Tematyka prepozytury szpitalnej w Zebrzydowicach jest ściśle związana z osobą Mikołaja Zebrzydowskiego, który w 1599 roku ufundował w rodowej siedzibie szpital dla 12 weteranów wojskowych, przede wszystkim dla tych, którzy należeli do bractwa żołnierskiego świętego Michała Archanioła założonego przez wojewodę w 1596 roku. W jego zamierzeniu przebywający tam chorzy mieli otrzymać odpowiednią opiekę zarówno dla ciała, jak i dla duszy, dlatego też zarząd przytułku oraz troskę o potrzeby pacjentów zostały powierzone miejscowemu proboszczowi, który był zarazem prepozytem tegoż szpitala. Z czasem (...) okazało się, iż takie rozwiązanie nie zadowalało fundatora i ostatecznie zdecydował on o przekazaniu tego dzieła braciom bonifratrom, których sprowadził do Zebrzydowic z Krakowa w 1611 roku. W niniejszym artykule został ukazany jeden z etapów procesu poszukiwania lepszego sposobu na zarządzanie równocześnie fundacją i parafią, który Zebrzydowski spróbował wcielić w życie już w 1601 roku. Niepublikowany dotąd dokument biskupa Bernarda Maciejowskiego z 3 sierpnia 1601 roku, oblatowany w aktach czynności biskupa krakowskiego (edycja wraz z tłumaczeniem w aneksie), wprowadzał rozwiązanie dążące do utrzymania prepozytury kosztem miejscowej parafii, zaś osobą łączącą obie jednostki administracyjne miał być od tej pory prepozyt, a nie proboszcz. Dokument ten stanowi zarazem ciekawy przykład współpracy biskupa ze szlachtą w sprawach kościelnych, co było niezwykle istotne w ówczesnym systemie zależności pomiędzy kolatorami miejscowego kościoła a biskupem ordynariuszem, odpowiedzialnym za całość życia kościelnego na terytorium zarządzanej przez siebie diecezji. (shrink)

The introduction first goes back on Jeremy Bentham’s historical scheme to highlight lesser-known traits and show how it was not limited to carceral applications, a versatility which has been reflected in literature. It then moves on to Foucault’s chapter on panopticism in _ Discipline and Punish, _ foregrounding its most influential aspects as well as others which are often overlooked. The third part focuses on the reception of Foucault’s panopticism in literary criticism, from the seminal studies of D.A. Miller and (...) John Bender to contemporary times. The fourth part deals with the influence of panopticism within the field of surveillance studies, as well as the input offered by literature for these discussions. The introduction then presents the structure of the issue and offers a summary of each of the five articles and of the final interview. (shrink)

The purpose of the text is to engage in a well thought critique of the Enlightenment project carried out by Nicholas Maxwell and to reflect upon the proposal of its reconstruction. Maxwell’s intellectual position is not at all obvious: he is neither a radical rationalist, nor a defender of scientific rationality, nor a postmodern and social constructivist. Postmodernists and social constructivists opposed the very idea of reason and rational inquiry, and have been thoroughly critical of what knowledge-inquiry represents. Indeed, such (...) criticisms could not be further from Maxwell’s position. According to Maxwell, what is wrong with knowledge-inquiry is not its embodiment of reason but, to the contrary, its gross and damaging irrationality. From Maxwell’s point of view we suffer not that much from the excess of rationality, but its deficit. Maxwell does not share open criticism of anti-Enlightenment thinkers from Nietzsche to Foucault, but more so he escapes the beliefs of a scientifically focused group of philosophers who see the main force of emancipation of humanity in a narrowly understood science followed by physics, the methodology of verification, and naturalism as a basic ideology. The author of the text thus poses the question: what can save our culture if it is neither sciencenor the rejection of science? Does the replacement of the category of knowledgeinquiry with wisdom-inquiry—which Maxwell converts us to—bring us any closer to a solution in our consideration of knowledge and life, science and politics, facts and values, nature and society? In Western culture wisdom has always been an object of desire, and it was so, inter alia, because unlike knowledge it has never been precisely defined and further specified. Philosophers developed a warm feeling towards wisdom and sought for wisdom, but had they lived by wisdom? Finally, the author challenges the most difficult question: can we rationally excuse our hopes for wisdom and hope that it may one day be embodied in the work of institutions and the actions of individuals? (shrink)

