Previous studies have focused on the relationship between imaginary companions (ICs) and children’s social developments. As far as we know, few studies have focused on the relationship between ICs and children’s agency attributions. This study aimed to explore the potential differences in agency attributions between children with and without ICs, children with egalitarian IC relationships and hierarchical IC relationships. Children’s agency attributions were measured by two experiments. One was based on behavioral cues (Random animations/ToM animations) and the other (...) was based on appearance characteristics (ball/doll). The results revealed that children with ICs attributed more cognitive properties to Random and ToM animations than children without ICs. Compared with children without ICs, children with ICs attributed marginally more biological properties to a ball and more psychological properties to a ball and a doll. However, children with egalitarian and hierarchical IC relationships did not differ in their agency attributions. The results suggest that children with ICs are more likely to attribute agencies to non-human items with behavioral cues or appearance characteristics than children without ICs. Compared with child-IC relationship qualities, IC status may be more related to children’s agency attributions. However, only a correlation between IC status and children’s agency attributions was found in this study and it is interesting for future researchers to investigate the potential causal directions between children’s IC status and their agency attributions. If one of the causal directions or both the causal directions exist, future researchers can further explore the underlying mechanism. (shrink)

Participants recruited for high levels of imaginative absorption were administered a questionnaire based on Calkins' original study that first established a wide continuum of childhood synaesthesias and synaesthetic associations, along with separate questionnaires assessing childhood imaginary companions, positive altered states of consciousness and negative states of nightmares and night terrors. Their inter-relation and relation to measures of adult imaginative absorption helps to establish these states as aspects of an underlying imagistic dimension, while their relative differentiation is explored through (...) different forms of adult absorption, early stressors from childhood, and degree of parental support for creative activities. The connection of this wider continuum of adult recalled childhood synasesthesias, imaginary companions, and altered states of consciousness to adult imaginative absorption is consistent with recent neuro-imaging synaesthetic research supporting its relation to symbolic cognition, metaphor, and creativity. (shrink)

Many mental phenomena involve thinking about people who do not exist. Imagined characters appear in planning, dreams, fantasizing, imaginary companions, bereavement hallucinations, auditory verbal hallucinations, and as characters created in fictional narratives by authors. Sometimes these imagined persons are felt to be completely under our control, as when one fantasizes about having a great time at a party. Other times, characters feel as though they are outside of our conscious control. Dream characters, for example, are experienced by dreamers (...) as autonomous entities, and often do things that frighten and surprise dreamers. Some imagined persons, such as characters in fiction, start off under conscious control of the author, but over time, can appear to gain an illusion of independent agency. I propose an explanation for different autonomy attributions: characters are by default non-autonomous, unless their personalities are well-practiced. Characters become autonomous because modeling their thinking has become automatized, like many other well-practiced activities. (shrink)

Arts-Based Thought Experiments is a highly visual offering that engages visual arts, photography, poetry, creative non-fiction, memoir and speculative fiction. In this novel book, the authors lean deeply into concepts of the imaginary, and through artful experiments with thought, trouble the tensions between the human, the posthuman and the more than human. In the Anthropocene, with its intractable challenges and cataclysms, engaging posthuman positions when thinking of learning in socioecological terms is paramount to human survival. In this sense, the (...) arts offer creative and critical thought for the possibilities of a post-Anthropocene earth. Contributors are: Raoul Adam, Marilyn Ahearn, William Boyd, Euan Boyd, Adrienne Brown, Shae L. Brown, Teresa Carapeto, Philemon Chigeza, Amy Cutter-Mackenzie-Knowles, David Ellis, Katie Hotko, Marianne Logan, Ferdousi Khatun, Alexandra Lasczik, Yaw Ofosu-Asare, Maia Osborn, Marie-Laurence Paquette, Jemma Peisker, Ziah Peisker, Adrienne Piscopo, David Rousell, Benjamin Ryan, Billy Ryan, Lisa Siegal, Helen Widdop Quinton, Thilinika Wijesinghe and Tracy Young. (shrink)

Social robots are increasingly developed for the companionship of children. In this article we explore the moral implications of children-robot friendships using the Aristotelian framework of virtue ethics. We adopt a moderate position and argue that, although robots cannot be virtue friends, they can nonetheless enable children to exercise ethical and intellectual virtues. The Aristotelian requirements for true friendship apply only partly to children: unlike adults, children relate to friendship as an educational play of exploration, which is constitutive of the (...) way they acquire and develop virtues. We highlight that there is a relevant difference between the way we evaluate adult-robot friendship compared to children-robot friendship, which is rooted in the difference in moral agency and moral responsibility that generate the asymmetries in the moral status ascribed to adults versus children. We look into the role played by imaginary companions (IC) and personified objects (PO) in children’s moral development and claim that robots, understood as Personified Robotic Objects (PROs), play a similar role with such fictional entities, enabling children to exercise affection, moral imagination and reasoning, thus contributing to their development as virtuous adults. Nonetheless, we argue that adequate use of robots for children’s moral development is conditioned by several requirements related to design, technology and moral responsibility. (shrink)

