IntroductionTranscranial magnetic stimulation is a consolidated procedure for the treatment of depression, with several meta-analyses demonstrating its efficacy. Theta-burst stimulation is a modification of TMS with similar efficacy and shorter session duration. The geriatric population has many comorbidities and a high prevalence of depression, but few clinical trials are conducted specifically for this age group. TBS could be an option in this population, offering the advantages of few side effects and no pharmacological interactions. Therefore, our aim is to investigate the (...) efficacy of TBS in geriatric depression.Clinical trial registration[https://clinicaltrials.gov/ct2/], identifier [NCT04842929]. (shrink)

The aim of this paper is to investigate a crucial period in the development of the young Hegel. Watching the decline and fall of the Holy German-Roman Empire and the Napoleonic Wars, Hegel laid a first theoretical foundation of the modern State through an allegorical interpretation of Orestes' myth as a sort of study-case of the "tragedy in the ethical life". Hegel atempts in this way to overcome the decomposition of the old classical ideals, which takes place at the time (...) of the emerging egoism of the bourgeois capitalism. The proposed solution by Hegel in 1803 is the last attempt to build a new religion on the basis of the reconciliation of the People with their own destiny. (shrink)

Orestes has returned to Argos, . For him to brandish at his father's murderers is natural there, where he is delivering a sort of general manifesto as to his aims, and where the strong word is justified and alleviated by the jingle with juxtaposed . But there is no reason for Orestes to go on insisting on the bloodthirstiness of these aims, and reads oddly in 100, where he is explaining soberly his plan of campaign.

RESUMO: A peça de teatro As moscas, de Sartre, será abordada com o intuito de acompanhar o modo como seu autor reinventa o mito de Orestes, presente na tragédia grega. Sartre subscreve pontos de partida que nos fazem perceber que, em seu diálogo com a tradição, ele trabalha com a liberdade no avesso da necessidade, o que termina invertendo a tradição. Ele adota certa concepção da relação entre o passado e o mundo atual que nos permite ler o mito de (...) Orestes de tal forma que ele não exclui o passado, antes, o exige. Orestes não se faz do nada, sua ação não se estabelece através de uma simples continuidade com o passado. Trata-se de investigar a importância que o passado desempenha no interior dessa peça, assim como indicar, a partir desse ponto de vista, o lugar que nossas aquisições devem ocupar no mundo atual. ABSTRACT: The aim of the present article is to shed some light on how Sartre recreates Orestes myth in his play The flies. Sartre show us that his dialogue with the tradition works with freedom as the other side of necessity, which leads to the inversion of tradition. He works with such a conception of the relation between past and present which enable us to consider Orestes in a way that the past is not excluded; on the contrary, it is demanded. Orestes is not out of nowhere, and at the same time his actions are not simply the continuation of the past. The present article intends to analyze the role played by the past in Sartre’s The flies, as well as to point, from this particular standpoint, the place off human acquisitions should have in our present world. (shrink)

