This is a book review of: Indukuri John Mohan Razu (2022): Present & Future - The Crisis in Indian Education and Theological Education in India. Candid Publications. The work will be reedited by Globethics.net in the current of the year.

Two questions are addressed in this paper. First, what is it to see? I argue that it is veridical experience of things outside the perceiver brought about by looking. Second, what is it to see a material object? I argue that it is experience of an occupant of a spatial region that is a logical subject for other visual features, able to move to another spatial region, to change intrinsically, and to interact with other material objects. I show how this (...) theory is different from the idea that object-seeing is merely the visual segregation of a region of the visual field. Finally, I argue that we do not object-see objects reflected in mirrors, surfaces of back-lit objects, and depictions of objects. (shrink)

I can be wrong about things I seem to perceive; the conditions might lead me to be mistaken about them. Since I can't rule out the possibility that the conditions are misleading, I can't be sure that I am perceiving this thing in my hand correctly. But suppose that I am able to examine it actively—handling it, looking closer, shining a light on it, and so on. Then, my level of uncertainty goes down; in the limit it is eliminated entirely. (...) Of course, I might be mistaken because I am a brain in a vat, or because some other sceptical scenario obtains. But sceptical scenarios apply not just to this thing in my hand, but to everything all at once. Define "empirical certainty" as the absence of the kind of doubt that spreads to all empirical states of affairs. Sensory exploration, or active examination, can in principle lead to empirical certainty. (shrink)

John Campbell argues that visual attention to objects is the means by which we can refer to objects, and that this is so because conscious visual attention enables us to retrieve information about a location. It is argued here that while Campbell is right to think that we visually attend to objects, he does not give us sufficient ground for thinking that consciousness is involved, and is wrong to assign an intermediary role to location. Campbell’s view on sortals is (...) also queried, as is his espousal of the so-called Referential View of Experience. (shrink)

Food has savour: a collection of properties (including appearance, aroma, mouth-feel) connected with the pleasure (or displeasure) of eating. After explaining this concept, and outlining a theory of aesthetic pleasure, I argue that, like paradigm examples of art, savour can be assessed relative to a culturally determined set of norms. Also like paradigm examples of art, the assessment of savour has no objective basis in the absence of such cultural norms. My argument in this paper is part of a larger (...) project in which I develop an account of the pleasure of art. It is a virtue (I claim) of my approach that it permits a much greater diversity of artforms than traditional philosophical aesthetics is inclined to allow. This includes food. (shrink)

When I act on something, three kinds of idea (or representation) come into play. First, I have a non-visual representation of my goals. Second, I have a visual description of the kind of thing that I must act upon in order to satisfy my goals. Finally, I have an egocentric position locator that enables my body to interact with the object. It is argued here that these ideas are distinct. It is also argued that the egocentric position locator functions in (...) the same way as a demonstrative, and that the involvement of such demonstratives in visual content negates naive realism. (This is a nearly final draft of a paper that is to be published in Raftopoulos and Machamer (eds), Perception, Realism, and the Problem of Reference (forthcoming from Cambridge UP. It is a shorter revised version of "Visual Reference", posted earlier.). (shrink)

Sound like a philosopher’s controversy? I think so. In ‘Evolution,’ I argued that Anti-Individualism was committed to a ‘highly metaphysical’ proposition at odds with the methodology of population genetics. This infelicity gave me reason for rejecting it. In his recent article, Pust takes issue with Neander and me. Until Pust wrote, Sober felt some small pressure from Individualism, and had shifted, albeit microscopically, toward it—he thought that on a very broad conception of causation, there might be some reason to think (...) that selection explains individual traits. He is now convinced that he was right all along. So we are back where we were a few years ago, though with new arguments on each side. Such is the nature of progress in philosophy. The purpose of this paper is to offer some refinements of Individualism. (shrink)

An artwork in one culture and form, say European classical music, cannot be evaluated in the context of another, say Hindustani music. While a person educated in the traditions of European music can rationally evaluate and discuss her response to a string quartet by Beethoven, her response to music in a foreign culture is merely subjective. She might "like" the latter, but her response is merely subjective. In this paper, I discuss the role of artforms: why response can be "objectively" (...) discussed within artforms, but is nonetheless subjective across them. My discussion falls into two parts. First, I offer a psychological account of aesthetic response to art: cultural learning stabilizes this response across individuals who are educated in an artform. Second, I offer a cultural-evolutionary account of the diversity of artforms, adapting Darwin's Principle of the Divergence of Character to explain the multiplicity of art forms. (shrink)