This article offers an analysis of texts which were written in 1802-3 and published in 1812 under the title Panopticon versus New South Wales, namely Jeremy Bentham’s first two letters to Lord Pelham and A Plea for the Constitution, arguing that, in his attempt to show the superiority of his Panopticon plan over the transportation scheme, the reformer depicted New South Wales as a Gothic dystopia. ‘Gothic’ is here understood as a literary genre, an ideological term and a critical tool. (...) Bentham upset the conventional cartography of his time by showing that the ‘archaic’ or ‘barbarian’ practices that Gothic novels located in Catholic Europe were actually present in British penal policies. In addition to drawing on the rhetoric and the dichotomies which underlay the Gothic novels published during his lifetime, Bentham anticipated scenarios – such as reverse colonization and contamination – which would be explored in Victorian fiction. By extrapolating in dystopian fashion from trends which were present in the British body politic, Bentham’s Australian writings show how a historical period may be haunted by its future potentialities. (shrink)

En esta entrevista, conversamos con el Dr. Alejandro De Oto sobre las potencialidades de los estudios poscoloniales a la hora de comprender la configuración de espacios e imágenes de culto, consagrados, venerados o denostados y su vínculo con la historia, las memorias legitimadas y las subalternas, las identidades y las luchas de poder.

IntroductionJamais construit, jamais occupé, le Panoptique de Bentham demeure une architecture virtuelle qu’il est possible d’interpréter, de rêver ou de « cauchemarder » avec peut-être plus de liberté que si elle s’était incarnée dans la pierre. Si d’un côté, des recherches récentes ont permis de préciser l’évolution historique de ce projet dans la pensée de Bentham, dans d’autres domaines, le Panoptique est un paradigme utilisé pour lire la littérature anglo-saxonne de la fin du XVIIIe sièc..

Introduction Grady Hendrix is an American author and journalist who is also one of the founders of the New York Asian Film Festival. Horrostör: A Novel was published in 2014 by Quirk Books, a publisher based in Philadelphia and distributed by Penguin Random House. According to its website, Quirk Books was founded in 2002 and publishes ‘a highly curated list of entertaining, enlightening, and strikingly unconventional books for adults and children in a number of genres and categories,’ which i...

¿El agua recuerda? ¿Cómo es posible visualizar y sanar su memoria? En el año 2013 el artista Eduardo Navarro presentó su obra Tratamiento homeopático del Río de la Plata en el Parque de la Memoria - Monumento a las Víctimas del Terrorismo de Estado, como parte de la exhibición Aquella mañana fue como si recuperara, si no la felicidad, sí la energía, una energía que se parecía mucho al humor, un humor que se parecía mucho a la memoria, bajo la (...) curaduría de Inés Katzenstein y Javier Villa. En palabras del artista, el proyecto se inspiró en la teoría del científico japonés Masaru Emoto, quien sostiene que las diversas formas de cristalización del agua se deben a las energías y afectos a las que ésta se expone. (shrink)

Dans les grandes études d’histoire carcérale qui ont fait date dans les années 1980-1990, le projet panoptique de Jeremy Bentham occupe une place centrale, marquant le passage de la prison de l’ancien temps (lieu de passage, de brassage, de...

As the author himself notes in the prologue, the book – An Advanced Introduction to Law and Literature – seeks to “advance” the discussion. Written by Peter Goodrich, one of the leading and most prolific scholars on the topic, the work may not be suitable for first-comers to the Law and Literature movement looking for a systematic overview of the field. The latter may be found in the numerous already-existing handbooks, research guides or critical introductions. While the prologue mentions la...

Le propos est précédé par une illustration, la seule de l’ouvrage, extraite d’une Histoire de l’industrie du coton en Grande-Bretagne parue en 1835. Il s’agit de la reproduction d’un dessin représentant le processus d’impression de motifs sur du calicot. On y voit deux hommes travailler, de façon semble-t-il minutieuse, sur deux grandes machines installées dans un atelier spacieux. L’illustration est égayée par les motifs imprimés sur les pans de tissu, qui occupent une grande partie de l’esp..

In art and literature, animals appear not only as an allegoric representation but as a reference which troubles the border between humanity and animality. The aim of this book is to challenge traditional ways of confronting animality with humanity and to consider how the Darwinian turn has modified this relationship in postmodern narratives. The subject of animality in culture, ethics, philosophy, art and literature is explored and reevaluated, and a host of questions regarding the conditions of co-existence of humans and (...) animals is asked: Should discourse ethics now include entities that initially seemed mute and were excluded from discussions? Does the modern animal rights movement need a theology, and vice versa, is there a theology that needs animals? Are animals in literature just metaphors of human characters, or do they reveal something more profound, a direction of human desires, or a fantasy of transgressing humanity? This book provides answers and thus gives a new impetus to a so far largely overlooked field. (shrink)