In 2017 one of the most singular monographs on Parmenides was published, the one by Livio Rossetti, which from the title presented itself as a decidedly alternative point of view compared to the perspectives proposed up to then: "Un altro Parmenide". Who have read that book, even those who have found themselves at the antipodes of the author's interpretation, may have realized that one cannot "disengage" so easily from the arguments presented there. In reading that book I wondered what impact (...) these arguments would have in the field of Parmenidean studies and what fruitful developments could have fostered a dialogue between Rossetti and other scholars of his caliber around the exegetical proposal that Rossetti's arguments conveyed. The occasion for this confrontation occurred that same year, during the tenth edition of "Eleatica", held in Ascea from 28 to 30 September 2017, in which Livio Rossetti held a cycle of Master's Lectures entitled "La filosofia virtuale degli Eleati", during which he also presented his interpretative proposals around the thought of Zeno and Melisso. These Lectures and the debate that followed, involving scholars of the calibre of Cordero, Mansfeld and Mourelatos, but not only them, are publisched in the book I discuss in my review. (shrink)

In this paper I will investigate the identity of the daímōn introduced by Parmenides in B12, 3 DK, the deity “who steers all things”. The importance of this deity is not adequately reflected in ancient doxography but in recent decades many scholars have reconsidered its role. I argue that in Parmenides’ poem this daímōn may play a relevant role in connecting the theological, ontological and cosmological planes. My purpose is to provide enough arguments for the hypothesis that the daímōn (...) may be the same goddess, Themis, who in the proem (B1, 28) is paired with Dike as a guide for Parmenides to the theá who will reveal to him the truth of tò eón, and in the part of the poem called alḗtheia (B8, 32) is echoed as the divine personification of the thémis of tò eón itself. I will examine the different identities and attributes found in the accounts on Parmenides’ daímōn and will compare them with the identities and attributes that the mythological tradition assigns to the goddess Themis. (shrink)

Very Short Introductions: Brilliant, Sharp, Inspiring Ancient Greece is often considered to be the birthplace of science and medicine, and the explanation of natural phenomena without recourse to supernatural causes. These early natural philosophers - lovers of wisdom concerning nature - sought to explain the order and composition of the world, and how we come to know it. They were particularly interested in what exists and how it is ordered: ontology and cosmology. They were also concerned with how (...) we come to know (epistemology) and how best to live (ethics). At the same time, the scientific thinkers of early Greece and Rome were also influenced by ideas from other parts of the world, and incorporated aspects of Egyptian, Babylonian, and Indian science and mathematics in their studies. In this Very Short Introduction Liba Taub gives an overview of the major developments in early science between the 8th century BC and 6th century AD. Focussing on Greece and Rome, Taub challenges a number of modern misconceptions about science in the classical world, which has often been viewed with a modern lens and by modern scientists, such as the misconception that little empirical work was conducted, or that the Romans did not 'do' science, unlike the Greeks. Beginning with the scientific notions of Thales, Pythagoras, Parmenides and other Presocratics, she moves on to Plato and Aristotle, before considering Hellenistic science, the influence of the Stoics and Epicurean ideas, and the works of Pliny the Elder, Eratosthenes, and Ptolemy. In her sweeping discussion, Taub explores the richness and creativity of ideas concerning the natural world and its function in the ancient world, and the influence these ideas have had on later centuries. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. (shrink)

Parmenides formulated a formal ontology, to which various additions and alternatives were proposed by Melissus, Gorgias, Leucippus and Democritus. These systems are here interpreted as modifications of a minimal Le?niewskian ontology.