What is the relationship between color experience and color? Here, I defend the view that it is semantic: color experience denotes color in a code innately known by the perceiver. This semantic theory contrasts with a variety of theories according to which color is defined as the cause of color experience (in a special set of circumstances). It also contrasts with primary quality theories of color, which treat color as a physical quantity. I argue that the semantic theory better accounts (...) for the kinds of knowledge we have regarding both the color of objects that we see and of the colors themselves. (shrink)

This is a response to invited and submitted commentary on "The Pleasure of Art," published in Australasian Philosophical Reviews 1, 1 (2017). In it, I expand on my view of aesthetic pleasure, particularly how the distinction between facilitating pleasure and relief pleasure works. In response to critics who discerned and were uncomfortable with the aesthetic hedonism that they found in the work, I develop that aspect of my view. My position is that the aesthetic value of a work of art (...) is its capacity to elicit from a suitably well-informed consumer a specific kind of pleasure. (shrink)

Molyneux addressed his question to Locke in two forms. The question that is most often discussed in the literature is the 1693 version–about whether a newly sighted man could distinguish a globe and a cube when they are presented to his sight alone. But in 1688, he asked whether this man could know which was the globe. While Locke and Molyneux probably thought this an unnecessary add-on, we argue that it changes the question. Locke had no account of how one (...) could know a contingent singular fact by sight or by vision. We argue that we know in these ways by using a process of active sensory exploration that employs the modality in question. A new form of Molyneux’s question emerges from this understanding of perceptual knowledge. While the variety of sensory exploration methods within and across modalities raises considerable difficulties for a positive answer, the original question, like the later version, can ultimately be answered only by empirical investigation. (shrink)

In this short paper, I outline four philosophical arguments concerning the objects we perceive. These arguments build up to the conclusion that the objects of perceptual experience are material objects. I then show that the first three of these arguments parallel important psychological positions in vision science. Thus, (1) the notion of object used in Logical Atomism resembles the concept as it is defined in the Feature Integration Theory of Treisman and Gelade (1980). But (2) Frank Jackson's (1975) Many-Property Problem (...) leads to a substrate-quality structure for visual experience that corresponds to the structure of attended experience in Feature Integration Theory. A third philosophical argument (3) concerns the perception of movement. This argument culminates in the proposition that perceptual features are seen as belonging to material objects. There is a close resemblance between these objects and those of Zenon Pylyshyn's (1980) FINSTs. Finally, (4) I argue that material objects are the only substrates of multimodal perceptual experience. Perceptual psychology has yet to investigate this structure. (shrink)

In this essay, I’ll argue, first, that an art object's aesthetic value (or merit) depends not just on its intrinsic properties, but on the response it evokes from a consumer who shares the producer's cultural background. My question is: what is the role of culture in relation to this response? I offer a new account of aesthetic pleasure that answers this question. On this account, aesthetic pleasure is not just a “feeling” or “sensation” that results from engaging with a work (...) of art. It is rather a mental state that facilitates engagement with an artwork, and (in the long run) enables a consumer to learn how to maximize this kind of pleasure. This is where culture comes in. If you belong to a culture, you know how to engage pleasurably with an artwork that is produced so you can engage with it in just this way. The aesthetic value of an artwork is that it plays into such a culture-pleasure nexus. -/- . (shrink)

Vision is organized around material objects; they are most of what we see. But we also see beams of light, depictions, shadows, reflections, etc. These things look like material objects in many ways, but it is still visually obvious that they are not material objects. This chapter articulates some principles that allow us to understand how we see these ‘ephemera’. H.P. Grice’s definition of seeing is standard in many discussions; here I clarify and augment it with a criterion drawn from (...) Fred Dretske. This enables me to re-analyse certain ephemera that have received counter-intuitive treatments in the work of Kendall Walton (photographs), Brian O’Shaughnessy (light), and Roy Sorenson (occlusions). (shrink)

How, and why, does Earth (the element) move to the centre of Aristotle's Universe? In this paper, I argue that we cannot understand why it does so by reference merely to the nature of Earth, or the attractive force of the Centre. Rather, we have to understand the role that Earth plays in the cosmic order. Thus, in Aristotle, the behaviour of the elements is explained as one explains the function of organisms in a living organism.