In several essays published recently, Professor Geach argues against the thesis that ‘God’, in its Christian use, is a proper name and produces considerations in favour of ‘God’ being a ‘descriptive, predicable, term’; a nomen naturae in Aquinas's vocabulary: a ‘concept’ in Frege's sense . I have no dispute with Geach concerning ‘God’ not being a proper name, but there seems to me to be a serious difficulty in one argument which he uses to establish his positive thesis. This argument (...) appears in all the essays mentioned; I give the appropriate quotations: ‘Only because of this can the heathen say that his idol is God and the Christian contradict him and both be using “God” in the same sense: if “God” were a proper name it would be a logically impossible, not a lying, wicked act, to predicate it of sticks and stones .’ ‘When St Augustine and his companions landed in England they found the English paying latria to Woden, Thor, and other imaginary beings to each of whom they applied the word “God” and the missionaries taught them not to apply this word any more to Woden and Thor and the rest, but solely to the Blessed Trinity.… This makes it clear that in the mind of the Church the word “God” is not a proper name, as the word “Woden” was meant to be, but a descriptive term, true of the blessed Trinity and not true of Woden.’ ‘The name “God” as thus introduced is regarded by Aquinas, not as a proper name, but as a general term so far as its mode of significance goes … Aquinas rejects the idea that “God” is necessarily used equivocally by polytheists and by monotheists: he holds the view that the polytheists may be using the word “God” in the same sense when he says his idol is God, as the missionary when he says that the idol is not God but a senseless block.’. (shrink)

What are the testicles and who should we talk to to find out? What structures of women’s bodies are left over and what are missing? What matters in a body? Starting from Donna Haraway’s invitation to narrate «naturoculture» stories, in this article I am interested in how subaltern bodily narratives of intersex people and their companions change expert biologic knowledge, overflowing the classic dualisms of the clinic. I propose to read biology inside the «contact zone» in order to explore (...) the remaking of the body that extend or reconfigure expert imaginaries. This crafting approach to biological knowledge leads to treating expert objects as the provisional result of meaning negotiation processes. I argue that conceptualizing such objects as biological crafts allows us to expand the material cultures of biology to enable other bodies through conversations outside of expert/layman and nature/culture logics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Breaking EarthAlexis Rider (bio) and Paul A. Harris (bio)“He takes all that, the strata and the magma and the people and the power, in his imaginary hands. Everything. He holds it. He is not alone. The earth is with him. Then he breaks it.”― N. K. Jemisin, The Fifth SeasonBreaking Earth, a collection of visual and written essays brought together for this special issue of SubStance, is a (...) disruptive engagement with concepts and terms that have become touchstones for the geologic/planetary turn in the inhumanities. The project took initial inspiration in conversations the co-editors had about N. K. Jemisin’s Broken Earth trilogy, in which geologic and human power interweave in complex webs among bodies born of chiasmic crossings of Anthro-progeny and Geo-orogeny. Conceived as a companion almanac to Jemisin’s trilogy—though references to that work are intentionally oblique—the volume pursues new ways of reading, and being with, the geos of this planet. In doing so, Breaking Earth seeks to reframe and deepen the discussions, both historical and philosophical, around the relationship between geology and humanity.The notion of the Anthropocene has, for several decades, monopolized said discussions. Since its articulation in the early 2000s, the concept has been equal parts galvanizing and problematic in thinking with the Earth (Crutzen). Proposed by an atmospheric chemist, incorporated (with caveats) into the geologic deep time of the planet by geologists, and taken up with vigor by humanists, social scientists, and artists, the Anthropocene has, for better or worse, broken significant new ground in Earth-oriented thought.The term’s core proposals—that humans are a geologic force and we have entered a wholly new period of Earth history—has compelled scholars to engage with a geologic tradition of mapping and classifying the history of said forces along a temporal scale. This tradition—exemplified in the International Chronostratigraphic Chart (ICC) below (Figure 1)—relies on the translation of messiness and difference into abstracted orderly categories of strata and type. Of course, no geologist would claim that the ICC is a direct representation of the materiality of the rocky Earth we live on, so full of faults, fissures, and unconformities. But as writers, [End Page 3] artists, and activists have made clear, the repositioning of humans-as-strata is far riskier than imposing abstract order on a cliff face: it dangerously flattens out the messiness of human history and difference—obfuscating the uneven histories of extraction and oppression to which the mining of geophysical energies and resources is so clearly bound. The Anthropocene has therefore helped reveal the immense pitfalls of conflating a species with the geologic, and made clear the need for humanists—both within the academy and beyond—to develop a language and method for thinking about the changing Earth. Click for larger view View full resolutionFigure 1.International Chronostratigraphic Chart (ICC), International Commission on Stratigraphy, 2023, www.stratigraphy.org.At the same time, the very act of attempting to identify the Anthropocene within stratigraphic nomenclature has usefully