This article endeavours to prove that there were creation myths of human beings or certain things, but there were seldom creation myths of ontological cosmology in ancient China. This will be warranted through the distinction between the concepts of ‘to create’ and ‘to beget’, the distinction between ‘Cosmology I of creationism’ and ‘Cosmology II of begetting’, and the relationship between the One and Many. The only exception is the myth of Nüwa 女娲 as the creator of (...) human beings, but not the creator of the cosmos. Therefore, in ancient Chinese tradition, there were mainly myths of begetting rather than myths of complete creation in the sense similar to creatio ex nihilo. Contribution: Previous research frequently underscores the profound differences between ‘Cosmology I of creationism’ and ‘Cosmology II of begetting’. Based on the discussion of concepts of ‘to create’ [ zao 造] and ‘to beget’ [ sheng 生], this article argues that, there were mainly myths of begetting rather than myths of complete creation in the sense similar to creatio ex nihilo. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hegelian RhetoricThora Ilin BayerIntroduction: Rhetoric and DialecticAristotle in the famous first line of his Rhetoric defines the relationship between rhetoric and dialectic: "Rhetoric is the counterpart of dialectic" (1354a). Both rhetoric and dialectic belong to no definitive science. They treat those things that come within the purview of all human beings. As an antistrophes to dialectic, rhetoric concerns particular cases and "may be defined as the faculty [dynamis] of (...) observing in any given case the available means of persuasion" (1355b). Dialectic concerns reasoning on general issues and in its generality it is like deduction. But unlike deductive demonstration, dialectic, as Aristotle says in Topics, "reasons from reputable opinions," rather than from premises that are true and primitive (100a).Kant in the Critique of Pure Reason takes a more extreme view of dialectic than Aristotle. Kant regards dialectic as a logic of illusion (Schein) that occurs when reason takes its powers beyond experience to make claims concerning the nature of the soul, world, and God. When reason attempts to determine the nature of what the soul is in itself, its assertions end in paralogisms; when it does so about the world its claims end in antinomies; and when it does so about God its efforts end in the impossibilities of the ontological, cosmological, and teleological arguments. Kant regards rhetoric as having no role in the philosophical pursuit of truth. In the Critique of Judgment Kant classifies rhetoric (Beredsamkeit) as belonging [End Page 203] to fine art. He regards ars oratoria as an art of manipulation and deception that achieves its end by a beautiful show (Schein) of speech that plays upon human weaknesses. He says oratory deserves no respect whatsoever—"ist gar keiner Achtung würdig" (1951, 172n50; 1974, 185n).1 Kant's exclusion of rhetoric from Kritik (with which he identifies philosophy) establishes the general exclusion of rhetoric in the development of philosophical idealism.Hegel interpretation for a century and a half presumed that rhetoric was irrelevant to understanding Hegel's thought. It considered Hegel's dialectic as a method independent of any connection to rhetoric. The first book on Hegel in English, James Hutchinson Stirling's The Secret of Hegel, published in 1863, regards the key to Hegel's system as his formulation of the concrete universal (Begriff). He makes no reference to rhetoric as an element in Hegel's thought (1887, xxii). In his preface to the Phenomenology of Spirit, Hegel mentions Plato's Parmenides as "surely the greatest artistic achievement of the ancient dialectic," but he makes no mention of rhetoric (1952, 57; 1977, 44). A ground for ignoring rhetoric as important for Hegel's philosophy is the fact that Hegel himself ignores it. There is no discussion of rhetoric (Redekunst) in his whole corpus beyond a few pages concerning the differences between poetry and prose in his Lectures on Fine Art (1986, 15:257–68; 1998, 2:986–95).All of the approaches to Hegel in nonrhetorical terms changed with the appearance of Donald Phillip Verene's Hegel's Recollection: A Study of Images in the "Phenomenology of Spirit" (1985) followed by John H. Smith's The Spirit and Its Letter: Traces of Rhetoric in Hegel's Philosophy of "Bildung" (1988).2 Verene's work showed that there is a dialectic between image (Bild) and concept (Begriff) within Hegel's mode of expression that provides the reader with a necessary means of access to the work. Smith's study showed not only that Hegel employs rhetorical principles in the composition of the Phenomenology but that Hegel in his early years studied rhetoric closely and was concerned to master it. Smith's work, although developed independently of Verene's, joined with it to present a new reading of Hegel. This poetical and rhetorical grasp of Hegel's thought has been recently restated in Verene's Hegel's Absolute (2007).My views that follow begin where Verene's and Smith's accounts leave off. I wish to consider two questions that extend what has been broached in their readings of Hegel. (1) In what sense does Hegel's Phenomenology embody a transformation of the Aristotelian conception of rhetoric as an antistrophes to dialectic? (2) To... (shrink)

This chapter attempts to show how ancient Greek Heraclitus' and Parmenides' radical rejection of some common “mortal beliefs” resulted from their different views of time. Granting that common mortals are likely to persist in their “dazed” “two‐headedness,” the issues morphed into challenges for science and philosophy. This chapter poses the question of whether mortals achieve an explanation for the human experience of time and passage, one that coheres with a more comprehensive image of reality. It also explores whether science (...) can settle on a tenseless, relational (Parmenidean) image or will something like Heraclitius' logos rule the collapse of wave functions, the evolution of quantum worlds. The chapter concludes with a glimpse at mortal cosmologies. (shrink)