This paper offers a new definition of "adaptationism". An evolutionary account is adaptationist, it is suggested, if it allows for multiple independent origins for the same function -- i.e., if it violates the "Unique Origin Constraint". While this account captures much of the position Gould and Lewontin intended to stigmatize, it leaves it open that adaptationist accounts may sometimes be appropriate. However, there are many important cases, including that of human rationality, in which it is not.

It commonly occurs that one person sees a particular colour chip B as saturated blue with no admixture of red or green (i.e., as “uniquely blue”), while another sees it as a somewhat greenish blue. Such a difference is often accompanied by agreement with respect to colour matching – the two persons may mostly agree when asked whether two chips are of the same colour, and this may be so across the whole range of colours. Asked whether B is the (...) same or different from other chips, they mostly agree – though they continue to disagree about whether B is uniquely blue. I shall argue that in such cases neither individual misperceives what colour B is. They differ, rather, in how they perceive the colour of B. (shrink)

Hunger is a psychological state that serves physiological energy homeostasis. I argue that it is a pure underived desire to eat and examine its role in homeostasis. After scene-setting explanations of homeostasis and desire, I argue that hunger is a close phenomenological match with underived desire. Then, I show why desire is an apt instrument for energy homeostasis. Finally, I argue that energy homeostasis is a multi-factorial future-regarding behavioural strategy. Hunger is a special purpose sensory state that serves only to (...) implement the strategy. Thus, it is a sensory desire. I conclude by reflecting on the credibility of this desire. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Omissions and Chronological ComplexitiesJyoti Mohan (bio)The stated purpose of Chinese and Indian Ways of Thinking in Early Modern European Philosophy: The Reception and the Exclusion by Selusi Ambrogio is "to examine the European understanding of China and India within the histories of philosophy from 1600 to 1744."1 Specifically, Ambrogio sets out to investigate the antecedents of the "othering" of non-Western philosophies. How far back did the notion go, (...) that non-Western philosophies were inferior? While Ambrogio often extends his argument to non-Western philosophies in general, in this monograph he examines only what he defines as "orientalist" philosophies—the philosophies of India and China. Since Ambrogio is investigating the histories of philosophy written in Europe, this choice makes sense: India and China were the two philosophical giants that most European philosophers needed to include in their works in order to claim to be universalist. No philosopher who wrote about world philosophies—and by extension no historian of philosophy—could ignore India and China, whether it was to dismiss the philosophies emanating from these geographic regions as inferior, or to extol them as proof that Europe was not the birthplace of "original thought."Ambrogio has chosen a time span from 1600 to 1744 c.e. to represent "the year 1600 … [,] the publication of Barbaricae philosophae antiquitatum by Otto van Heurn[,] and 1744[,] the year of the publication of the last book of the Historia critica by Jakob Brucker."2 Within the limits of this time [End Page 220] span, Ambrogio examines the work of several scholars who included Indian and Chinese philosophies in their "world histories of philosophies" and delineates three major historiographical trends. His rationale for ending his study with Brucker's work is that after this eighteenth-century opus, "Asians were usually excluded from the histories of philosophy."3 This time span seems puzzling to me. I know that most, if not all, of the authors Ambrogio cites had successors in their individual traditions well into the nineteenth century, if not the twentieth. While many histories of philosophy focused solely on the Western and classical traditions (as they did during the period under review by Ambrogio as well), the work of historians and scholars on Orientalist philosophies continued to multiply. To the extent that Ambrogio diligently studies his sources and constructs his argument, his work is commendable, but as a historian my questions for Ambrogio have to do with the underlying rationale for the time span he has chosen, and, by that extension, by the choices of his sources. Below I collect evidence that Asians continue to be included in the histories of philosophy past 1744, and in so doing suggest that this fact has an impact on his historiographical model.For instance, I would like to understand why, in his choice of sources, he has omitted all colonial works, especially since he engages with the argument that descriptions and understandings of Indian and Chinese philosophies were meditated through lenses of proselytization and of conquest. Granted, he is beginning with historians of philosophy, but as the eighteenth and nineteenth centuries progressed, historians also diversified their writings—as Ambrogio acknowledges—into histories of religion for instance. The connections between, and descriptions of, non-Western religions and philosophies were so muddled that it is impossible to separate them, save by attending to the titles of individual authors' works as being about religion or philosophy, respectively.The contents of such works are so closely related, at least in the Indian context, that contemporary historians, especially of the colonial period and of Indology, do not quibble over whether these works are about religion or philosophy. For instance, Paul Masson-Oursel wrote in 1923 that the development of Indian philosophy was integral to and proceeded alongside the development of religion.4 Systems of philosophical thought in India operated within larger systems of religious practice. Based on this model, Masson-Oursel describes the development of Indian philosophy as proceeding from the needs of religion. So, for example, he theorized that the mix of an Indo-Iranian religion and a pastoral, fire-worshipping people with an older indigenous Dravidian culture of agriculture, Goddess worship, and belief in amulets, spells, talismans, and other... (shrink)