Iphigenia Aulidensis was produced after the poet's death, probably in 405 BC. The aim of this paper is to recover the text of this production, which I call FP for First Performance. Probably Euripides left behind an incomplete draft, which was finished by Euripides Minor, the poet's son or nephew. The text we have contains, as Page showed in 1934, material added for a fourth-century revival and other still later interpolations. Diggle's edition tries to separate original Euripides from all later (...) hands on the basis of style. But if we want to recover the amalgam that was FP we need to be attentive to the plot that is implied by the most clearly genuine portions: we can't confine ourselves to what appears to be Euripidean since more than one hand contributed to FP. A discovery about the plot gives us some objective basis for reconstructing FP. Our transmitted text contains two different conceptions of Calchas' prophecy, only one of which belonged to FP. Several passages scattered throughout the play imply that it was public, made to the entire army, but other passages say that it was private, restricted to Agamemnon's inner circle, with the army left in the dark. The secret prophecy motif, I argue, is the work of a fourth century producer, whom I call the Reviser. Its purpose was to introduce into the play scenes where Greek soldiers, ignorant of the real reason for Iphigenia's coming to Aulis, might make naive comments or ask questions that are highly ironic in view of the actual situation, this being an emotional effect he found congenial. We find two such passages in places that are under grave suspicion: the entrance of Clytaemestra, where there is a chorus of Argives who felicitate Iphigenia on her wonderful prospects, and the first messenger, who reports naive questions from the soldiery. Both these passages have linguistic and dramaturgical features that make it virtually certain that neither Euripides nor Euripides Minor wrote them. Working from these we can detect the Reviser's hand at other places in the play and reconstruct its original lineaments. One satisfying result is that the business of baby Orestes, played by a doll, can be shown to be the work of the Reviser. The play ended with Iphigenia's departure for the altar, and there was no substitution of a stag. Like Menoeceus, Macaria and their kin, Iphigenia pays for the victory of her country with her blood, and there is no happy ending. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Ethics of Revenge and the Meanings of the Odyssey by Alexander C. LoneyEmily P. AustinAlexander C. Loney. The Ethics of Revenge and the Meanings of the Odyssey. New York: Oxford University Press, 2019. Pp. xii +265. Hardcover, $78.00. ISBN 978-0-190-90967-3.The Ethics of Revenge and the Meanings of the Odyssey places Odysseus' climactic act of revenge where it belongs: at the center of our interpretation of the Odyssey. (...) With admirably clear prose, Loney traces out the recurring pattern of tisis narratives woven through the poem. The accumulation of these revenge stories demonstrates that, in Loney's words, "tisis breeds endless further plots, making an epic of revenge fatally open-ended" (225, emphasis mine). Although the focus is simple, Loney's comprehensive account of the workings of revenge narratives commands the reader's interest. I, for one, was unprepared to recognize how systematically the poet sets up its readers to be disturbed by the ending—although I have long found the final books of the Odyssey troubling. On Loney's reading, the Odyssey sets up the terms of revenge's justice such that, on those very terms, the execution of vengeance is always ambivalent. For anyone with interests in Homer or revenge narratives, Loney's book has much to offer.The Ethics of Revenge begins with archaic conceptions of vengeance (tisis) (chap. 1). Loney distinguishes between "positive" reciprocity, which aims at balance through the ostensibly free exchange of benefits; and "negative" reciprocity, which is blatantly transactional: tisis is a form of negative reciprocity, where harm is met with immediate and (supposedly) equivalent harm. But as Loney shows, the returning harm is equivalent to the initial harm only insofar as someone judges it to be so. This insight is essential to understanding the inconclusive quality of vengeance: one person's retributive act is, potentially, another person's harm received. The justice achieved by such retributions is limited to the perspective of the one judging.Loney turns to such overlapping stories of tisis in the Odyssey in chapter 2. These overlaps prime the audience to notice ethical complexities among different characters' claims about wrongdoings and merited punishments. For Loney, Zeus' story of Orestes in Book 1 is the paradigmatic tisis narrative of the Odyssey. From this story, Loney distills the elements of all tisis narratives in the poem: absence (Agamemnon away) → unheeded warning / recklessness (Aigisthos ignores Hermes' warning) → preparation for offense (Aigisthos woos Klytaimnestra) → offense (Aigisthos commits adultery with Klytaimnestra and murders Agamemnon) → preparation for retribution (Orestes returns to Mycenae) → retributive act (Orestes kills Aigisthos and Klytaimnestra) → just order restored (Aigisthos has repaid in full). [End Page 535] Loney emphasizes how the unheeded warnings contribute to the ideal of immediate equivalence in tisis: when an offender chooses to perpetrate harm despite a warning (often marked by the term ἀτασθαλίαι), he or she effectively chooses to suffer retribution. The narrator of the tisis story moreover stresses equivalence—in the Orestes paradigm, killing for killing.In the next four chapters, Loney masterfully applies this theoretical and philological work to his interpretation of the poem. Chapter 3 follows three narratives of divine vengeance: Zeus avenging the companions' offense against Helios; Poseidon avenging Odysseus' blinding of Polyphemos; and Poseidon taking vengeance on the Phaiakians, who helped Odysseus. With clear analysis of story patterns and intratextual resonance, Loney shows how these stories evoke latent meanings through their parallels, echoes, or mutual implications. So, for example, Odysseus complicates the narrative of Poseidon avenging Polyphemos with his own story of Polyphemos' wrongs against him and his companions; and the vengeance of Poseidon on the Phaiakians is left literally open-ended, with the poet never telling us if Zeus destroys the island or not. As a result, by the time we get to the central tisis narrative of the poem (chap. 4), Odysseus' vengeance against the suitors comes to us against a varied backdrop of inconclusive and intertwined stories of retribution.In chapter 4, Loney explicates the key aspects of tisis in Odysseus' "terrifying revenge" (cf. Plato's Ion 535c7). For example, the suitors receive five of the poem's nine attributions of ἀτασθαλίαι, marking their wrongdoings as "precipitating harm" that... (shrink)