Parmenides of Elea was the most important and influential philosopher before Plato. He rejected as impossible the scientific inquiry practiced by the earlier Presocratic philosophers and held that generation, destruction, and change are unreal and that only one thing exists. In this book, Patricia Curd argues that Parmenides sought to reform rather than to reject scientific inquiry, and she offers a more coherent account of his influence on later philosophers._ _The Legacy of Parmenides_ examines Parmenides' arguments, considering his connection to (...) earlier Greek thought and how his account of what-is could have served as a model for later philosophers. Curd also explores the theories of his successors, including the Pluralists, the Atomists, the later Eleatics, and the later Presocratics. She concludes with a discussion of the importance of Parmenides' work to Plato's _Theory of Forms._ _The Legacy of Parmenides_ challenges traditional views of early Greek philosophy and provides new insights into the work of Parmenides. "_The Legacy of Parmenides_ represents a milestone... of Parmenides' interpretation. It is full of ideas and tells a coherent story about Parmenides and early Greek thought." --_ Alexander Nehamas, Princeton University___ "Professor Curd offers a genuinely original and possibly correct interpretation of the core thesis of the poem of Parmenides in a field so well worked over that saying something both new and true is profoundly difficult, this is a notable achievement." --_ Thomas M. Robinson, University of Toronto___ "This will be a substantial book in the story of early Greek philosophy, and future writers on the tradition from Thales through Plato will not be able to ignore it without missing an important interpretive alternative. It will be of value to students of Presocratic philosophy or the Greek tradition, as well as to students of the scientific revolution, cosmology, the origins of logic, or comparative mysticism." --_ Scott W. Austin, Texas A&M University___ PATRICIA CURD_ is professor at Purdue University where she works primarily in Ancient Philosophy. She is a co-editor of _Readings in Ancient Greek Philosophy_, and is the editor of _A Presocratics Reader._. (shrink)

The aim of this paper is to suggest a possible way of understanding Parmenides' so-called doxa, starting from the clear and lucid formulation of the problem which is offered to us in some recent writings of N.-L. Cordero. We agree with Cordero (and some others) on the need to distinguish between the "opinions of mortals" and Parmenides' own physical theories, usually confused under the label of the doxa or "way of opinion" (I-II); not so with his proposal to insert the (...) 'scientific' fragments into the discourse on Truth, which seems rather incompatible with the sources (III) and ultimately grounded on the confusion –shared by most interpreters– of the ordering of the parts of the Poem, enounced at the end of fr. 1 (IV), with the "ways of inquiry" of frs. 2 and 6-7 (V). This is followed by an outline of a tentative reconstruction of Parmenides' polemics against the beliefs of mortals (VI-VIII). The guiding principle of Parmenides' physics is the mixture and interpenetration of the apparent opposites separated by mortals (VI), beginning with the antithesis 'light' / 'darkness', i. e. 'life' / 'death', the dominions of Zeus and of Hades in the traditional world vision which is refuted by the new cosmology of Parmenides (VII). But even so, the new cosmos is in its own way a "deceptive order" as well: since what-is is continuous and homogeneous, the entities postulated by the physical theory have to be necessarily fictitious or conventional; only the explicit acknowledgement of this status prevents the theory from the error of mortals, which consists in taking linguistic convention for the true being of things (VIII). (shrink)

The rational conceptual philosophical thinking originated in ancient Greece on the basis of mythical imaginary thinking. The bipolar-complementary thinking still had its place in Miletian philosophy, although not in the form of images, but in the form of conceptual variants and archetypal representations of archaic ontology. The Dyonisian cult and orfism contributed to the development of rational thinking through the realization of the individuality and the notion of the only genuine divinity - Zeus, which at the same time embodied (...) the whole universe. On the basis of these ideas Xenophanes built up his conceptual image as the fixed and the only essence of the universe, and Pythagoras his conception of fixed and unchangeable numeral essences. Then came Parmenides, who founded the metaphysics through the determination of the duality of One and Many, the being and the non-being. It was a dichotomic break and turning away of the bipolar-complementary thinking from the dualistic type of thinking. This author's claim is supported by Parmenides criticism of his predecessors. Parmenides elevated the Being to a "pure concept" or abstraction. This radical turn in the history of Greek thinking meant not only the dismissal of the previous philosophical views, but also the beginning of the rational abstract thinking on the basis of logical laws, namely the law of excluded middle and the law of contradiction. (shrink)

Diogenes Laertius ascribes the first concept of spherical Earth to both Pythagoras and Parmenides. Indeed, a major shift in cosmologies—emergence of the spherical conception of the Earth and the surrounding heaven—took place between the sixth and fifth centuries BCE. Given the poor state of preservation of early Pythagorean tradition, it is argued that primacy in formulating the notion of spherical Earth should be ascribed to Parmenides.