In this paper, I examine Aristotle's notion of potentiality as it applies to the beginning of life. Aristotle’s notion of natural kinēsis implies that we should not treat the entity at the beginning of embryonic development as human, or indeed as the same as the one that is born. This leads us to ask: When does the embryo turn into a human? Aristotle’s own answer to this question is very harsh. Bracketing the views that lead to this harsh answer, his (...) theory of kinēsis still gives us reason for searching for a replacement answer. Aristotle’s own work unfortunately gives us no help in finding this answer. (shrink)

In this paper I shall examine Aristotle's treatment of a certain puzzle concerning change. In section I, I shall show that within a certain standard framework for the semantics of subject-predicate sentences a number of things that Aristotle wants to maintain do not make sense. Then, I shall outline a somewhat non-standard account of the semantics for such sentences — arguably Aristotle's — and show how the proposals concerning change fit quite naturally into this framework. The results of this exercise (...) will enable us to say something quite precise about applications of some obscure but characteristically Aristotelian doctrines: that ‘is’ is ‘said in many ways,’ that his predecessors got the Law of Opposites wrong. They also shed some light upon Aristotle's ontology of predicables. (shrink)

The literature on the metaphysics of gender is partially marked by a tension between conceptions that understand gender categories as importantly at least partly self-determined identities and those that understand them as social or cultural categories imposed upon others as a tool of oppression. I argue that this tension can be mediated by understanding gender categories as essentially contested. I then draw on “radical functionalism” to argue that, while, divorced of context, competing conceptions can simultaneously explicate an essentially contested concept, (...) within context, some conceptions better meet background purposes underlying the use of the concept than others. (shrink)

Mazviita Chirimuuta proposes a new “adverbialist” ontology of color. I argue that ontological disputes in the philosophy of color are uniformly terminological. Chirimuuta's proposal too is a terminological variant on others, though it has some hortatory value in directing attention to aspects of color science that have hitherto been neglected. On a side note, I also take issue with Chirimuuta's laudatory take on early modern theories of color.

The author attempts here to sketch the beginnings of an adequate interpretation of Plato's treatment of the tall and the equal in the "Phaedo". The paper consists of seven sections (roman numerals). In I-II, he (a) argues that any attempt to solve the puzzle stated at "Phaedo" 102 bc within the parameters there set down would "eo ipso" be an attempted theory of relational statements; (b) formulates that puzzle; and (c) shows that Frege solved it by denying its presuppositions. In (...) IV the author proposes an interpretation of Plato's solution: that the "than y" in "x is taller than y" modifies the "is." In V-VI he shows how this theory fits in with and sheds light on other aspects of the theory of forms: the connection to Non-Contradiction, The doctrines of degrees of reality and of immanent characters. Finally in VII he shows that the puzzle of relational statements as formulated in the "Phaedo" need not extend to "equal." the paper also includes (iii) a discussion of H-N Castañeda's interpretation of Plato's theory. (shrink)

In this Handbook entry, I review how colour similarity spaces are constructed, first for physical sources of colour and secondly for colour as it is perceptually experienced. The unique hues are features of one of the latter constructions, due initially to Hering and formalized in the Swedish Natural Colour System. I review the evidence for a physiological basis for the unique hues. Finally, I argue that Tye's realist approach to the unique hues is a mistake.