challenged old and brittle binaries. Contemporary rhetoric around how to conceive of change—backed often by disciplinary boundary-keeping—exemplifies such divisions. Take, for example, the grammatical distinction between political, social forces and physical, environmental forcings (Hulme). These seemingly inane suffixes recast agency and allow the natural and social worlds to exist in two separate spheres (albeit ones that overlap via extraction) where human action is more wholly filled with intent. Breaking this distinction via a reconceptualization of geologic agency underpins [End Page 4] what scholars, including Pratik Chakrabarti and Kathryn Yusoff, have been articulating so clearly: rocks have politics. To unpack this carefully and fully, however, requires moving beyond the collapse of anthropos into geos: there is too much texture, history, and action lost in such a sweeping and simple formulation.This collection takes these problematics of the Anthropocene as self-evident: it critically engages with the chronostratigraphic logic that implicitly upholds a view of time, history, and knowledge which operationalizes the extractive carbon capital economies fueled by colonialism and slavery. This assertion bears emphasizing, given the announcement from the Anthropocene Working Group (AWG) in the summer of 2023 that the origin of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ethics for a Layered SelfLaughter, Reciprocity, Generosity, HomeCynthia WillettI can imagine no better way to respond to these insightful readings than to turn the spotlight on the important books that Ann Murphy and Megan Craig have written on affect and ethics! Craig’s book, Levinas and James: Toward a Pragmatic Phenomenology, weaves radical empiricism into phenomenology as only a philosopher who is also an artist could. Her evocative queries on (...) prereflective affects, perception, and ethical attunement shed light on the role of moods for unsettling rigid ego boundaries, ethical subjectivity, the feeling of being alive, the audible dimension of ethical encounters, life beyond a struggle to survive, temporality, and ethical ambiguity. These themes are compelling for any postmoral ethics that operates beyond or below the register of modern moral theory’s abstract laws and transparent cogitos. Her work balances an ethical concern for vulnerability with a vital regard for the vibrancy of living creatures and landscapes.Ann Murphy’s Violence and the Philosophical Imaginary illuminates philosophical questions with an abiding lucidity that does not weaken but amplifies the complexity and difficulty of ethics. Murphy’s work exposes how tropes of violence saturate philosophical discourses of both identity formation and of political and historical transformation, and how this violence, embedded in norms, denies sympathetic concern to those outside the limits of cultural intelligibility. Building upon recent work by Judith Butler, Adriana Caverero, and others, Murphy addresses the ambiguities arising from the multiple responses that exposure to vulnerability provokes. These responses can signal care but [End Page 70] they can also manifest violence. Even as she acknowledges the complex underside of cultural intelligibility, Murphy affirms sympathy and generous concern as paradigmatic virtues to be cultivated in response to various forms of violence. She probes the significance of shame and guilt for collective responsibility, ever alert to alterity and difference. With attentive care to the singular contributions of a broad range of philosophers and critical traditions, she argues compellingly for a corporeal ethics grounded on the ontological fact of vulnerability.Through their work, Murphy and Craig pose astute questions for my project, and, in fact, for any endeavor to conceptualize an ethics attentive to an embodied sociality. I describe the multifaceted approach I contribute toward this task as a call and response ethics for a layered self. Craig wonders if the more basic feature before any “call” is contact, touch, or immersion. She notes my concern that “any purported gap or abyss between humans and animals has less to do with unique human capacities than with the rise of urban centers and the loss of contact with other species.” Harm arises from a loss of contact. This is so true. Ethics as contact calls attention to the poetry of proximity, to erotic waves that transmit through the sound or feel of the other’s breath, the heat of the body, and the smell of the skin. This intense proximity serves as a compelling source for ethical sociality, resonating in some respects with what Merleau-Ponty explores as the sense of flesh and touch and, as Murphy suggests, a transcendental eros. This contact is as primal and ordinary as the skin-to-skin contact of caregiver and infant or, perhaps, the skin-to-hair contact of a terrier and her human companion, lost for a moment in inexplicable laughter. From these observations, Craig asks if “call and response” as a locution or central designation adequately captures the intimacy and intensity of these engagements.Craig’s remarks raise the further question of what is at stake in designations or phrasings. An ethics of call and response, designated as such, emerges from phenomenological but also crucially Africana and critical theory traditions. As a relational ethics, this ethics of call and response highlights social relations and expectations, opening a path outside of what Murphy characterizes as the trifecta of virtue ethics, deontology, and utilitarianism. It attends to desire (eros) beneath, in between, and above the prescriptive rules of moral reason or the interests of individuals. At its center are social bonds (friendship and companionship, community and domination, love, hate, and other social emotions, belonging and alienation, and the conflicts of groups and reconciliation) rather... (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

