This paper analyzes the nature of the Star Maker in Olaf Stapledon’s Star Maker, as well as Stapledon’s exploration of the theological problem of evil, as compared with philosophical conceptions of God and their respective theodicies in the tradition of classical theism, as propounded by philosophers such as Aristotle, Plotinus, Augustine, Maimonides, Aquinas, and Avicenna. It argues that Stapledon’s philosophical divergence from classical theism entails that the Star Maker of the novel is more demiurge than true divinity, and that this (...) divergence is integral to the basically amoral character of the Star Maker, as well as the purely aesthetic resolution of the problem of evil articulated in Star Maker. This analysis, in turn, will hopefully bear on future studies touching on the trope of quasi-divinities, evolved and contingent gods, present in the work of other SF authors. (shrink)

How was the world generated and how does matter continue to be ordered so that the world can continue functioning? Questions like these have existed as long as humanity has been capable of rational thought. In antiquity, Plato's Timaeus introduced the concept of the Demiurge, or Craftsman-god, to answer them. This lucid and wide-ranging book argues that the concept of the Demiurge was highly influential on the many discussions operating in Middle Platonist, Gnostic, Hermetic and Christian contexts in the first (...) three centuries AD. It explores key metaphysical problems such as the origin of evil, the relationship between matter and the First Principle and the deployment of ever-increasing numbers of secondary deities to insulate the First Principle from the sensible world. It also focuses on the decreasing importance of demiurgy in Neoplatonism, with its postulation of procession and return. (shrink)

Contrairement à la majorité des interprètes du Timée de Platon, nous ne croyons pas que la figure du démiurge représente réellement une cause productrice. Ce type de causalité, explicitement attribué au νοῦς dans le Phédon, ne peut, selon nous, être associé qu’à l’activité de l’âme du monde et des dieux de la tradition. Le démiurge joue un autre rôle. Représentant le meilleur des êtres intelligibles éternels (37a), un dieu éternel (34a), le démiurge ne peut, à ce titre, être un principe (...) de mouvement, puisque l’intelligible, selon Platon, n’exerce qu’une causalité paradigmatique. La figure du démiurge est, en fait, la représentation mythique de la causalité paradigmatique. Le démiurge représente, plus précisément, à titre de « fabricant » de l’espèce des dieux, la forme intelligible du dieu. Certaines caractéristiques du démiurge (sa corporéité, ses pensées et son activité productrice) sont indissociables de l’analogie employée pour représenter la dépendance des dieux à l’égard des formes intelligibles : le travail artisanal. Le démiurge, en tant que cause productrice, n’a pas de valeur ontologique réelle. Néanmoins, ce qu’il représente, la forme intelligible du dieu, constitue, selon Platon, la cause qui fonde l’immortalité de l’univers et des dieux de la tradition, une cause qui permet ainsi au νοῦς de ces divinités d’exercer leur causalité productrice. (shrink)

Of the rich legacy of the Timaeus, this study deals with the cross-pollination between Stoic and Platonist readings of Timaeus, spanning the period from Plato's writings to that of the so-called Middle Platonist authors. Plato's Timaeus and Stoic doctrine had their fates intertwined from very early on, both in polemical and reconciliatory contexts. The blend of Platonic and Stoic elements ultimately constituted one of the main conceptual bridges between the pagan tradition on the one hand and the Judeo-Christian, in its (...) own search for the distinction between transcendence and immanence, on the other. Contrary to the received opinion, later platonist authors do not merely borrow Stoic terminology. Rather, in a genuine 'discourse of assimilation' the Stoic analysis of the universe has left a profound mark on Platonist views of the principles, of the place of humans in the universe, as well as of human freedom and its interaction with divine Providence. (shrink)

There is a striking resemblance between the physical theory of Plato'sTimaeus and that of the Stoics; striking enough, indeed, to warrant the supposition that the latter was substantially influenced by the former. In attempting to trace the main lines of this influence, scholars have tended to focus attention almost exclusively on the Stoics' choice and characterization of the world's ultimate constituents: a rational principle that pervades and controls a material principle. In this paper, I offer some suggestions about how the (...) early Stoics may have reacted as readers to Plato's literary presentation of the dialogue's cosmogonic myth. On this basis I consider the proposal that the crucial philosophical appeal of the Timaeus for the Stoics – and perhaps the reason it attracted their interest in the first place – lay not in its claims about the Receptacle and World Soul, but rather in its portrayal of the Demiurge who designed the cosmos. (shrink)

