he fiercely condemns John Stewart (...)
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  11.  76
    Hegel’s Idea of Philosophy. [REVIEW]G. R. G. Mure - 1972 - The Owl of Minerva 3 (3):1-2.
    The Weltgeist is not in a hurry. It was Sir Henry Jones, I think, who in the heyday of British idealism remarked that we should be working for a long time in the shadow of Hegel. But then in two world wars Hegel’s countrymen showed themselves more foully barbarous than any human beings before them. Lord Vansittart in Black Record traced their sins back to the unflattering description of German tribes in Tacitus’ Germania. That was scarcely fair. No doubt the (...)
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  12. (1 other version)The Undiscovered Self.Carl Gustav Jung - 1958 - Boston: Little Brown.
    Written three years before his death, The Undiscovered Self combines acuity with concision in masterly fashion and is Jung at his very best. Offering clear and crisp insights into some of his major theories, such as the duality of human nature, the unconscious, human instinct and spirituality, Jung warns against the threats of totalitarianism and political and social propaganda to the free-thinking individual. As timely now as when it was first written, Jung's vision is a salutary reminder of why (...)
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  13.  25
    The Pastoral Origin of Semiotically Functional Tonal Organization of Music.Aleksey Nikolsky - 2020 - Frontiers in Psychology 11:508791.
    This paper presents a new line of inquiry into when and how music as a semiotic system was born. Eleven principal expressive aspects of music each contains specific structural patterns whose configuration signifies a certain affective state. This distinguishes the tonal organization of music from the phonetic and prosodic organization of natural languages and animal communication. The question of music’s origin can therefore be answered by establishing the point in human history at which all eleven expressive aspects might have been (...)
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  14.  26
    Mind, will to power and alienation in Nietzsche’s philosophy.Vsevolod Kuznetsov & Liubov Nerusheva - 2002 - Sententiae 6 (2):3-18.
    The article examines the problem of alienation as a result of the conflict between consciousness and instincts, which includes aspects of 1) temporal conflict and 2) attempts to self-destruct the individual. Through this conflict, the imperfection of the individual makes it possible for him to develop. The authors also correlate the concepts of alienation and consciousness, which opens up space for criticism of Nietzsche's concepts of herd mentality and the possibility of human cognition of the external world.
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  15.  20
    Freud erlebt Raffael und Holbein.Klaus Herding - 2016 - Psyche 70 (12):1105-1134.
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  16.  40
    Inhibitory Control Mediates the Association between Perceived Stress and Secure Relationship Quality.Toria Herd, Mengjiao Li, Dominique Maciejewski, Jacob Lee, Kirby Deater-Deckard, Brooks King-Casas & Jungmeen Kim-Spoon - 2018 - Frontiers in Psychology 9.
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  17.  8
    Iv-1 Ordinis Quarti Tomus Primus: Panegyricus Ad Philippum Austriae Ducem - Institutio Principis Christiani - Lingua.O. Herding & F. Schalk (eds.) - 1969 - Brill.
    This is the first volume in the Amsterdam edition of the Latin texts of Erasmus of Ordo IV which comprises works on moral issues. It presents the panegyric of Philip the Fair , the father of Charles V, and the Education of Princes . Both works equally instruct princes how to behave morally. The third work in this volume treats language and praises the Word of God.
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  18.  5
    Iv-2 Ordinis Quarti Tomus Secundus: Querela Pacis.O. Herding & A. J. Koster (eds.) - 1969 - Brill.
    The second issue of Ordo IV of the Amsterdam edition of the Latin texts of Erasmus comprises the Querela Pacis and Erasmus’ Latin translations of some of Plutarch’s Moralia . The Complaint of Peace deals with peace and war, and the tension between love of one’s country and St. Paul’s admonishment to unity in Christianity.
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  19.  13
    Response-Modality-Specific Encoding of Human Choices in Upper Beta Band Oscillations during Vibrotactile Comparisons.Jan Herding, Simon Ludwig & Felix Blankenburg - 2017 - Frontiers in Human Neuroscience 11.
  20.  15
    The health of England.Henry Herd - 1933 - The Eugenics Review 25 (3):192.
