This article reflects on the anthropological aspect of the pilgrimage, the human journey, as a metaphor for life, as a way of relating and understanding religion, spirituality, life itself and tourism as forms of pilgrimage. The pilgrimages of the Christian tradition will be analyzed, seeking to understand them of the anthropology of Victor Turner, analyzing the pilgrimage as a state of liminality and liminoid. Concretely we will look at the case of the Romarias da Terra in Brazil, as an (...) example of liminality/ liminoid and communitas. In addition, this article reflects on the "new centers" of pilgrimage, outside the religious scope, as spaces of pop culture or the visit to tourist sites and monuments of social and cultural memory. The goal is to understand where people have pilgrims and what the meaning of these pilgrimages. In this displacement out of the religious scope, one wonders if tourism would also be a form of pilgrimage. Or would tourism lack precisely the preliminary aspect, something that could be related to Bauman's analysis of the tourist and the vagabond? It is suspected that in a globalized world, places lose their content and identity. People pass through places, but places no longer pass through them. With this, walking also loses its liminal function. (shrink)

Recent times have seen an emergence of cold-water sea swimming as a popular pasttime for increased numbers of people in coastal regions. Within this paper, we seek to outline the philosophical relationship between water and society, right back to Thales. From this we continue through anthropological sources to highlight the relationship between culture and the sea throughout much of human history. Sociology offers only piecemeal theoretical bases for this relationship. Here, the concept of liminality is deployed as a mechanism through (...) which we can interpret human-water relations. On from this, the concept of the ‘oceanic feeling’, coined by French intellectual Romain Rolland, is discussed to situate how the experience of swimming might offer one among many means through which we can return to the world as it is given to us, in a Nietzschean sense, and in doing so return at once to an experience of the eternal borne from presence. (shrink)

The idea that the technologies one uses and the work experiences one has influence cognition is old, but somewhat vague, focused on how technology induced generalisable habits of mind. Technology creates a familiar world, which changes in large and small shocks, rather than in rational steps. This kind of change, at the tacit level, has characteristics of liminality. Cognitive science provides a vocabulary for discussing this problem that connects with several different strands of social theory, and points to various ways (...) of conceptualising the effects of digitalisation. If we focus on the tacitisation of skilled performance, we can see how the familiar is created and recreated, and identify processes by which this occurs, specifically pattern recognition in a liminal or liminoid state. In the past, and in the classic anthropology of the liminal, the familiar consisted of a world of common or shared objects, and the liminal states involved sacred ones. In the digital world, the choice of experience is voluntary, and the worlds are diverse, but the effects of object-induced involuntary pattern recognition are the same: they organise and reorganise cognition at a tacit, non-discursive, level. (shrink)

This paper investigates the dilemma that has been projected upon Indian female dancers’ bodies by contemporary Indian audiences when female desire occupies the centrality of a performance and projects the female body as sexual, articulate and independent of the discipline and propriety of classicism. Locating this dilemma in the nationalist construction of Indian womanhood and femininity as ‘chaste’, this paper adopts Victor Turner's notions of liminal and liminoid phenomenon and Brechtian defamiliarization technique as a feminist strategy to construct a (...) framework within which the contemporary Indian dancer can reclaim her sexuality in performance. To investigate the complex nationalist trope of chaste Indian womanhood, and to analyse the subversion of this trope by placing agency on the female body as sexual, I locate my argument in the discussion of The Silk Route: Memory of a Journey by Kinaetma Theatre, UK, which was performed in Kolkata in August 2004. (shrink)

This paper uses Victor Turner's recent discussion of liminal and liminoid forms of communitas to criticize psychoanalytic praxis, both theory and therapy. In so doing it argues that Turner's distinction can be sharpened by assimilating it to the Marxist concept of commoditization. Heinz Kohut's analysis of narcissism can be supplemented by considering how self‐esteem, like other forms of behavior, is ritualized, particularly in the mother‐child matrix. We can account for the recent increase in narcissistic disorders, in part, by noting (...) how liminal forms of communitas have given way to liminoid forms. Liminoid forms of communitas, like that established in the analytic relationship, secure self‐esteem less adequately than do liminal forms. (shrink)

Victor Turner's comparative symbology provides a description of liminality, marginality, and liminoid genres that can be usefully applied to positioning theology in a theory of practice, determining its social location, and assessing its future meaning. This paper argues not only that theological marginality is a result of the secularization of culture but also that the breach with theology's pubiics reflects a more significant internal breach that is essential to theology as a liminoid form of public reflexivity. The paper (...) draws from deconstructionist philosophy and defines the interpretive task of theology as a deconstructionist hermeneutic. (shrink)