According to Plutarch, who is responsible for the ordering of the indeterminate precosmic matter? Is this activity imputable to the divine demiurgic intellect? Or are we to consider the Cosmic Soul as the force which firstly gave shape to the precosmic chora/hyle? By means of examining the iv Platonica Quaestio, I set out to maintain that, at a certain moment of his philosophical career, Plutarch thought it better to relieve the divine intellect from the task of firstly ordering the material (...) substratum; this duty had to fall upon the Cosmic Soul. Thus, he would keep the divine intellect from any engagement in activities concerning the hyle. (shrink)

In just the last decade, many conference proceedings have been published on Plato’s Timaeus and its influence on the history of philosophy. The present vo­lume, which is the result of a symposium held at Seoul National University in September 2011, testifies to the enduring and widespread interest the Platonic dia­logue is able to elicit. The nine studies here collected by Euree Song center on the figure of the demiurge as maker of the world and they all deal with authors who, (...) while having di... (shrink)

Numenius is an author who straddles the line between Middle Platonism and Neoplatonism. In this contribution, I focus on the differences between the second and the third God, which emerge from analyses of the relevant fragments. Numenius emphasizes, on several occasions, how the second God (i.e., the demiurge) has a dual nature. In this paper, I investigate the role of the demiurge in Numenius and examine in what sense the second and third God are “one.” On the one hand, Numenius (...) seems to be stressing the unity of the second and third levels of reality, but on the other hand, he also appears to be differentiating them. The present analyses concentrate on fragments 19F, 24F, 29T and 30T (respectively 11, 16, 21, and 22 in des Places’ edition). My purpose is to demonstrate that, according to Numenius, the second and the third God are one because they both can be regarded as demiurgic. Thus, Numenius conceives a kind of “double demiurgy,” which preserves the distinction between the second and the third God, who are distinguished from an ontological point of view, but who, at the same time, share a demiurgic function. The second God is then the paradigm, whereas the third God is immanent in matter as a ruling principle of the cosmos, which is similar to the World Soul, as he operates on matter in order to make it rationally ordered. (shrink)

In Republic VI 508e-9b Plato has Socrates claim that the Good is the cause (αίτίαν) of truth and knowledge as well as the very being of the Forms. Consequently, as causes must be distinct from and superior to their effects, the Good is neither truth nor knowledge nor even being, but exceeds them all in beauty (509a), as well as in honour and power (509b). No other passage in Plato has had a more intoxicating effect on its readers. To take (...) just one example, James Adam was moved to quote St. Paul when he remarked about this passage that, 'it is highly characteristic of Plato's whole attitude that he finds the true keystone of the Universe — the ultimate fountain from which both Knowledge and Existence flow — in no cold and colourless ontological abstraction, like Being, but in that for which "all creation groans and labours". (shrink)

Why does the Stoic demiurge cause the conflagration? In this paper, I revisit some issues addressed in Salles 2005 and argue that the conflagration is the result of an incapacity in the demiurge for creating an everlasting and uninterrupted cosmic order. Also, I bring out in more detail the parallel between the Stoics and Plato at Tim. 75a‑c, why cosmic order is the ultimate end pursued by the demiurge, what is the physical mechanism that leads up to the conflagration, and (...) why the conflagration is contrary to the cosmic order. (shrink)

The human quest for meaning is an attempt to bring experience into conjunction with illuminating concepts. The second law of thermodynamics is of wide human concern, because it touches experience which is existentially charged and therefore which humans must interpret in broad metaphysical terms. Five types of experience have been incorporated into the second law: running down, degeneracy, mixed‐up‐ness, irreversibility of time, and emergence of new possibilities. The dominant Western tradition (Plato) places these experiences within a metaphysical scheme that evaluates (...) them negatively, whereas a minority tradition (Berdyaev) evaluates them positively. The former makes entropy anti‐God; the latter places entropy within God. (shrink)

