According to an old view the world as such does not exist. That's why we had to invent it, over and over again, in order to be able to live in it. Behind the problem of habituation lies the world we live in, a construction of self-evident things, however which in itself remains essentially opaque. Blumenberg's philosophical anthropology reconstructs this being-in-the-world as the ongoing process of a conceptual self-habitation: the path of human development leads from the primeval forests via the (...) savannahs and caves to the first houses, the end of which development once seemed to be marked by a firmly established architectonics of reason. However, as we are bound to experience in the wilderness of digitalization, this abode was not to be permanent, for homemade reasons. Did we drive ourselves out of the world or did we fall into the trap of our own world designs? (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

The paper proposes a morphological approach towards a philosophy of design. Beginning with the question: what is “Gestalt”? it argues that there is a crucial difference between the concepts of “Gestalt” and “form”. I will proceed in three steps, beginning with the Aristotelian doctrine of the four causes and its implications for the concept of nature. Secondly I will briefly discuss Goethe’s notion of “Gestalt” within his “Morphologie” and how it was used among his successors (including the “Bauhaus”), which leads (...) straight into contemporary debates about computational design. Finally, and in conclusion, I introduce a morpho-logical “Gestalt”-thinking as a distinct and original kind of design-philosophy, beyond common design-history, or mere design-thinking. (shrink)

2020 Gradiva Award Nominee, Best Edited Book Psychoanalytic Perspectives on Women and Their Experience of Desire, Ambition and Leadership considers how these factors can be understood, nurtured, or thwarted and the subsequent impact on women's identity, authority and satisfaction. Psychoanalysis has long struggled with its ideas about women, about who they are, how to work with them, and how to respect and encourage what women want. This book argues that psychoanalytic theory and practice must evolve to maintain its relevance in (...) a volatile landscape. Each section of the book begins with a chapter that reviews contemporary ideas regarding women, as well as psychoanalytic history, gender bias, and societal norms and deficits. Three composite clinical stories allow our distinguished contributors to discuss the contexts within which individual experience can be affected, and the role that clinical work may have to mobilize and advance passion and vitality. In their discussions, the interplay of clinical psychoanalysis, sociopolitical context, and understanding of gender, combine to offer a unique perspective, built on decades of scholarship, personal experience, and clinical expertise. Psychoanalytic Perspectives on Women and Their Experience of Desire, Ambition and Leadership will serve as a reference for all psychoanalysts and psychoanalytic psychotherapists as well as gender studies scholars interested in the progress of psychoanalytic theory regarding women in the 21st century. Contributors to this book include: Rosemary Balsam, Brenda Bauer, Andrea Celenza, Diane Elise, Adrienne Harris, Dorothy Holmes, Nancy Kulish, Vivian Pendar, Dionne Powell, and Arlene Richards. (shrink)