Denis Dutton died a day or two after Christmas in 2010. I had the good fortune to meet him in February 2010, when I participated in an Author-Meets-Critics session on The Art Instinct at the American Philosophical Association, Central Division. (The Critical Notice that follows is a development of my comments there.) Dennis was a passionate, intelligent, influential, and well connected man, who had a vigorous philosophical mind, fully on display in The Art Instinct. Outside of academic philosophy, he was (...) famous as founder of the Arts and Letters Daily, the pre-eminent content-aggregating blog for intellectuals. It is in that capacity that he was obituarised in many of the world’s leading English-language .. (shrink)

This is a comment on Frances Egan's paper, "How to Think About Mental Content." Egan distinguishes mathematical and cognitive content; she accepts the former and rejects the latter. In this comment, which was delivered at the Oberlin Colloquium in 2012, I defend cognitive content.

It has been suggested that the theory of reference advanced by Kripke and Putnam implies, or presupposes, an aristotelian vision of natural kinds and essences. I argue that what is in fact established is that there are degrees of naturalness among kinds. A parallel argument shows that there are degrees of naturalness among individuals. A subsidiary theme of the paper is that the definition of "natural kind term" as "rigid designator of a natural kind" is mistaken. Names and natural kind (...) terms are defined by ostension to a spatiotemporal part of what they ostend. This helps us understand why 'Hesperus' and 'Phosphorus' are cognitively non-equivalent. (shrink)

Much recent work on Aristotle's Categories assumes that there is an ontological theory presented in that work and tries to reconstruct it on the basis of the slender evidence in the book. I claim that this is misguided. Using a distinction made by G.E.L. Owen between theory and the "phaenomena", I argue that the Categories is mainly concerned with setting out the phenomena -- the intuitions that any ontology must explain. This thesis has consequences for the interpretation of Aristotle's ontological (...) writings. I explore some of these. (shrink)

A main point of my article, as I see it, is that we can solve Putnam's problem, as articulated in the first paragraph of section three, without recourse to the definition of “natural-kind term” as “rigid designator of a natural kind”. I had three main objections to this definition: It makes the classification of a term as a natural-kind term dependent on one's metaphysics, i.e., on the status given to natural kinds. However, Putnam's argument seems to be independent of such (...) metaphysical considerations, and the sort of natural kinds it establishes should be “read off its face”, not set down in advance. It permits the derivation of “exotic necessary truths” such as “If water is H20 then necessarily water is H20”. Putnam's main point appears to be about the independence of a term's extension from a linguistic community's beliefs. Why should this point affect the theory of designation? Kripke's argument about names establishes the non-descriptiveness of names while leaving undisturbed the classical conception of names designating individuals. Why should we not take his and Putnam's parallel arguments as establishing the non-descriptiveness of natural-kind terms while leaving undisturbed the classical conception of general terms designating classes? (shrink)

What do we directly hear? In section I, I define direct perception, and outline the logical atomist way of attacking the question. I argue in section II that atomism fails. Then, in sections III-V, I propose that a better alternative to atomism is to revive and modernize another traditional empiricist doctrine: that we directly sense what the senses deliver to automatic (i.e., sub-personal) processes of learning.

In this review of Hutto and Myin's Radicalizing Enactivism, I question the adequacy of a non-representational theory of mind. I argue first that such a theory cannot differentiate cognition from other bodily engagements such as wrestling with an opponent. Second, I question whether the simple robots constructed by Rodney Brooks are adequate as models of multimodal organisms. Last, I argue that Hutto and Myin pay very little attention to how semantically interacting representations are needed to give an account of choice (...) and action. (shrink)