10. Catholicity Necessary to Sustain Popular Liberty -- 11. Authority and Liberty -- 12. The Works of Daniel Webster -- 13. Schools of Philosophy -- 14. Liberalism and Socialism -- 15. Civil and Religious Freedom -- 16. Liberalism and Progress -- Part III. Freedom and Communion -- 17. The American Republic -- 18. The Democratic Principle -- Notes.

v. 1. The Universalist years, 1826-29 -- v. 2. The free thought and Unitarian years, 1830-35 -- v. 3. The Transcendentalist years, 1836-38 -- v. 4. The transcendentalist years, 1838-39 -- v. 5. The transcendentalist years, 1840-1841 -- v. 6. Life by communion, 1842 -- v. 7. Life by communion years, 1843-1844.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This essay examines the figure of Amadeo Peter Giannini, founder of the Bank of Italy (later Bank of America), as an example of an _alternative_ banking model based on ethical and humanistic principles inspired by Franciscan socio-economic thought. The analysis explores how values such as fraternity, gratuity, simplicity, humility, and service - rarely found in the financial sector - can be integrated into _banking management_ to create a positive and democratic impact. The objective is to fill a gap in research (...) at the intersection of ethics, spirituality, and economics, demonstrating that an approach grounded in _human dignity_ and the _common good_ can be successful even in a profit-oriented context. This vision proved to have a significant impact during critical moments, such as the San Francisco earthquake and the Great Depression, showing Giannini’s deep _trust_ in human resilience and dignity. Furthermore, the _faithful banker_ supported emerging industries like film and wine and invested in infrastructure projects like the Golden Gate, contributing to California’s economic and social development. Through the analysis of historical sources and testimonies, it is highlighted that the humanistic model of the “_gentle giant_” not only promoted financial inclusion and democratization, inspired by the Monti di Pietà, and access to credit for working-class people and immigrants but also fostered a visionary role for the bank as a _trusted partner_ in social progress. This approach demonstrated that finance could be a tool for _community wealth_, uniting economic growth with human development. The legacy of this _humble banker_ confirms that corporate prosperity is not at odds with social justice and sustainable development. His “_moral_” banking philosophy, rooted in trust, humanity, and fraternity, represents a model for integrating economy and faith, rejecting individualism and promoting inclusivity and fraternity. (shrink)

Two different kinds of stochastic processes in Hilbert space used to introduce spontaneous localization into the quantum evolution are investigated. In the processes of the first type, finite changes of the wave function take place instantaneously with a given mean frequency. The processes of the second type are continuous. It is shown that under a suitable infinite frequency limit the discontinuous process transforms itself into the continuous one.

Панфілова Т. О. Становлення громадянського суспільства у Західній Україні : [монографія] / Т. О. Панфілова ; Національна академія наук України, Інститут українознавства ім. І. Крип'якевича. - Львів, 2015. - 406 с.

An in-depth study of Aquinas's doctrine of the actus essendi.

Many of Marco Aurelio Severino’s works were published in Germany, thanks to the intercession of his pupils. The prestigious Nürnberg physician Johann Georg Volkamer was Severino’s closest pupil. A relevant manuscript letter of Severino to Volkamer sheds new light on the context of the edition of Severino’s Zootomia democritaea. The correspondence between Severino and Volkamer was firstly studied by Luigi Amabile in the Ninteenth-century, and it was fully exploited by Maurizio Torrini about a century later.