This article analyses how normative decision theory is understood by economists. The paradigmatic example of normative decision theory, discussed in the article, is the expected utility theory. It...

The conversion of the Nubian Kingdoms, by the missions sent from Constantinople in the sixth century, was followed by Byzantine influence on Nubian art. One of the most obvious examples of this process was representing archangels dressed in loroi. This paper aims to present the evolution of loroi in Nubian art. In Byzantium, they were ceremonial stoles worn on special occasions by the emperors or the highest dignitaries. The archangels were also clad in loroi, acting as high officials at the (...) celestial court. Interestingly, loroi were adopted only for the images of archangels in Nubia, not for the images of Nubian kings. At the end of the 10th century, the lower end of the loroi was expanded to a broader segment resembling the Byzantine thorakion, typical of female images. This could have added splendor to their garments, but could it have also highlighted the vague gender of the archangels? (shrink)

En reseña de:García López, Daniel J. Rara avis. Una teoría queer impolítica. Ed. Melusina,Santa Cruz de Tenerife, 2016.

Magdalena Krasińska A Work of Music in Roman Ingarden’s AestheticsThe theme taken in this article is an ontological concept of the musical work of Roman Ingarden developed on the basis of phenomenological aesthetics. According to the eidetic reduction Ingarden rejects any colloquial opinions about how the existence of a musical composition, so that he holds that musical work is not the same nor the mental experience, or the performance, or to the music notations. Making a critique of the idealistic, (...) psychologistic and materialistic positions to explain how the existence of the musical work, Ingarden classified it as a object of purely intentional, where the musical notation is the ontological basis. Currently notation don’t allow for consolidation of all the moments of the work, especially not sound moments, so musical composition as every being intentional, is the scheme required to complete and define more precisely where are the ontological gaps; each performance of a musical work is the complete of potential spaces, specification of works. A few comments on so constructed theory publishes musicologist Zofia Lissa. The main objection against Ingarden is the fact that his concept aspires to be universal, while he created it solely on the basis constituted in the scores ‘classical’ works of modern European music, while ignoring other musical phenomena, such as avant-garde music or folklore. Finally raised is a matter of the ontology of newest pieces of music, belonging to the so-called popular music, that do not have ontological basis in the form of musical notation, what in view of the Ingarden’s theory does problematic the issue of their identity. Keywords: ontological concept of the musical work, phenomenological aesthetics, Roman Ingarden, identity of the musical work. (shrink)

International dispute resolution in general and international arbitration, in particular, is highly affected by the emergence and fast development of innovation-driven technologies. On the one hand, such technologies are cost and time-effective. To name a few, they allow online filing of a case, collecting of e-evidence and remote hearings, among others. On the other hand, they also may lead to some challenges that need to be addressed. The primary concerns comprise e-arbitration agreements and e-awards, as well as cybersecurity and data (...) protection. Therefore, this begs the question of whether such new technologies will significantly impact the dispute resolution landscape and thus become a game-changer therein. This analysis leads to the conclusion that the emergence of new technologies provides an opportunity to establish a long-lasting new standard for international arbitration. (shrink)

En este trabajo presentamos un registro de la historia de vida de Mónica Medina, integrante de la comunidad weenhayek Quebracho, ubicada a 5 kilómetros de Tartagal, provincia de Salta. En esa memoria sobre sus ancestros desde tres generaciones previas hasta el presente, Mónica relata los recuerdos sobre el modo en que su familia vivió la Guerra del Paraguay que les obligó a desplazarse; las epidemias; el proceso de trashumancia y las distintas expulsiones a que se vieron sometidos; los modos en (...) que se fue transformando la vida a medida que se acercaban a los centros urbanos; la aproximación a la política partidaria y la formación de dirigentes; el proceso de conformación de demandas de reconocimiento de identidad étnica y las expectativas de futuro. Partimos de entender que este relato de vida, si bien es individual, se inscribe en la memoria colectiva de su familia, su comunidad y su pueblo, por cuanto resulta de experimentar, desde su trayectoria, ciertos recuerdos comunes. Este registro adquiere aquí un doble sentido epistémico: por un lado, permite conocer datos nodales sobre las trayectorias y las demandas actuales del Pueblo Weenhayek en torno a sus derechos a la identidad en Argentina, y particularmente sobre la disputa que libra por el reconocimiento estatal y social de su carácter de pueblo preexistente; pero a la vez, nos introduce en el trabajo de memoria que es central en el proceso de etnicidad que protagonizan estas comunidades weenhayek en su demanda y ejercicio de derechos actuales. (shrink)

