In this book Elizabeth Spillius and Edna O'Shaughnessy explore the development of the concept of projective identification, which had important antecedents in the work of Freud and others, but was given a specific name and definition by Melanie Klein. They describe Klein's published and unpublished views on the topic, and then consider the way the concept has been variously described, evolved, accepted, rejected and modified by analysts of different schools of thought and in various locations – Britain, Western (...) Europe, North America and Latin America. The authors believe that this unusually widespread interest in a particular concept and its varied ‘fate’ has occurred not only because of beliefs about its clinical usefulness in the psychoanalytic setting but also because projective identification is a universal aspect of human interaction and communication. _Projective Identification: The Fate of a Concept_ will appeal to any psychoanalyst or psychotherapist who uses the ideas of transference and counter-transference, as well as to academics wanting further insight into the evolution of this concept as it moves between different cultures and countries. (shrink)

Brian O'Shaughnessy puts forward a bold and original theory of consciousness, one of the most fascinating but puzzling aspects of human existence. He analyses consciousness into purely psychological constituents, according pre-eminence to its epistemological power; the result is an integrated picture of the conscious mind in its natural physical setting. Consciousness and the World is a rich and exciting book, a major contribution to our understanding of the mind.

The phenomenon of action in which the mind moves the body has puzzled philosophers over the centuries. In this new edition of a classic work of analytical philosophy, Brian O'Shaughnessy investigates bodily action and attempts to resolve some of the main problems. His expanded and updated discussion examines the scope of the will and the conditions in which it makes contact with the body, and investigates the epistemology of the body. He sheds light upon the strangely intimate relation of (...) awareness in which we stand to our own bodies, doing so partly through appeal to the concept of the body-image. The result is a new and strengthened emphasis on the vitally important function of the bodily will as a transparently intelligible bridge between mind and body, and the proposal of a dual aspect theory of the will. (shrink)

Brian O'Shaughnessy; V—Material Objects and Perceptual Standpoint, Proceedings of the Aristotelian Society, Volume 65, Issue 1, 1 June 1965, Pages 77–98, https.

The discussion that follows establishes a three-way conversation between two films, Laurent Cantet’s L’Emploi du temps (Time Out [2001]) and Jean-Pierre and Luc Dardenne’s Le Silence de Lorna (Lorna’s Silence [2008]) and one work of theory, Maurizio Lazzarato’s La Fabrique de l’homme endetté: essai sur la condition néo-libérale (The Making of Indebted Man: Essay on the Neoliberal Condition [2011]). The subject of the conversation will be neo-liberal governance and the role of debt within it. Part of Lazzarato’s argument regards the (...) central role debt has played since the start of the global financial crisis in 2008. But another part of his argument is that during the neo-liberal era, debt has been a, if not the .. (shrink)

I have no comment to make on the aesthetic merits of these verses. I have put them at the head of my discussion because they happen to introduce a cluster of concepts connected with forgiveness: pride, love, hate, God, friendship, goodwill, eternity, offence, condemnation, resentment, blame. We may think that some, but not all, of these have essential connections with the concept in which we are interested. And we may, of course, think that the list is incomplete. Other obvious candidates (...) spring to mind: pity, for example, repentance, compassion, punishment and pardoning. (shrink)

The aim is to discover a principle governing the formation of the dream. Now dreaming has an analogy with consciousness in that it is a seeming-consciousness. Meanwhile consciousness exhibits a tripartite structure consisting of understanding oneself to be situated in a world endowed with given properties, the mental processes responsible for the state, and the concrete perceptual encounter of awareness with the world. The dream analogues of these three elements are investigated in the hope of discovering the source of the (...) kinship between dream and consciousness. The dream world proves to be a logically impossible world, limited by nothing more than sheer narratability. The internal world of the dreamer is notable for the limitlessness of the scope allotted to the imagination, together with the presence of two important phenomena encountered in waking consciousness: a measure of interiority, and the positing of a world. Finally, the dream further replicates consciousness in so far as we seem in dreaming concretely to experience our physical surrounds in the form of perceptual imagining. These properties play their part in enabling the dream to be a seeming-consciousness. At the same time they are such as to necessitate its not being consciousness. It is proposed that in the light of these properties, and those composing the state of consciousness, the dream simply is the imagining of consciousness. (shrink)

This volume provides the fundamentals needed to understand the various explanatory systems and methodologies used in the behavior sciences and to evaluate their findings, in particular the literature and findings on buyer behavior. In clear prose, the author discusses the key issues in modern philosophy, psychology, and sociology and their relevance for the student of marketing and buyer behavior. O'Shaughnessy exploits insights from many disciplines as to the many ways to derive understanding of behavioral phenomena, making it accessible not (...) only to academics and students of marketing, but to professionals as well. (shrink)

Brian O'Shaughnessy; XI*—Seeing the Light, Proceedings of the Aristotelian Society, Volume 85, Issue 1, 1 June 1985, Pages 193–218, https://doi.org/10.1093/aris.