In this article, human–computer interaction is explored as a design-oriented practice nurturing the becoming of what is not-yet in future-oriented and speculative manners. Such approaches have evolved over time and now the field seems ready to take leaps targeting social and culturally infused contexts, such as those suggested by critical design, design things, adversarial design, making futures, pluriversal design and critical fabulations. It is in this respect that feminist theories, methods and imaginaries are rendered important. Feminist theory is in this (...) article considered an important companion and part of the practical tool-kit necessary for generative, speculative and ethical approaches within the field of HCI. How to think with care is explored as a meta-design strategy directed and informed by feminist onto-epistemologies – a strategy intended to ‘seed’ speculative and social justice-oriented design endeavours through generative figurations and critical dilemmas to foster abilities and sensibilities for dealing with difference differently. What is advanced is the need for meta-design space in HCI, in this article referred to as a contact zone, a feminist figuration with the intention to open up for design explorations with ethical imperatives. Four other interrelated feminist figurations are also loosely explored in order to frame how thinking with care in HCI could be advanced further, i.e. diffractive thinking, intra-activism, becoming-with and response-ability. By considering serious feminist accounts of situated knowledges and touching visions, it is argued that feminist thinking is well on its way to offering real alternatives of great importance for HCI. (shrink)

This well-written book introduces the reader step by step and in a pedagogical way to an aspect of Lacan's thought: the claim that the unconscious is structured like a language. A number of commentators have already introduced two crucial concepts of Lacan into the American intellectual community: the imaginary and the symbolic. Thus the now standard introduction and companion volume to Lacan's Ecrits: Lacan and Language, by John P. Muller and William J. Richardson, gives in the introduction a good (...) presentation of these two concepts. A brief look at the table of contents of the book by Dor allows us to see that Dor takes a further step in the presentation of Lacan's ideas. The first part, "Linguistics and the formation of the unconscious", is only an expansion of the introduction of the Muller-Richardson book, while the second part, "The paternal metaphor as structuring pivot for subjectivity", goes beyond it. The ideas developed in the second part can be usefully complemented by the chapter on the paternal metaphor in the book by De Waelhens Schizophrenia and by my essay on the paternal metaphor or the one on "Fatherhood and Subjectivity". In these other pieces we do not find a clarification of a Lacanian distinction between the subject of the enunciation and the subject of the enunciated. We also do not find in these other pieces a clarification of Lacan's famous schema L. Dor clarifies both admirably in this part of the book. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Translation, (Self-)Transformation, and the Power of the MiddleAngelica NuzzoThe etymologies of the word translation—the real and the imaginary ones—are many and varied across languages and traditions. I want to frame my present remarks by appealing to the well-known derivation of the Latin traducere from trans-ducere, the verb that designates the movement of carrying across, of bringing over across and between heterogeneous and apparently incompatible terms—different languages, different places (...) and times, and more generally different identities and cultures. I propose to indicate with translation the dynamic space of the action that takes place in-between, in the middle between two extremes—whatever these extremes may be. And I propose to dwell in this in-between space—not in order to get anywhere, but to stay there and learn how to appreciate the powerful condition of the middle. My suggestion will be that translation is the intermediate and intermediary space of transformation that precedes that which it transforms as well as that into which it transforms; that translation is the middle that comes before the extremes between which it lies and which it connects, and makes them possible for the first time. The logic of translation, I submit, is the logic of immanent self-transformation that is based on the power of the middle. This is a logic that may help us advance beyond the binary static logic in which everything is instead dictated by the predetermined, fixed identity of the extremes, and by the exclusive choice of either one or the other—the logic that Virginia Woolf aptly describes in this way: “Either we are men, or we are women. Either we are cold, or we are sentimental. Either we are young, or growing old” (Woolf 1990, ch. 5). While this may sound logically indisputable it is also—to [End Page 19] Woolf at least—existentially unacceptable and cognitively faulty when at issue is the understanding of the movement of our lives. Thus, in what follows, I am interested in exploring the meaning—the existential, historical, linguistic meaning—of the predicament of being-in-the-middle, of being-in-transition or in-translation—of being neither one extreme nor the other but both of them at the same time and also neither of them. I want to dwell, in particular, on the cipher of movement proper to this condition, on the idea of transformation that translation constitutively entails—the self-transformation that is proper to translation as such an in-between dynamic activity. But to push this point further, I also want to suggest that the movement of translation is essential for an understanding of how processes move on and advance precisely as processes; of how change and something truly new are achieved beyond the present standpoint and beyond the standpoint of the present; of how, more concretely, the individual and collective self is reconstituted and immanently transformed after a crisis and through it. For translation, in this sense, is the powerful, destabilizing moment of crisis and open possibility that invests individuals and societies alike (but also texts and languages); it is also, at the same time, a strategy of survival and a fundamental tool of advancement and progress.Let me begin with a famous philosophical scene. Plato’s Symposium opens with the intriguing account of Socrates’s unusual habits in a speech delivered by Aristodemus, and culminates with Alcibiades’s story regarding Socrates’s strange behavior during the campaign of Potidaea. Upon meeting Socrates all dressed up1 on his way to Agathon’s banquet, Aristodemus is asked to come along to Agathon’s house. He accepts, a bit embarrassed at the thought of showing up uninvited. On the way to Agathon’s, however, Socrates becomes absorbed in his thoughts and falls behind his companion. Aristodemus repeatedly waits for him, but Socrates encourages him to go on ahead alone. This puts Aristodemus in a “ridiculous position” when he arrives, all by himself, at Agathon’s house. He shows up, indeed uninvited, as there is still no sign of Socrates. Now everybody at Agathon’s is waiting and looking for him. This perplexing situation goes on until a servant discovers Socrates calmly standing... (shrink)

