Classicists have long been wary of comparisons, partly for ideological reasons related to the incomparability of ‘the Classical’, partly because of the often problematic basis and limited illumination afforded by such efforts as have been made: the -reception of the work of the Cambridge ritualists — such as J.G. Frazer and Jane Harrison — is a case in point in both respects. Interestingly, even the specifically comparative interests of the much more rigorous projects of the Paris School, at the Centre (...) Louis Gernet, have not had much resonance outside France, notwithstanding the enormous influence of their work concerning purely Greek subject matter. In part, perhaps, this was a result of the shift from Vernant's originally Marxist framework, in which societies were comparable in terms of an evolutionary sociological scheme, to a structuralist one, entailing an emphasis on the uniqueness of different cultural traditions. The emphasis on the uniqueness of the Classical world was only reinforced by post-structuralism and post-modernism, which in their strongest forms suggested that cultures, like languages, were fundamentally incommensurable, and thus not accessible to outsider knowledge, let alone comparable. Indeed, so virulent was the post-structuralist virus that disciplines to which we might have expected to be able to turn for guidance, like comparative religion, are only now recovering the courage ‘to compare religious phenomena, theologies or artefacts outside of footnotes or less heavily policed epilogues’. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 127.2 (2006) 305-309 [Access article in PDF] J. E. Lendon. Soldiers and Ghosts: A History of Battle in Classical Antiquity. New Haven: Yale University Press, 2005. xii + 468 pp. 10 maps. 31 black-and-white figs. Cloth, $35. Necessity, just as a craft, always causes innovations to prevail, and although for a city at peace fixed norms are best, there is need of much contrivance for (...) those compelled by multiple circumstances to proceed. —Thucydides 1.73.3 War, culture, and change from Homer to Vegetius represent the focus of this work, presaged by the author's study of Caesarian battle narrative (ClAnt 18 [1999]: 273–329) and an interpretive review of some recent works (CJ 99 [2004]: 441–49). The reviewer must confess that his own work inspired much of this book's conceptual and factual content (e.g., 318, 401, 403, 411–12, 414, 415, 426, 432, 434–35) and that he provided Delphic responses (per epistulas electronicas) to a diligent inquirer, although he did not see individual chapters before publication and declined to read a final version of the manuscript. The author's own fertile imagination and vivid style animate these pages. Nestor could only advise Achilles.The work has its own historiographical ghosts. A cultural approach to war is now au courant, as a result of the clash of cultures in the so-called "War on Terror" (e.g., V. D. Hanson, Carnage and Culture [2001]) and Shannon French, The Code of the Warrior [2003], both missing from Lendon's bibliography) and as a reaction to the much imitated but seriously flawed "face-of-battle" approach to military history (e.g., John Lynn, Battle: A History of Combat and Culture [2003]; cf. E.L. Wheeler, JRA 11 [1998]: 644–51 and Electrum 5 [2001]: 169–84 for the naïve foibles and excesses of "face-of-battle" studies). Lendon follows what is already a common theme of the cultural approach: culture, rather than technological progress and hardware, shapes the conduct of war.Older specters also lurk in the shadows: Jean-Pierre Vernant's structural anthropological school, which discovered that war happens and has ritualized aspects, warrior codes of conduct, and even rules (e.g., Problèmes de la guerre en Grèce ancienne, 1968); and Hans Delbrück (whom Lendon finds "perverse," 394), the progenitor of studying war within the total context of its time and society in his Geschichte der Kriegskunst im Rahmen der politischen Geschichte (4 vols., 1920). Delbrück's twin principles of Quellenkritik and Sachkritik, basic analytical tools for detailed work, are not exploited in Lendon's sweeping interpretations.Lendon tiptoes carefully among the briars of previous work: war has rules [End Page 305] and culture shapes warrior ethics. A brilliant prologue (1–4), demonstrating from the Vietnam War how rules and culture continue to affect the American conduct of war, raises false hopes, as the rules-culture-conduct nexus is (regrettably) not pursued. But fancy footwork also escapes (for the most part) the face-of-battle morass: unit cohesion and its emphasis on "buddies" are wisely sidestepped in assessing combat behavior; the high road lies with the psychology of the warrior and the stimulus of competition, now a favorite Anglophone emphasis like initiation rites in the 1970s and transhumance in the 1980s. Unique, however, is that for Lendon culture in ancient warfare provides more than a context: culture is an active agent. In an age of limited technological advancement like Antiquity, change meant recreating the past and, as he argues, looking backward made Greek armies better, but eventually ruined Rome.Lendon attempts a very delicate balancing act. A curious (but not unique) editorial decision conceals the "Author's Note and Acknowledgments" at the end of this work. The note is aimed at the proverbial readership in never-never land (so popular with press editors): both ignorant and "adept" readers. A true confession yields that specialists will find nothing new about What or When; originality lies only with the Why of change. A promise of novelty and... (shrink)

Books Reviewed in this Article: Towards a New Mysticism, Teilhard de Chardin and Eastern Religions. By Ursula King. Zen and the Bible: A Priest's Experience. By J.K. Kadowaki. Buddhism and Christianity, A Preface to Dialogue. By Georg Siegmund. Roman Catholicism: The Search for Relevance. By Bill McSweeney. The Church ‐ Maintained in Truth. By Hans Küng. The Communion of Saints. By Michael Perham. Identity and the Sacred: A Sketch for a New Social‐Scientific Theory of Religion. By Hans Mol. Sacrifice. Edited (...) by M.F.C. Bourdillon and Meyer Fortes. Theists and Atheists: A Typology of Non‐Belief By Thomas Molnar. Myth and Society in Ancient Greece. By Jean‐Pierre Vernant. The Alternative Tradition: Religion and the Rejection of Religion in the Ancient World. By James Thrower. Paulus im ältesten Christentum: Das Bild des Apostels and die Rezeption der paulinischen Theologie in der frühchristlichen Literatur bis Marcion. By Andreas Lindemann. Christ: the Christian Experience in the Modern World. By Edward Schillebeeckx. Interim Report on the Books “Jesus” and “Christ”. By Edward Schillebeeckx. Christologie im Präsens: Kritische Sichtung neuer Entwürfe. By Arno Schilson & Walter Kasper. Disput um Jesus and um Kirche. By Walter Kern. It is Not Lawful For Me To Fight: Early Christian Attitudes Toward War, Violence and the State. By Jean‐Michel Hornus. Byzantium and the Rise of Russia: A Study of Byzantino‐Russian Relations in the Fourteenth Century. By John Meyendorff. Reformation Principle and Practice: Essays in Honour of Arthur Geoffrey Dickens. Edited by Peter Newman Brooks. Adrianus Saravia. By Willem Nijenhuis. Rome and the Counter‐Reformation in Scandinavia, II. By Oskar Garstein. Winstanley the Digger: A Literary Analysis of Radical Ideas in the English Revolution. By T. Wilson Hayes. Perfect Fools. By John Saward. Lord Abbot of the Wilderness: The Life and Times of Bishop Salvado. By George Russo. St Edmund's House: The First Eighty Years. By Garrett Sweeney. Doubt and Religious Commitment: the Role of the Will in Newman's Thought. By M. Jaime Ferreira. The Philosophers: Their Lives and the Nature of Their Thought. By Ben‐Ami Scharfstein. Philosophies and Cultures. By Frederick C. Copleston. The Sceptical Feminist. By Janet Radcliffe Richards. Homosexuality and Ethics. Edited by Edward Batchelor, Jr. (shrink)