The phenomenon of action in which the mind moves the body has puzzled philosophers over the centuries. In this new edition of a classic work of analytical philosophy, Brian O'Shaughnessy investigates bodily action and attempts to resolve some of the main problems. His expanded and updated discussion examines the scope of the will and the conditions in which it makes contact with the body, and investigates the epistemology of the body. He sheds light upon the strangely intimate relation of (...) awareness in which we stand to our own bodies, doing so partly through appeal to the concept of the body-image. The result is a new and strengthened emphasis on the vitally important function of the bodily will as a transparently intelligible bridge between mind and body, and the proposal of a dual aspect theory of the will. (shrink)

The diffusion of ideas about contemporary terrorism is analyzed using a sociology of science methodology. One of the most common means of creating understandings of a phenomenon is the development and diffusion of ideas that influence the positions adopted by a wide range of actors, including government bureaucrats and decision makers, legislative and corporate bodies, and the public. How did terrorism researchers interact with these actors to construct, maintain, and modify the development and perception of contemporary terrorism? How were the (...) ideas diffused and what impact did they have on policymakers? Did the invisible college of terrorism researchers function as an epistemic community? These questions are analyzed using an integrated research strategy that employs a number of techniques and data sources such as bibliometrics, content analysis, and citation analysis of selected terrorism research publications, biographies, and conferences, and on-line tracing of researchers’ affiliations, participations, and collaborations. (shrink)

Brian O'Shaughnessy; XII*—Processes, Proceedings of the Aristotelian Society, Volume 72, Issue 1, 1 June 1972, Pages 215–240, https://doi.org/10.1093/aristoteli.

Are there some mental phenomena for which insight is necessarily inexistent? The Freudian ‘Id’, and Schopenhauerian ‘Will’, have been joined in latter days by certain cerebral phenomena, all of which have been claimed to be both necessarily inaccessible and mental. General principles of insight are sought whereby we may assess such claims. The main truth emerging is that all known mental phenomenal types are normally immediately insightable in states of proper waking consciousness, and that the only phenomenon that defies the (...) rule is constituted out of insightables. While many mental causal relations are naturally and even necessarily inaccessible, it seems unlikely that any mental phenomenal processes could be. As a test case, the formation of the visual experience is investigated, to discover whether it includes such a mental process. No evidence for such is encountered. All mental processes seem in principle to be accessible to their owner, whether immediately qua experience or inferentially through their constituting state. The conditional‐Cartesian thesis seems intact. (shrink)

This article challenges the critical view that Godwin's association with the theatre is limited to the ill-fated Antonio (1800), and argues that the theatrical world was extremely important to Godwin the writer and political reformer. It considers Caleb Williams (1794) in this theatrical context and suggests a reading of it as a ‘theatrical novel’ in the light of St. Dunstan (1790), Godwin's historical tragedy. It argues that the novel is structured in such a manner that it reflects contemporary dramatic technique, (...) especially in its incorporation of the practice peculiar to the Georgian stage known as ‘pointing’. I will suggest that this deliberate attempt to ‘narrativize’ this performative technique in fictional prose has profound implications in terms of explaining how Godwin saw his novel interact with its reader and is consistent with the philosophy of Political Justice. (shrink)

The stream of consciousness of the waking conscious manifests both meaningfulness and interiority as the dream does not. The variety of meaning involved is spelt out. It emerges that it is a derivative of the overall mental activeness of consciousness together with the fact that the activeness pre‐eminently includes the thinking process. This is the one active experiential line that carries its own rationale, for thinking is a mental willing, which par excellence knows where it is going, indeed is the (...) meaning‐giver par excellence in the mind. The nature of thinking is investigated, including the rationale of its close link with the use of language. Thinking is an active process of engendering phenomena in one's understanding, whose object is a changing entity expressed in the symbolism that encapsulates thought. It lies at the heart of consciousness, being the custodial agency responsible for the continuing state of rationality necessary for the state, and is coincident with the interiority of that state. (shrink)

Perception is here differentiated from perceptual imagining. To better understand the latter, the imagination was studied. Three different kinds of imaginative experience were characterized: propositional imagining, imaginative perception, and perceptual imagining. The origins of propositional imagining ensure that they cannot instantiate the cognitive prototype. Meanwhile, both the origins and constitutive character ensure the same in the case both of imaginative perception and of perceptual imagining. The general conclusion is, that imaginings are imaginings neither through having a required constitution nor through (...) origins, and not even through a combination of these factors. Rather, they are imaginings through satisfying the definition. Imagining is quasi a cognitive prototype, which represents Reality as endowed with a certain character, is of necessity not that prototype, and is merely quasi that prototype. (shrink)

Michael Abecassis 'Le Petit Theatre de Renoir: Martin O'Shaughnessy's _Jean Renoir_' _Film-Philosophy_, vol. 8 no. 8, March 2004.