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Today, dignity recognized as a fundamental value across legal systems is equal, inherent and inalienable, inviolable, is the source of human rights and is essential for its subject to be recognized as an autotelic entity (an end in itself) that cannot be treated as an object. The analysis of the extract from Plato’s Demiurge’s speech in Timaeus reveals that Plato developed a reflection on something that determines the qualitative difference between certain beings and the world of things, and that forms (...) the basis for the special treatment of these beings, which the modern language can reasonably describe as dignity. The attributes of that dignity seem to overlap with the nature of dignity as we know today. What is more, Plato proposes a response to the question of what dignity is like but also to the question of what dignity is. It is the existential perfection, established in a perfect way of existence based on a specific internal unity of being. As the existential perfection, it covers the entire being along with all its features; it is inseparable from being (inherent and inalienable) – without it, it cannot exist. It is primordial to the particular features and independent of their acquisition or loss. Plato’s approach allows, based on the approach to dignity, the formulation of proposals aligned with today’s personalistic standards prescribing that persons be treated as ends in themselves and prohibiting the treatment of persons like objects. (shrink)

Głównym celem artykułu jest ponowne przemyślenie pojęcia Kartezjańskiego cogito, podjęte w kontekście teorii czynności i wytworów, oraz ogólnej teorii ludzkiej twórczości. Końcowy wniosek to stwierdzenie, że Kartezjańskie cogito nie jest podmiotem lecz aktem albo czynnością. Ten akt, albo ciąg aktów (działalność), łączy podmiot z przedmiotem. Taki wniosek jest jednocześnie mostem prowadzącym od kartezjańskiego metodologicznym sceptycyzmu do teorii aktów intencjonalnych zaproponowanej przez Franciszka Brentana i jego następców.

The Timaeus is difficult, and Murdoch has two strands of thought about it. On the one hand she thinks it a defence of Forms, and on the other hand she thinks it is an allegory on the inspiration and limitations of the artist, or creative literary writer. Arguing that the two strands get in each other’s way, and that one is mistaken, I will defend and expand on ‘Plato’s portrait of the artist’.

In this paper, I examine what is for Plato and all those who follow in his footsteps the ne plus ultra of cognition, namely, intuition (nous or noēsis). This is the paradigm of cognition, meaning that all forms of human (and even animal) cognition are inferior manifestations of this. Intuition is mental seeing, analogous to physical seeing. Among embodied souls, it is seeing a unity of some sort manifested in some diversity or plurality. Thus, someone who sees that the Morning (...) Star is the Evening Star, or that S at t1 is identical with S at t2, or that f = ma, etc., sees the unity ‘behind’ the diversity. The disembodied intellect that is the Demiurge (or, for Aristotle, the Unmoved Mover) sees paradigmatically the diversity of all intelligible being as a unity. Because mental seeing or intuition is paradigmatic for all cognition, cognition is essentially a unificatory process. Plato's method of collection and division displays both this process and its reverse. In the light of this core doctrine, I examine some of the insights that Platonists, especially Plotinus and Proclus, arrived at regarding a host of issues, including the nature of the first principle of all and the nature of normativity. (shrink)

The problem of the interpretation of the Timaeus represents one of the greatest exegetical challenges for Plotinus. For Plotinus the Timaeus is a problematic dialogue due to its mythical-allegorical language and the fact that some doctrines in the work seem incompatible with his hypostatic vision. The Plotinian conception of the demiurge is critical of the concept of “artisanal causality.” Plotinus does not agree that the cosmos could have been generated according to a plan, i.e., according to dianoetic and contingent reasoning. (...) At the same time, he identifies the demiurge with the Intellect, but then, in other treatises, also equates the demiurge with the world soul and nature, i.e., the aspect of the third hypostasis that has the task of acting directly on matter. While this ambiguity of Plotinus is found in several places of his Enneads, it finds justification in a spurious dialogue of Plato, the Epinomis, in which the role of the demiurgic soul is central. In my opinion, Plotinus is likely to have taken his cue from the Epinomis as an endorsement for his doctrine of the demiurgic soul. Nevertheless, the fact remains that the identification of the demiurgic soul with a single hypostasis leads Plotinus to several aporias. (shrink)