Philosophers and scientists have long speculated about the nature of color. Atomists such as Democritus thought color to be "conventional," not real; Galileo and other key figures of the Scientific Revolution thought that it was an erroneous projection of our own sensations onto external objects. More recently, philosophers have enriched the debate about color by aligning the most advanced color science with the most sophisticated methods of analytical philosophy. In this volume, leading scientists and philosophers examine new problems with new (...) analytic tools, considering such topics as the psychophysical measurement of color and its implications, the nature of color experience in both normal color-perceivers and the color blind, and questions that arise from what we now know about the neural processing of color information, color consciousness, and color language. Taken together, these papers point toward a complete restructuring of current orthodoxy concerning color experience and how it relates to objective reality. Kuehni, Jameson, Mausfeld, and Niederee discuss how the traditional framework of a three-dimensional color space and basic color terms is far too simple to capture the complexities of color experience. Clark and MacLeod discuss the difficulties of a materialist account of color experience. Churchland, Cohen, Matthen, and Westphal offer competing accounts of color ontology. Finally, Broackes and Byrne and Hilbert discuss the phenomenology of color blindness. Contributors: Justin Broackes, Alex Byrne, Paul M. Churchland, Austen Clark, Jonathan Cohen, David R. Hilbert, Kimberly A. Jameson, Rolf Kuehni, Don I.A. MacLeod, Mohan Matthen, Rainer Mausfeld, Richard Niederée, Jonathan Westphal The hardcover edition does not include a dust jacket. (shrink)

Brogaard's book is extremely informative about the grammar of perceptual verbs, and questions that it indicates representationalism (as opposed to naive realism). As useful as this is, I question how much grammar tells us much about perception.

In common with many other "virtue epistemologists," Abrol Fairweather and Carlos Montemayor contend that in order to count as knowledge, a mental state must be the product of truth-apt dispositions. I question their theoretical motivations. First, I note that unlike virtue ethics, affect is irrelevant to knowledge. A generous act is arguably better if it is performed warm-heartedly, but a belief is no more creditable if it is performed with the right affect. Second, I argue that non-discursive skills are better (...) cases for virtue epistemologists than cognitive reliability—but because it is hard to know how skills work in individual instances of belief-formation, they cannot figure in the accreditation of knowledge. Finally, I argue that the oughts that attend inquiry (e.g., "you ought to look into this carefully") come from outside the context of inquiry. (shrink)

Classical verse work, expounding the early Vedantic approach in Hindu philosophy; Sanskrit text with Hindi translation and exhaustive introduction.

Entrustable Professional Activities (EPAs) are widely utilized in competency-based medical education (CBME) to assess clinical readiness, yet their application in bioethics remains less explored. This study introduces Entrustable Professional Ethical Actions (EPEAs) to address the ethical complexities faced by medical professionals transitioning to residency or postgraduate training. A structured framework for EPEAs was developed through a systematic review of bioethics literature and the UNESCO Universal Declaration on Bioethics and Human Rights. Competencies were categorized under seven domains, including ethical decision-making, patient-centered (...) communication, and sustainability. Using these competencies, ten core EPEAs were formulated with measurable milestones for entrustment. Validation involved an international panel of 35 experts, who evaluated the EPEAs through a 47-item online questionnaire. Consensus was defined as ≥ 80% agreement on relevance, clarity, and feasibility, with iterative revisions informed by expert feedback. Validation demonstrated high global consensus, with 86.49% of experts rating the EPEAs as highly relevant, 82.86% agreeing on milestone differentiation, and 81.76% endorsing measurability. Content validity indices (S-CVI/AVE: 0.80, I-CVI: 0.85, S-CVI/UA: 0.92) and reliability (ICC: 0.87) confirmed the robustness of the framework. The final set includes ten EPEAs covering critical domains such as informed consent, privacy, confidentiality, shared decision making, equity, sustainability etc. The EPEAs represent a pioneering framework for integrating bioethical decision-making into medical education. By aligning with global ethical principles, these actions equip trainees to navigate complex moral dilemmas in clinical practice while fostering trust among educators, peers, and patients. (shrink)

This paper considers the applicability of standard accounts of causation to living systems. In particular it examines critically the increasing tendency to equate causal explanation with the identification of a mechanism. A range of differences between living systems and paradigm mechanisms are identified and discussed. While in principle it might be possible to accommodate an account of mechanism to these features, the attempt to do so risks reducing the idea of a mechanism to vacuity. It is proposed that the solution (...) to this problem requires the development of a philosophical account of process adequate to apply to living systems. (shrink)