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  21. Zur Trennung Zwischen dem Wahren, Schönen und Guten in der Kunst der Moderne: überlegungen am Beispiel der Zeichnungen von Jean-François Millet.Klaus Herding - 2003 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 48 (1):111-128.
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  22.  68
    A unified framework for inhibitory control.Randall C. O'Reilly Yuko Munakata, Seth A. Herd, Christopher H. Chatham, Brendan E. Depue, Marie T. Banich - 2011 - Trends in Cognitive Sciences 15 (10):453.
  23.  28
    Gamma and Beta Oscillations in Human MEG Encode the Contents of Vibrotactile Working Memory.Alexander H. von Lautz, Jan Herding, Simon Ludwig, Till Nierhaus, Burkhard Maess, Arno Villringer & Felix Blankenburg - 2017 - Frontiers in Human Neuroscience 11.
  24.  30
    The Date of Composition of Dante’s “Monarchia”. [REVIEW]Peter Herde - 1971 - Philosophy and History 4 (1):64-66.
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  25.  22
    Care Work: Invisible Civic Engagement.Madonna Harrington Meyer & Pamela Herd - 2002 - Gender and Society 16 (5):665-688.
    Scholars who debate the cause of and solutions for the decline in civic engagement have suggested that Americans have increasingly withdrawn from community organizations, reducing their political activity such as voting and interest in the political world, and generally failing to place the common good over individual self-interest. Their analyses are steeped in a tradition that is largely gender blind and consequently ignores care work. We infuse feminist analyses of paid labor and citizenship, which emphasize the merits and burdens of (...)
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  26.  16
    Structural transformations as observed by transmission electron microscopy during electrical switching in amorphous Ge-Te.R. B. Laibowitz, S. R. Herd & P. Chaudhari - 1973 - Philosophical Magazine 28 (5):1155-1159.
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  27. Wissenschaft unter der Optik der Kunst.Birgit Recki, Brigitte Scheer & Klaus Herding - 2003 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 48 (1):83-128.
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  28.  10
    Anmutung – Wirkung – Überwältigung.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  29.  9
    Über das Verstehen von Gefühlen.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  30.  12
    Beyond the Principle of Expression/repression. On Video as Libido.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  31.  14
    Barbarenangst und Sklaventrauer.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  32.  15
    Distanzräume der Erinnerung. Drei Museen.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  33.  7
    Das gespaltene Pathos der Moderne.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  34.  15
    Das Gesicht verlieren. Über Physiognomik und Scham.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  35.  16
    »De l’usage des passions«. Die Emotionen bei Künstler, Kunstwerk und Betrachter.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  36.  13
    Die Oper als Liebesmusik. Ein Essay.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  37.  17
    Das Spiel mit den Emotionen. Lust und Unlust in der Werbung.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  38.  15
    Die Widersprüche liegen auf dem Tisch. Ein Entwurf zum Holocaust-Mahnmal.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  39.  17
    Emotionsforschung heute – eine produktive Paradoxie.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  40.  12
    Einfühlung, Mitgefühl und Mitleid.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  41.  11
    Emotion, Phantasie, Kunst.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  42.  8
    Freiwilligkeit und Konsensfassaden. Emotionale Ausdrucksformen in der Politik des Mittelalters.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  43.  12
    Grundzüge einer philosophischen Theorie der Gefühle.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  44.  14
    Helden stellen Helden dar. Coole Typen im Kino.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  45.  13
    Ist Kunst heilsam für denjenigen, der sie macht?Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  46.  10
    Können Gefühle urteilen?Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  47.  13
    Libeskinds Gedanken im Rahmen von „Pathos, Affekt, Gefühl“.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  48.  11
    Leidenschaften, literarisch, ambivalent. Französische Moralistik und deutsche Poesie.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  49.  11
    Lars Spuybroeks architektonische Installationen im Rahmen von Pathos, Affekt, Gefühl.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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  50.  8
    Musik als Wissen durch das Gefühl an den Grenzen der Sprache. Philosophische Variationen im Anschluss an ein Thema von Richard Wagner.Bernhard Stumpfhaus & Klaus Herding - 2004 - In Bernhard Stumpfhaus & Klaus Herding (eds.), Pathos, Affekt, Gefühl: Die Emotionen in den Künsten. Walter de Gruyter.
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