The main aim of this study is to explain passage 35b4-37a2 of Plato’s Timaeus which deals with three main topics: the mathematization of the world’s soul, its movement, and its binding to the world’s body. First, it is argued that the mathematical structure of the world-soul allows it to participate in and be sensitive to harmony, which is essential for the correct workings of its cognitive capacities. Second, the division of the world-soul to the circle of the same and the (...) circles of the different and its self-motion comes in. This allows it to ‘touch’ and cognize the forms and the material things, as well as rule the movement of the corporeal world and care for it. In this aspect, the world-soul continues the process that started with the original creative act of the demiurge. Third, it is argued that the description of the world-soul’s binding to the world-body entails its conception as a spatially extended entity, which, in turn, explains of the possibility of an interaction between the corporeal world and its soul. (shrink)

Dans son dialogue Sur le Bien (19 F = fr. 11 dP), Numénius écrit que le dieu qui est « deuxième et troisième est un ». Par là, il désigne un dieu considéré selon deux aspects qui correspondent à la double orientation de son attention. Dans le second, il est tourné vers le monde et joue le rôle de démiurge. Selon la plupart des chercheurs, ce démiurge serait à identifier à l’âme du monde que les fragments parvenus du dialogue ne (...) mentionnent pas. L’article montre que cette interprétation ne rend peut-être pas compte du propos de Numénius. Il indique les raisons théoriques et polémiques expliquant qu’en réalité, même si le démiurge a la fonction de l’âme du monde, Numénius ne l’identifie pas avec celle-ci. Il veut définir les principes qu’il identifie à l’être, conçu comme incorporel. Le mouvement intrinsèque à l’âme et l’immanence qui la caractérise, d’après la tradition platonicienne que suit Numénius et la tradition stoïcienne à laquelle il s’oppose, interdisent de donner à cette âme le statut de pur intelligible – le lui accorder serait précisément céder à l’immanentisme et au corporalisme stoïciens. Enfin, il n’est pas davantage utile de reconnaître dans le second aspect du deuxième dieu, un moment nommé « troisième dieu » dans le dialogue, le troisième dieu que Numénius aurait identifié au monde d’après le témoignage de Proclus (29 T = fr. 21 dP). Ce troisième dieu-là peut réellement correspondre au monde dont Platon fait un dieu, à condition que ce monde soit considéré comme le produit du seul intellect, ordre (κόσμος) qui comporte certes une âme, et même un intellect en elle, mais qui n’est réduit ni à l’une ni à l’autre. (shrink)

Plato’s demiurge makes a series of questionable decisions in creating the world. Most notoriously, he endeavors to replicate, to the extent possible, some of the features that his model possesses just insofar as it is a Form. This has provoked the colorful complaint that the demiurge is as raving mad as a general contractor who constructs a house of vellum to better realize the architect’s vellum plans (Keyt 1971). The present paper considers the sanity of the demiurge’s reasoning in light (...) of Timaeus 32c5-33b1, where he invokes considerations of wholeness, completeness, uniqueness, and eternality in deciding to build the body of the world from all of each of the simple bodies. Since the passage makes no appeal to the demiurge’s intelligible model, one can mine it for indications of the value that the demiurge takes those features to have independent of mimetic goals. I argue that, for Plato, those features are intrinsically good-making and, thus, that it is not only appropriate for them to characterize Forms qua Forms but also that it is appropriate for the demiurge to aim at replicating them, to the extent possible, in his creation. In particular, I argue that the demiurge’s success in instilling a circumscribed version of each feature in his creation helps to qualify it as a genuine being despite the fact that it comes to be. (shrink)

The present paper focuses on some aspects of the Neoplatonist literary-metaphysical theory, which has clearly been expressed in the anony­mous Prolegomena to Plato’s philosophy and further confirmed in Proclus’ exegesis of the Timaeus. Thus, this contribution, examines and compares several passages from the Prolegomena and from Proclus’ Commentary on the Timaeus with a view to showing that it is legiti­mate to speak of a certain cosmogony of the Platonic dialogue that is analogous to that of the macrocosm. Moreover, the analogy (...) between macrocosm and microcosm makes it possible to further investigate the similarity between the λόγος-ζῷον of the Demiurge and that of Timaeus, on the one hand, and the reality which the λόγος expresses, on the other. This similarity turns out to be both structural/morphological and content-related/semantic. Thus, by combining the natural and theo­logical science, the analysis of the “generation” of the macrocosm and microcosm brings out the strongly analogical nature of Plato’s dialogues, which is particularly visible in the Timaeus. (shrink)