This thesis is concerned with the expansions of algebraic structures and their fit in Shelah’s classification landscape.The first part deals with the expansion of a theory by a random predicate for a substructure model of a reduct of the theory. Let T be a theory in a language $\mathcal {L}$. Let $T_0$ be a reduct of T. Let $\mathcal {L}_S = \mathcal {L}\cup \{S\}$, for S a new unary predicate symbol, and $T_S$ be the $\mathcal {L}_S$ -theory that axiomatises the (...) following structures: $$ consist of a model $\mathscr {M}$ of T and S is a predicate for a model $\mathscr {M}_0$ of $T_0$ which is a substructure of $\mathscr {M}$. We present a setting for the existence of a model-companion $TS$ of $T_S$. As a consequence, we obtain the existence of the model-companion of the following theories, for $p>0$ a prime number: • $\mathrm {ACF}_p$, $\mathrm {SCF}_{e,p}$, $\mathrm {Psf}_p$, $\mathrm {ACFA}_p$, $\mathrm {ACVF}_{p,p}$ in appropriate languages expanded by arbitrarily many predicates for additive subgroups;• $\mathrm {ACF}_p$, $\mathrm {ACF}_0$ in the language of rings expanded by a single predicate for a multiplicative subgroup;• $\mathrm {PAC}_p$ -fields, in an appropriate language expanded by arbitrarily many predicates for additive subgroups.From an independence relation in T, we define independence relations in $TS$ and identify which properties of are transferred to those new independence relations in $TS$, and under which conditions. This allows us to exhibit hypotheses under which the expansion from T to $TS$ preserves $\mathrm {NSOP}_{1}$, simplicity, or stability. In particular, under some technical hypothesis on T, we may draw the following picture : Configuration $T_0\subseteq T$ Generic expansion $TS$ $T_0 = T$ Preserves stability $T_0\subseteq T$ Preserves $\mathrm {NSOP}_{1}$ $T_0 = \emptyset $ Preserves simplicityIn particular, this construction produces new examples of $\mathrm {NSOP}_{1}$ not simple theories, and we study in depth a particular example: the expansion of an algebraically closed field of positive characteristic by a generic additive subgroup. We give a full description of imaginaries, forking, and Kim-forking in this example.The second part studies expansions of the group of integers by p-adic valuations. We prove quantifier elimination in a natural language and compute the dp-rank of these expansions: it equals the number of independent p-adic valuations considered. Thus, the expansion of the integers by one p-adic valuation is a new dp-minimal expansion of the group of integers. Finally, we prove that the latter expansion does not admit intermediate structures: any definable set in the expansion is either definable in the group structure or is able to “reconstruct” the valuation using only the group operation.prepared by Christian d’Elbée.E-mail: [email protected]: https://choum.net/~chris/page_perso. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Homeric Hymns: Interpretative EssaysBruce HeidenAndrew Faulkner, ed. The Homeric Hymns: Interpretative Essays. Oxford: Oxford University Press, 2011. xv + 400 pp. 2 black-and-white figs. Cloth, $160.This volume, according to its editor, is intended to fill the need for a companion to the Homeric Hymns, but “[it] is more than just a companion. It aims not only to evaluate the state of scholarship on the Hymns but also (...) to advance it” (23). Actually, the collection falls far short of a satisfactory companion, and its influence could set back scholarship on the Hymns to before Clay’s pioneering ensemble reading of the major Hymns in The Politics of Olympus (Princeton, 1989). Since the volume’s title promises “interpretative essays,” it might be ungenerous to dwell upon its shortcomings as a companion. But only a few of its fourteen contributions could even be described as “interpretative,” except loosely. Almost all focus upon putative facts, some of them imaginary.The editor’s introduction is symptomatic of problems that beset the entire collection. A survey of recent scholarship on the Hymns sketches representative positions of what is styled a “debate,” which to Faulkner apparently means that all views worth mentioning get equal time, none are ever legitimately invalidated, and consensus forms around a hypothetical middle ground. Faulkner divides the field into four categories, “Oral Poetics,” “Dating and Language,” “Performance and Function,” and “Genre, Panhellenism, and Local Connections,” a misleading division since a single research paradigm, traditional oral poetics, defines most of the issues here distributed among three of the categories (the first, third, and fourth). Faulkner’s historical sketch of oral poetics conventionally accords seminal status to Parry and Lord, but it takes no notice of Nagy, and an inexperienced reader would never suspect how much current work on archaic Greek poetry, including much in the present volume, emanates from this one scholar’s program. As for intellectual influences originating outside philology, Faulkner recognizes none at all; his survey makes no mention of structuralism, and more importantly, no mention of the functionalist sociolinguistics channeled into classical Greek scholarship by Gregory Nagy and (somewhat differently) by Claude Calame, both contributors to this very volume. On the other hand, Faulkner acknowledges the importance of Clay’s Politics quite explicitly, but still misleadingly, for he summarizes the book’s thesis but passes over the analytic framework on which (in principle) it rests. He then proceeds to tabulate a few dissenting positions, again without analyzing their premises or merits. All this conveys an impression that academic research on the Hymns has no programs, methods, or standards, that the [End Page 521] field consists of numerous independent researchers who spontaneously converge around a limited repertoire of questions, and that disciplinary authority belongs to a consensus of prudent experts rather than investigative rigor or hegemonic theory. From an editor who sees the academic landscape in this way, we get a collection of articles whose main purpose appears to be that of assembling and projecting consensus. Readers will learn what a certain disciplinary network thinks to be in vogue at the present time (itself), but not much about the Homeric Hymns, and certainly not much about the four major hymns that have prompted the most study and contemplation.Besides the editor’s introduction, the volume features contributions by Martin West (speculative reconstruction of the fragmentary first Hymn to Dionysus), Nicholas Richardson (survey of issues in recent work on the Hymn to Demeter), Mike Chappell (survey of arguments for and against the Hymn to Apollo being a composite), Athanassios Vergados (argument that the Hymn to Hermes effects the god’s epiphany obliquely), Pascale Brillet-Dubois (the Hymn to Aphrodite as an intertextual dialogue between “Aphroditean” and “Iliadic” poetics), Dominique Jaillard (the epiphanic framework of Hymn 7 to Dionysus), Oliver Thomas (thorough reading of the Hymn to Pan), Andrew Faulkner (allusions to the hymns as evidence of the collection’s contents and circulation in certain periods), William D. Furley (the Homeric Hymns as a departure from authentic religious hymns), Jenny Clay (the existence of a genre of Olympian narrative), Nancy Felson (confrontations between Zeus and his children in Hesiod’s Theogony, the Hymn to Apollo, and Hymn... (shrink)

The philosophical relevance of experimental psychology is hard to dispute. Much more controversial is the so‐called negative program's critique of armchair philosophical methodology, in particular the reliance on ‘intuitions’ about thought experiments. This chapter responds to that critique. It argues that, since the negative program has been forced to extend the category of intuition to ordinary judgments about real‐life cases, the critique is in immediate danger of generating into global scepticism, because all human judgments turn out to depend on intuitions. (...) Recently, some proponents of the negative program have tried to demarcate the target of their critique more narrowly. However, their attempts are still far too indiscriminate, and over‐generate scepticism. Nevertheless, once experimental philosophy has refined its own methodology, it may contribute to the refinement of the methodology of mainstream philosophy, by filtering out the effects of cognitive bias, although it offers no prospect of doing without judgments on real or imaginary cases. (shrink)

Michèle Le Doeuff's research interests include British Renaissance philosophy (especially the works of Francis Bacon and Thomas More) and the writings of Shakespeare. However, she is best known in Anglo‐American philosophy for her writings on the philosophical imaginary and feminism. Le Doeuff is a somewhat idiosyncratic figure in contemporary French philosophy. As Colin Gordon has remarked, her work “shows no systematic affiliation, no signs of a formative debt or repudiation” (translator's Preface, Le Doeuff 1989, p. vi). Le Doeuff does, (...) however, mention the work of Simone de beauvoir (see Article 22), Gaston Bachelard, Michel Foucault (Article 49) and Gilles deleuze (Article 51) as contributing to the development of her own philosophical stance. As we shall see, this issue of discipleship is pertinent to her appraisal of the historical situation of women in philosophy. She states “one is commonly asked whether one is a this man‐ian or a that manian … once one becomes a whoeverian, that is the end of philosophy and of the desire for intellectual independence which should also be a characteristic of feminism” (1991, pp. 59–60). (shrink)

This chapter contains sections titled: The Imaginary Status of Shape: The “Diachronic” Argument The Dominant Synchronic Argument An Alternative Interpretation Shape and Idealism.