Rationality of state is essential to consciousness, and depends both on self‐knowledge and on mental activeness—and above all upon the mental activity of thinking. What contribution does the overall activeness of the stream of consciousness make to the obtaining of consciousness? It firstly contributes to the epistemological and perceptual function, through ordering perceptual process. But it secondly conditions the intelligibility of the stream of consciousness of the conscious. The least apparently active experiences of the conscious, such as daydreaming, are shown (...) to be intentionally active, along with the others. This activeness makes possible rationality and explanatorial pellucidity in the development of that ‘stream’, which would otherwise be absent, because of the close link between activeness and rationality. This internal intelligibility has epistemological repercussions, for it is a necessary condition for making sense of the outer phenomenal world. (shrink)

Why is consciousness so closely linked to perception? It is because consciousness is directed to the World, and perception our ultimate mode of access to the World. Thus, the most fundamental of the empirical relations of consciousness to the World is the perceptual. Through it the mind acquires both the content necessary for intentionality, and an awareness of the setting in which to lead a life. What does consciousness bring to this situation? Apart from availability of the perceptual Attention, the (...) most important property is the rationality of the state. Two mental conditions of rationality were explored: self‐knowledge, and an overall mental activeness and pre‐eminently the active process of thinking. Then in the state of consciousness thus constituted we typically encounter the phenomenon of perception, set in the stream of experience, the unique experience, which is of the species‐type, experience‐of. Here we have the original epistemological relation between consciousness and the World, and the basis of all more developed or thought‐mediated intentional consciousnesses. Then, sight has a multitude of assets that make it the most effective example to demonstrate how in the perceptions of the conscious we encounter the fully constituted object in its universal setting. At that point, consciousness fufils an appointed destiny. (shrink)

The aim is to provide a theory of consciousness, and of the relation of consciousness through perception with the World. Consciousness is not a mystery, being an internal state analysable into internal constituents. However, it is essentially directed to the World, and this necessitates some knowledge of the World. Certain epistemological powers are peculiar to it, but are they essential? It emerges that consciousness necessitates an accessible perceptual attentive capacity. This is demonstrated through appeal to the principle: the conscious are (...) ‘in touch with’ Reality, and are of necessity oriented towards the truth. Part of the proof turns upon the theory that perception is the sheer presence to awareness of extensionally given phenomenal objects. It contacts objects, not propositions. This is accomplished through the mediation of perceptual ‘proxies’ like side, surface, and ultimately also in seeing through light and visual sensations. However, even prior to this encounter, a ‘The Visual Given’ is presented to consciousness, a causal posit necessitated by the presence of mental causation in the aetiology of the visual experience. This is where the ‘journey’ of the Attention begins, and it ends in Physical Reality, in a complex mental perceptual‐cognitive phenomenon in which in humans the conceptual powers of the mind are engaged in constituting the physical object and its universal setting. Consciousness has from the start an appointment in the concrete with the World in its ultimate physical form, and the introduction sets out to explain how it is that it keeps that appointment. (shrink)

_France on Film: Reflections on Popular French Cinema_ Edited by Lucy Mazdon London: Wallflower Press, 2001 ISBN 1 903364-08-6 pbk 180 pp.

The phenomenon of action in which the mind moves the body has puzzled philosophers over the centuries. In this new edition of a classic work of analytical philosophy, Brian O'Shaughnessy investigates bodily action and attempts to resolve some of the main problems. His expanded and updated discussion examines the scope of the will and the conditions in which it makes contact with the body, and investigates the epistemology of the body. He sheds light upon the strangely intimate relation of (...) awareness in which we stand to our own bodies, doing so partly through appeal to the concept of the body-image. The result is a new and strengthened emphasis on the vitally important function of the bodily will as a transparently intelligible bridge between mind and body, and the proposal of a dual aspect theory of the will. (shrink)

This article brings together the work of Catherine Malabou and films by Jacques Audiard, Céline Sciamma and Mia Hansen-Løve to probe what a Malabouian approach to cinema might be and how it could be brought into dialogue with specific works. Grounding itself in Malabou's thought around change, migration, metamorphosis and brain plasticity, it homes in on her discussion of cineplastics and the brain as image of the world and screen. It argues that, although the cineplastic is paradoxically not applied to (...) film by Malabou, it constitutes a more productive route into film analysis than her direct cinematic references. Turning to the filmmakers to apply a cineplastic approach, it explores how they enable us to reflect on the mobile encounter between plastic subjects and their world, as the world reaches into them and shapes them and they reflexively respond by shaping themselves and reaching out into the world, moulding their relation to it. Building on the careful line Malabou draws between plasticity and neoliberal flexibility, the article uses her thought to probe the films' politics, finding most interest in their reflexivity, their capacity to render visible the contingency of apparently fixed forms and the non-reconciliation of filmic subjects to their worlds. (shrink)