[John Dupré] This paper attacks some prominent contemporary attempts to provide reductive accounts of ever wider areas of human behaviour. In particular, I shall address the claims of sociobiology (or evolutionary psychology) to provide a universal account of human nature, and attempts to subsume ever wider domains of behaviour within the scope of economics. I shall also consider some recent suggestions as to how these approaches might be integrated. Having rejected the imperialistic ambitions of these approaches, I shall briefly (...) advocate a more pluralistic approach to the understanding of human behaviour, and one which leaves some space for the possibility of genuine human autonomy. /// [John O'Neill] One response to Dupré's criticism of rational choice theory's unifying aspirations is that it is aimed at over-ambitious versions of the theory. Immodesty about the scope of rational choice theory may look more plausible given suitable modesty in assumptions about the rational agent. The paper examines problems with one immodest version of the theory-public choice theory-and show how these shed light on problems in modest versions employing minimal assumptions about the preference structure of rational agents. However, while rational choice theory may fail in its unifying ambitions, I argue those aspirations are defensible. (shrink)

I examine John Campbell’s claim that the determination of the reference of a perceptual demonstrative requires conscious visual object-based selective attention. I argue that although Campbell’s claim to the effect that, first, a complex binding parameter is needed to establish the referent of a perceptual demonstrative, and, second, that this referent is determined independently of, and before, the application of sortals is correct, this binding parameter does not require object-based attention for its construction. If object-based attention were indeed required (...) then the determination of the referent would necessarily involve the application of sortal concepts, since object-based attention initiates top-down cognitive effects on visual processing. I also examine Mohan Matthen’s claim that reference to objects is established only through the visual processing in the dorsal visual stream and argue that although it is true that processing in the dorsal stream can determine reference, a thesis that goes against Campbell’s view that the determination of the referent requires conscious attention, processing along the ventral visual stream can also establish the reference of perceptual demonstratives. It also claim that Matthen’s account of dorsal processing underestimates the kind of information processed along the dorsal stream and this has some implications regarding perceptual demonstratives reference fixing. (shrink)

IN THE winter and spring of 1031,1 was invited to give a series of ten lectures at Harvard University. The subject chosen was the Philosophy of Art; the lectures are the origin of the present volume. The Lectureship was founded in memory of William James and I esteem it a great honor to have this book associated even indirectly with his distinguished name. It is a pleasure, also, te recall, in connection with the lectures, the unvarying kindness and hospitality of (...) my colleagues in the department of philosophy at Harvard. I am somewhat embarrassed in an effort to acknowledge indebtedness to other writers on the subject. Some aspects of it may be inferred from authors mentioned or quoted in the text. I have read on the subject for many years, however, more or less widely in English literature, somewhat less in French and still less in German, and I have absorbed much from sources which I cannot now directly recall. Moreover, my obligations to a number of writers are much greater than might be gathered from allusions to them in the volume itself. My indebtedness to those who have helped me directly can be more easily stated. Dr. Joseph Ratner gave me a number of valuable references. Dr. Meyer Schapiro was good enough to read the twelfth and thirteenth chapters and to make suggestions which I have freely adopted. Irwin Edman read a large part of the book in manuscript and I owe much to his suggestions and criticism. Sidney Hook read many of the chapters, and their present form is largely the result of discussions with him; this statement is especially true of the chapters on criticism and the last chapter. My greatest indebtedness is to Dr. A. C. Barnes. The chaptershave been gone over one by one with him, and yet what I owe to his comments and suggestions on this account is but a small measure of my debt. I have had the benefit of con versations with him through a period of years, many of which occurred in the presence of the unrivaled collection of pictures he has assembled. The influence of these conversations, together with that of his books, has been a chief factor in shapingmy own thinking about the philosophy of esthetics. Whatever is sound in this volume is due more than I can say to the great educational work carried on in the Barnes Foundation. That work is of a pioneer quality comparable to the best that has been done in any field during the present generation, that of science not ex cepted. I should be glad to think of this volume as one phase of the widespread influence the Foundation is exercising. I am indebted to the Barnes Foundation for permission to reproduce a number of illustrations and to Barbara and Willard Morgan for the photographs from which the reproductions were made. J. D. (shrink)