Sexual difference theory can best be explained with reference to French post‐structuralism, more specifically its critique of the humanist vision of subjectivity. The “post” in poststructuralism does not denote only a chronological break from the structuralists' generation of the 1940s and 1950s, but also an epistemological and theoretical revision of the emancipatory programme of structuralism itself, especially of Marxist feminist political theory. The focus of poststructuralism is the complex and manifold structure of power and the diverse, fragmented, but highly effective (...) ways in which power, knowledge, and the constitution of subjectivity combine. Poststructuralism questions the usefulness of the notion of “ideology,” especially in the sense developed by Louis Althusser, as the imaginary relation of the Subject to his/her real conditions of existence. In a feminist version, ideology refers to the patriarchal system of representation of gender and, more specifically, to the myths and images that construct femininity. Subjectivity is conceptualized therefore as a process (assujettissement) which encompasses simultaneously the material (“reality”) and the symbolic (“language”) instances which structure it. Psychoanalytic notions of identity, language, and sexuality – especially in the work of Jacques Lacan – play a central role in the redefinition of the subject as a process, rather than in the more traditional sense of a rational agent. The notion of difference emerges as a central concept in the poststructuralists' critique of both classical humanism and of the humanist legacy of Marxist‐inspired structuralist social theory. It includes both differences within each subject (between conscious and unconscious processes), as well as differences between the Subject and his/her Others. (shrink)

This essay will examine and compare concepts of body and space in the respective systems of Hobbes and Descartes. Rather than provide an exhaustive analysis of these similarities and differences, several key issues will be highlighted that reveal the distinctive traits of Hobbes’s approach to these issues as compared with Descartes. While some of Hobbes’s hypotheses seem closer to Descartes, such as the importance of extension in the conception of body, others are more unique, such as Hobbes’s appeal to phantasms (...) and imaginary space, as well as his understanding of void space. Overall, the basic similarities among their competing schemes does not obscure the importance of the many innovative, and sometimes problematic, features manifest in Hobbes’s theory. (shrink)

This chapter identifies three main sources of the Stoic elements in Hobbes's philosophy: the early Christian‐Stoic Tertullian, the modern “Neo‐Stoic” school of Justus Lipsius, and the natural philosophers of the Cavendish Circle he frequented. Perhaps the most direct Stoical impact on Hobbes was the second/third century Church Father Tertullian. Hobbes and Cavendish are at bottom kindred Stoic spirits, though their systems diverge on the precise nature of material activity. The chapter explores the Stoic character of Hobbesian space, time, causality, and (...) God, especially as these notions are employed in his natural philosophy. Hobbes's quasi‐realism about imaginary space is highly reminiscent of the Stoics' conception of pure space as one of the problematic “incorporeals.” The chapter shows that Hobbes's metaphysical views, though quite unorthodox in his day, served to buttress his overall materialist, empiricist, and mechanist program in natural philosophy. (shrink)

There have been many images of experiment. The contemplative narratives of Aristotle served to illustrate hypotheses and arguments. There was no expectation that they be performed. Even in Galileo's dialogues, the distinction between real experiments and imaginary ones is not sharp (see galileo). During the seventeenth century, performance and public description became essential to the probative power of experiment. These made its methods and procedures transparent, allowing any reader of the narrative to be a virtual witness of an active (...) demonstration (Shapin and Schaffer 1985, pp. 22–79). Thus, by the end of the scientific revolution, illustrative narratives were distinguished from public accounts of experiment as the disciplined, systematic study of phenomena. Eventually this made the efficacy of thought experiments problematic (see Kuhn 1977, pp. 241–2, and thought experiments). As a source of experience of realms previously beyond the reach of the senses, real‐world experiment contributed to the rise of objective scientific knowledge. Harvey, Galileo, Hooks, Boyle, Newton, and other proponents of experimental natural philosophy established an important new mode of argumentation. (shrink)

Functionalism, in one form or another, is probably at present the most commonly held position concerning the nature of mental states among philosophers. Functionalists all accept the basic thesis that mental kinds are functional kinds, and that what makes a mental item an item of a given mental type is the functional role it plays within a relevantly organized system. This chapter considers arguments meant to show that various forms of functionalism are unable to accommodate or explain some of the (...) real features of qualia, as well as functionalist replies to those arguments. The traditional idea of qualia is closely linked with the classic representational theory of perception. The most influential qualia‐based anti‐functionalist arguments rely on intuitions about certain imaginary cases or thought experiments, especially those involving so‐called “inverted qualia” and “absent qualia”. (shrink)

In this paper, I will attempt to develop and defend a common form of intuitive resistance to the companions in guilt argument. I will argue that one can reasonably believe there are promising solutions to the access problem for mathematical realism that don’t translate to moral realism. In particular, I will suggest that the structuralist project of accounting for mathematical knowledge in terms of some form of logical knowledge offers significant hope of success while no analogous approach offers such (...) hope for moral realism. (shrink)

This volume deals with Epistemology. The period from the sixth century BC to the second and third centuries AD was one of the most fertile for the theory of knowledge, and the range of 'epistemic states' explored in the ancient texts is much wider than those to be found in contemporary discussions of epistemology or cognition. Greek philosophers approached these problems in a great variety of ways, from the extreme relativism of Protagoras to the scepticism of the Pyrrhonists, and the (...) contributors demonstrate both the familiarity and novelty of this range of views in their critical essays. (shrink)