The goal of the paper is to consider whether women are vulnerable or protected on the labour market during the pandemic crisis, seeking answers in the wider context of previous downturns and economic theory. In times of crisis, female employment is likely to be more susceptible to cuts, for several reasons explained i.a. by the flexible buffers hypothesis or sex segregation hypothesis. Since the pandemic crisis is still unfolding, many of its effects are still unknown but it can be expected (...) that the COVID-19 crisis may have an unequal impact on women and men. Additional challenges in this crisis can be found in the home. Gender effects vary across EU countries, however, it is essential to develop at both the European and national level effective policy responses leading to gender balance in various dimensions. (shrink)

In the present article, we have demonstrated that it is important to understand the equating of mathematics with ontology in Badiou’s philosophy, taking into account the necessary connection between rational materialism and ontological realism. Only in this way can we truly understand Badiou’s fundamental thesis that thinking and being are the same. Philosophy is not ontology and it is not a true procedure, but a thought that arises by being conditioned with the generic thoughts of all four truth procedures (art, (...) politics, science, and love), which in turn does not mean that it cannot speak in the name of truth and ontology. (shrink)

The article entitled “Perfect Memories in Jacqueline Woodson’s Another Brooklyn” explores the fallibility of memory as presented in Another Brooklyn, a novel by an African American author Jacqueline Woodson. The text presents the idea that personal memories change due to the passage of time along with the new experiences of an individual, and relates it to the studied novel. Special attention is given to different dimensions of grief and loss presented in the analyzed story. The mourning after the loss of (...) loved ones is explored through the use of concepts such as Elizabeth Kübler-Ross’ five stages of grief, the selective amnesia and the idea of continuing bonds. The process of growing up is also briefly considered as a mourning process over losing the innocence and safety provided by childhood. Further, the article presents the hardships of growing up without a mother in an unsafe neighbourhood, the loss of vital friendships and the search of a better life - all introduced through the recollections which occurred after a significant passage of time and the accumulation of experiences which lend themselves to the change of the mindset of the main character. (shrink)

In this article, we discuss Badiou’s concept of the world through the somewhat unusual metaphor of “the anatomy of the world”. The anatomy of the world allows us to approach the concept of the world through the idea of ​​its constitution, architecture, structure – its anatomy. But as we show in the first part of the text, in order to derive the anatomy of the world, we need a corpse of the world – the world must die. Following the philosophy (...) of Alain Badiou, we demonstrate that the world in its objective existence is indifferent to the question of life and death. Whether the world lives or dies depends only on the realisation of the truth procedures in the world on the basis of which the world is subjectivised. The world suffers from mortifying impulses, as the reactive and obscure forms of subjectivity actively work against the realisation of truths in the world. Through the artistic presentations of anatomy by Rembrandt van Rijn and John Donne, we also elaborate the tense relationship between the corpse of the world and the life of the world. Although art often sees science as something that kills the world, our final point is that the world can also come to life through science. (shrink)

The outbreak of the COVID-19 pandemic has upended lives and thrown the taken for granted into disarray. One of the most affected groups were teachers and students, faced with the necessity of school closures and—where logistically feasible—an urgent shift to emergency remote instruction, often with little prior notice. In this contribution, based on an online survey involving participants from 91 countries, we offer a perspective bridging the two groups, by investigating the role of teachers' demographics and professional adaptation to emergency (...) remote teaching in their perception of how their students were coping with the novel situation. The resultant model explains 51% of variance, and highlights the relative weights of the predictor variables. Given the importance of teacher perceptions in the effectiveness of their instruction, the findings may offer valuable guidelines for future training and intervention programs. (shrink)

L’article examine la mise en scène théâtrale de la honte dans les travaux de Sartre, Lacan et Bourdieu. Nous partons de l’hypothèse que la représentation de la honte est confrontée à un paradoxe : D’une part, cette émotion semble se refuser à une mise en scène. D’autre part, elle provoque un jeu de masques et une multitude des représentations fortement théâtrales. Pour comprendre comment ce paradoxe introduit un aspect esthétique dans l’expérience de l’émotion, nous abordons une triple théâtralité concernant l’aspect (...) de la mascarade, le regard esthétique, et le clivage du sujet honteux. (shrink)

La estética de Schelling, afín al pensamiento de Fichte y Hegel, presenta rasgos propios. A pesar de esta originalidad ha sido poco estudiada en comparación a su Filosofía de la Naturaleza, o en torno al Yo. En este artículo se analiza la idea de belleza en el texto de 1807: Sobre la relación de las artes plásticas con la naturaleza. En primer lugar, se da un contexto para hacer comprensible el contenido del Discurso y de nuestro estudio. La segunda sección (...) muestra cómo surge la pregunta por la belleza dentro del texto que nos ocupa. A continuación, se analiza el modo en que se realiza la unidad de espíritu y materia, y cómo es la belleza quien la hace posible. La sección cuarta está dedicada a la Gracia, entendida como unión de alma y cuerpo. Finalmente se analizan otras cualidades de la belleza que componen el concepto completo. (shrink)