The feminist critique of reason has formed a large part of the dramatic expansion in the literature of feminist philosophy since the early 1980s. The critique has been controversial. It has often been seen – both by its practitioners and by its outraged opponents – as a critique of prevailing ideals and practices of philosophy. Some have seen it as the legitimate expression of the concerns of women alienated from, and marginalized within, the prevailing structures of professional philosophy. Others have (...) seen in it nothing but a perversely reasoned commitment to irrationalism. Here the close connections between ideals of reason and the self‐definition of philosophy can make it difficult to get the issues clear. (shrink)

My primary concern will be to cast light upon the relation between animal guardians ('pet owners') and pets as a deep relation. I will proceed with a degree of indirectness by explaining why animal guardians can have an epistemically-privileged position when it comes to end-of-life decisions concerning pets. My contention is that they are best placed to grasp the relevant narrative considerations upon which end-of-life deliberation in marginal cases ought to depend. Such narrative-appreciation is built into the practice of treating (...) animals as pets. By virtue of having such a narrative appreciation, animal guardians can be best placed to grasp the life-role of pain and suffering. (shrink)

We are pleased to annouce that God’s Companions by Samuel Wells has been shortlisted for the 2007 Michael Ramsey Prize for theological writing. www.michaelramseyprize.org.uk Grounded in Samuel Wells’ experience of ordinary lives in poorer neighborhoods, this book presents a striking and imaginative approach to Christian ethics. It argues that Christian ethics is founded on God, on the practices of human community, and on worship, and that ethics is fundamentally a reflection of God's abundance. Wells synthesizes dogmatic, liturgical, ethical, scriptural, (...) and pastoral approaches to theology in order to make a bold claim for the centrality of the local church in theological reflection. He considers the abundance of gifts God gives through the practices of the Church, particularly the Eucharist. His central thesis, which governs his argument throughout, is that God gives his people everything they need to worship him, be his friends, and eat with him. Wells engages with serious scholarly material, yet sets out the issues lucidly for a student audience. (shrink)

Moral error theories are often rejected by appeal to ‘companions in guilt’ arguments. The most popular form of companions in guilt argument takes epistemic reasons for belief as a ‘companion’ and proceeds by analogy. I show that this strategy fails. I claim that the companions in guilt theorist must understand epistemic reasons as evidential support relations if her argument is to be dialectically effective. I then present a dilemma. Either epistemic reasons are evidential support relations or they (...) are not. If they are not, then the companions in guilt argument fails. If they are, then a reduction of epistemic reasons to evidential support relations becomes available and, consequently, epistemic reasons cease to be a viable ‘companion’ for moral reasons. I recommend this structure of argument over existing strategies within the literature and defend my claims against recent objections from companions in guilt theorists. (shrink)

What will it be like to admit Artificial Companions into our society? How will they change our relations with each other? How important will they be in the emotional and practical lives of their owners since we know that people became emotionally dependent even on simple devices like the Tamagotchi? How much social life might they have in contacting each other? The contributors to this book discuss the possibility and desirability of some form of long-term computer Companions now (...) being a certainty in the coming years. It is a good moment to consider, from a set of wide interdisciplinary perspectives, both how we shall construct them technically as well as their personal philosophical and social consequences. By Companions we mean conversationalists or confidants not robots but rather computer software agents whose function will be to get to know their owners over a long period. Those may well be elderly or lonely, and the contributions in the book focus not only on assistance via the internet but also on providing company and Companionship, by offering aspects of real personalization.". (shrink)

Best known for his influential History of Greece, the historian and politician George Grote wrote this account of Plato's dialogues as a philosophical supplement to the History. First published in 1865 and written in dialogic form, Grote's account of Plato's works includes substantial footnotes and marginalia. This second volume covers the transitional and middle dialogues including Gorgias and Symposium, as well as some of the later works. Grote includes apocryphal works, as he relied on the order and classification of Plato's (...) works specified by the ancient Greek scholar Thrasyllus of Mendes. With three volumes each running to over six hundred pages, Grote's scholarship is formidably comprehensive. The publication of Plato and the Other Companions of Sokrates confirmed him as one of the greatest authorities on Plato in the nineteenth century. (shrink)

Best known for his influential History of Greece, the historian and politician George Grote wrote this account of Plato's dialogues as a philosophical supplement to the History. First published in 1865 and written in dialogic form, Grote's account of Plato's works includes substantial footnotes and marginalia. This first volume focuses on Plato's early and transitional dialogues, all of which feature Socrates. It also includes a preface to the whole project which discusses the meaning and importance of philosophy itself, and extensive (...) introductory material on pre-Socratic philosophy, the life of Plato and history of the Platonic canon. With three volumes each running to over six hundred pages, Grote's scholarship is formidably comprehensive. The publication of Plato and the Other Companions of Sokrates confirmed him as one of the greatest authorities on Plato in the nineteenth century. (shrink)

The contemporary philosophical debate on free will and moral responsibility is rife with appeal to a variety of allegedly intuitive cases and principles. As a result, some have argued that many strands of this debate end in “dialectical stalemates,” boiling down to bedrock, seemingly intractable disagreements about intuition . Here I attempt to carve out a middle ground between conventional reliance on appeal to intuition and intuitional skepticism in regards to the philosophical discussion of moral responsibility in particular. The main (...) goal of this paper is to propose and defend a new methodological assumption that I argue responsibility theorists can and should accept, one that serves to preserve a general skepticism about the proper role of intuition in our responsibility theorizing while marking a particular class of our responsibility judgments as having a privileged epistemic status such that they can play a role in constraining our responsibility theorizing. (shrink)

In this paper I argue that recent technological transformations in the life-cycle of information have brought about a fourth revolution, in the long process of reassessing humanity’s fundamental nature and role in the universe, namely the idea that we might be informational organisms among many agents, inforgs not so dramatically different from clever, engineered artefacts, but sharing with them a global environment that is ultimately made of information, the infosphere. In view of this important evolution in our self-understanding, and given (...) the sort of IT-mediated interactions that humans will increasingly enjoy with their environment and a variety of other agents, whether natural or synthetic, we have the unique opportunity of developing a new ecological approach to the whole of reality. (shrink)

Best known for his influential History of Greece, the historian and politician George Grote wrote this account of Plato's dialogues as a philosophical supplement to the History. First published in 1865, Grote's account of Plato's works includes substantial footnotes and marginalia. With three volumes each running to over six hundred pages, Grote's scholarship is formidably comprehensive. Volume 1, which includes a general preface and extensive introductory material, focuses on Plato's early and transitional dialogues, all of which feature Sokrates. Volume 2 (...) covers the transitional and middle dialogues including Gorgias and Symposium. Volume 3 contains extensive treatments of the Republic and the Laws as well as later dialogues and apocryphal works. It also contains the index to all three volumes. The publication of Plato and the Other Companions of Sokrates confirmed Grote as one of the greatest authorities on Plato in the nineteenth century. (shrink)

Best known for his influential History of Greece, the historian and politician George Grote wrote this account of Plato's dialogues as a philosophical supplement to the History. First published in 1865, Grote's account of Plato's works includes substantial footnotes and marginalia. This third volume contains discussion of Menexenus, Kleitophon, Timaeus and Kritias, as well as extensive coverage of the Republic and the Laws. It also contains the index to all three volumes, originally issued separately. Grote includes apocryphal works, as he (...) relied on the order and classification of Plato's works specified by the ancient Greek scholar Thrasyllus of Mendes. With three volumes each running to over six hundred pages, Grote's scholarship is formidably comprehensive. The publication of Plato and the Other Companions of Sokrates confirmed him as one of the greatest authorities on Plato in the nineteenth century. (shrink)

Since Phillipa Foot’s paper ‘Morality as a System of Hypothetical Imperatives’ was published some twenty-five years ago, questions about categorical imperatives and the alleged rationality of acting morally have been of central concern to ethicists. For critics and friends of Kantian ethical theories, these questions have special importance. One of the distinctive features of Kantian ethical theories is that they claim that there are categorical imperatives: imperatives which dictate which actions one should follow insofar as one is rational.This way of (...) parsing morally right action as a kind of rational action seems to side-step at least some of the anti-realist objections that other kinds of moral theories must face.1 Instead, the Kantian must defend the claim that failure to act morally is a failure of rationality. Rationality as a normative concept is sometimes thought to be more clear and perhaps more objective than other basic normative concepts. (shrink)

Those who claim to be committed to the moral equality of animals don’t always act as if they think all animals are equal. For instance, many animal liberationists spend hundreds, if not thousands, of dollars each year on food, toys, and medical care for their companion animals. Surely, more animals would be helped if the money spent on companion animals were donated to farmed animal protection organizations. Moreover, many animal liberationists feed their companion animals the flesh of farmed animals, and (...) some let their cats roam outdoors, foreseeing that they will kill wildlife. Maybe these companion-animal loving animal liberationists are moral hypocrites. Or maybe their behavior is justified. I defend the latter claim. By developing an ethic that emphasizes the moral significance of life-meaning and recognizes the important role that companion animals play in giving meaning to human lives, I argue that there are stringent side-constraints that apply to companion animals, but not to other animals. Consequently, it isn’t hypocritical to prioritize companion animals over other animals. We can have (and value) our carnivorous companions and be animal liberationists too. (shrink)

Companions in guilt arguments respond to moral error theory by pointing out that its philosophical rationale mandates the rejection of all categorical normative reasons, including epistemic reasons. A number of philosophers have recently been engaging in a dialogue about the strength of this argumentative strategy and the significance of the criticisms that has been raised against it. In this paper, I identify a specific argument, which I dub the ‘bullet-biting response’ as a crucial element in some recent attacks on (...) the CGA. I assess five objections to the bullet-biting response and conclude that only the fifth poses a significant problem. Specifically, I argue that the proponent of the bullet-biting response is at a dialectical disadvantage in this particular debate. While this disadvantage is not decisive, it has two implications that raise serious concerns for the bullet-biting response. (shrink)

Jamal Al-Banna, the 20 th century reformist and thinker, in his book _Nahwu al-Fiqh al-Jadid,_ outlines ideas about new Islamic jurisprudence, especially about the collection of _hadith_, which he considers to be fabricated _hadith_ because it contained the sayings or interpretations of the companions, not the sayings of the Prophet. Al-Banna offers an alternative to the hadith and sunnah, in line with the Qur'an, not according to the companions’ narration. This study utilized a qualitative research design, with data (...) collected through library and desk research. The primary source was Al-Banna’s _Nahwu al-Fiqh al-Jadid_, the hadiths and the sunnah, while the secondary material comprised books and critical commentaries of religious scriptures. The study found out that Al-Banna vouches for a new Islamic jurisprudence that believes in the Qur'an but rejects the _tafsir_ (exegesis of the Quran) because, they were a kind of deviation from the Quran. Al-Banna’s new Fiqh paid attention to the sunnah, and rejected many fabricated _hadith_s originating from companions’ words, not the Prophet Muhammad's words. He recommends to initiate a new perspective on the sunnah, using the Qur'an paradigm, not the _hadith_ narrators' paradigm. There are implications of these revelations as _Hadith_ experts criticized Al-Banna’s ideas as they thought his narration of the companions was not justified and that caused much controversy. However, Jamal Al-Banna's new version of Islamic jurisprudence has a vision and mission to advance the ummah based on the criteria of the Qur'an and Sunnah, only the words of the Prophet, both of which must be able to answer current problems and must be able to interact with contemporary dynamics. (shrink)