The article attempts to show how memory influenced the formation of the unique spiritual identity of Edith Stein, who was born and grew up in the religious tradition of Judaism, but as an adult became the member of the Catholic Church. What seems to be unusual in her religious self-perception is the fact that despite conversion, Edith permanently regarded herself as a Jew and firmly claimed that she constantly belonged to the Jewish community. Her mind-set was immensely influenced by the (...) image of Jesus as a devout Jew portrayed in the New Testament, zealously practicing the sacred rites of Judaism, as well as her later analysis of the Christian and Jewish ways of worship. Her study exposed a deep bond linking Christianity with Judaism and by revealing this bond Edith Stein evoked the forgotten truth about the Jewish roots of Christianity which is deeply rooted in the faith of the Old Testament and draws a lot from the richness of its tradition. Undoubtedly, this important link reminded by Edith Stein, raised and developed later by the official teaching of the Catholic Church, was possible because she remembered the religious tradition in which she grew up and which she experienced in her childhood. Memory, therefore, became the constituent that shaped her own spiritual identity, but also contributed to the reinterpretation of the identity of the Christian community. (shrink)

XIV Zimowe Igrzyska Olimpijskie, które odbyły się od 8 do 19 lutego 1984 r., wciąż budzą nostalgiczne wspomnienia mieszkańców Bośni i Hercegowiny, a zwłaszcza mieszkańców stolicy. Choć był to schyłkowy moment trwania Jugosławii, władze komunistyczne włożyły wiele wysiłku w promowanie atmosfery „braterstwa i jedności”. Wkrótce jednak wybuchła wojna, a powojenny kształt, jaki przybrało państwo bośniackie, spowodował permanentny kryzys polityczny, społeczny i gospodarczy. W rezultacie Serbowie, Chorwaci i Bośniacy nie mogą się zgodzić co do wspólnej historii i wspólnych bohaterów. Jednym z (...) nielicznych miejsc wspólnych jest mit XIV Zimowych Igrzysk Olimpijskich, w związku z czym ówcześni idole sportu mogliby wypełnić luki w prawie pustym bośniackim aparacie symbolicznym. (shrink)

It was in the mid-twentieth century that the independent theatrical form based entirely on improvisation, known now as improvisational/improvised theatre, impro or improv, came into existence and took shape. Viola Spolin, the intellectual and the logician behind the improvisational movement, first used her improvised games as a WPA worker running theater classes for underprivileged youth in Chicago in 1939. But it was not until 1955 that her son, Paul Sills, together with a college theater group, the Compass Players, used Spolin’s (...) games on stage. In the 1970s Sills made the format famous with his other project, the Second City. Since the emergence of improv in the US coincides with the renaissance of improvisation in theater, in this paper, I will look back at what may have prepared and propelled the emergence of improvised theater in the United States. Hence, this article is an attempt to look at the use of improvisation in theater and performing arts in the United States in the second half of the 20th century in order to highlight the various roles and functions of improvisation in the experimental theater of the day by analyzing how some of the most influential experimental theaters used improvisation as a means of play development, a component of actor training and an important element of the rehearsal process. (shrink)

For centuries, women involved in armed operations, wearing uniforms and supporting the army in other ways are among the guarantors of freedom of societies, nations, cultures and generations. Their attitudes towards war, as well as the ways in which they perceive and describe it, make an important contribution to studying this issue. When describing female soldiers, the author analyses their attitudes, motives, the specificity of their stories, as well as their significance for the war narrative.

The article explicates the main fields of hermeneutic research activity of Alicja Kuczyńska in which Neoplatonic inspirations, Renaissance models of life, and the values and traditional paradigms for understanding aesthetic categories that are dominant within them—such as image, creation, fiction, and mimesis—are viewed against the background of the phenomena, transformations, and problems that are unique to our own times, thereby providing old frameworks with new forms of philosophical relevance. Kuczyńska’s research topics, i.e. beauty, love, the anthropological dimension of creativity, the (...) role of imagination, and deification of creative personality gain revised interpretations, in which the accent is placed on creative activity and its value-creating dimension consisting in the transcendence of everyday reality. Characteristic of her research attitude is the tendency to consider philosophy and art in the context of transcending the finite dimension of being and undertaking anew and in different ways the effort to reach what is infinite, unconditioned, lost, truly existent in the Platonic sense. Kuczyńska’s research of this tendency takes on the dimension of positive valorisation of the state of “being in between” and exploration of artistic figures of “ascending.”. (shrink)