Interpreters of Plato’s Parmenides have long agreed that it is a canonical work in the history of ontology. In the first part, the aged Parmenides presents a devastating critique of Platonic ontology, followed in the second by what purports to be a response to that critique. But despite the scholarly agreement as to the general subject matter of the dialogue, what makes it one whole has nevertheless eluded its readers, so much so that some have even speculated it to be (...) a patchwork of two dimly related dialogues. -/- In Becoming Socrates, Alex Priou shows that the Parmenides’ unity remains elusive due to scholarly neglect of a particular passage in Parmenides’ critique—a passage Parmenides identifies as the hinge between the dialogue’s two parts and as the “greatest impasse” facing Platonic ontology. There Parmenides situates the concern with ontology or the question of being within the concern with political philosophy or the question of good rule. In this way, the Parmenides shows us how a youthful Socrates first learned of the centrality of political philosophy that would become the hallmark of his life—that it, and not ontology, is “first philosophy.”. (shrink)

This paper aims to expose and analyze the Aristotelian interpretation of Parmenides’ philosophy. In the first place, the refutation of Parmenides’ monism in Phys. I 2-3 is analyzed. Then a series of relevant passages from the corpus are commented in which Aristotle refers both to the ontology and cosmology of Parmenides and to his methodology of philosophical investigation. It is proposed a compatibilist interpretation of the Aristotelian reading of Parmenides, according to which the latter would have affirmed the unity (...) and immobility of reality according to concept and its changing plurality according to sensory perception. While the Platonic influence on certain aspects of the Aristotelian interpretation is evident, this is not a mere reception and repetition of Plato‘s reading. Indeed, Aristotle seems to have understood Parmenides’s thought from a methodological distinction operating in Phys. I 5. (shrink)

In Science before Socrates, Daniel W. Graham argues against the belief that the Presocratic philosophers did not produce any empirical science and that the first major Greek science, astronomy, did not develop until at least the time of Plato. Instead, Graham proposes that the advances made by Presocratic philosophers in the study of astronomy deserve to be considered as scientific contributions.

In the process that followed the evolution of ancient Greek thought from mythology to a systematic philosophy, Parmenides, the founder of the Elea school, built up his thoughts with theses that were the exact opposite of his time and perhaps common sense in general. His famous poem On Nature, in the light of the logical principles, inferences, and analyses it contains, has profoundly influenced both epistemologies in terms of structure and possibility, and ontologies within the framework of time, space, (...) and movement. In the mentioned period, the logical internal consistency of Parmenides and his followers, and the rational level in their arguments shaped the ancient period. The role he played especially in natural philosophy and metaphysics is undeniable. However, the ambiguities in the context of the theses and their interpretations of his poem, the only work that has been quoted, have not been resolved until today. The dimensions of this mystery are not only related to classical thought. Ontologies related to physics approaches, theoretical and institutional beliefs about them, and various cosmogony and language understandings can be related to Parmenides in some way. It is also possible to find in Parmenides's early forms some of the contents that form the basis of the philosophy of logic and has metaphysical roots constructed by Aristotle in the ancient period and for which he gained a well-deserved reputation. In addition to the deductive approach, especially the law of contradiction, the principle of identity, the law of excluded third, and the principles of sufficient reason are the most important concepts among those mentioned. These principles, which are not directly formulated, have been used in the context of Parmenides’ arguments about knowledge, existence, and related concepts. In our study, by touching on the significant points of the poem written by Parmenides, we will try to examine the conceptual uses and logical structures of the principles we have expressed and follow the traces of the process in question, and examine its effects. The main reason for this effort is that the content presented by Parmenides continues to be discussed today, maintained its influence in many areas mentioned above, and is an important cornerstone in the development of philosophy. (shrink)

Cosmological narratives like the creation story in the book of Genesis or the modern Big Bang are popularly understood to be descriptions of how the universe was created. However, cosmologies also say a great deal more. Indeed, the majority of cosmologies, ancient and modern, explore not simply how the world was made but how humans relate to their surrounding environment and the often thin line which separates humans from gods and animals. Combining approaches from classical studies, anthropology, and philosophy, (...) this book studies three competing cosmologies of the early Greek world: Hesiod's Theogony; the Orphic Derveni theogony; and Protagoras' creation myth in Plato's eponymous dialogue. Although all three cosmologies are part of a single mythic tradition and feature a number of similar events and characters, Olaf Almqvist argues they offer very different answers to an ongoing debate on what it is to be human. Engaging closely with the ontological turn in anthropology and in particular with the work of Philippe Descola, this book outlines three key sets of ontological assumptions - analogism, pantheism, and naturalism - found in early Greek literature and explores how these competing ontological assumptions result in contrasting attitudes to rituals such as prayer and sacrifice. (shrink)

Starting from the identification and characterization of three literary forms that coexist throughout Parmenides’ Poem, all of them plainly different from each other, it is proposed and demonstrated that such a variety of forms mirrors the delimitation of the different ways of thought and language elaborated by Parmenidic philosophy, in which at least two types of nature of knowledge must be recognized: the logical and the cosmological. The first, marked by a formally logical-argumentative speech which is given the name of (...) truth (aletheia) and whose way of thinking is exclusively noetic; the second, of a theoretical-descriptive nature, dedicated to the consideration of the movement proper to cosmic phenomena, whose devenir demands an equally mobile way of thinking (phronein). (shrink)

The adventure of philosophy began in Greece, where it was gradually developed by the ancient thinkers as a special kind of knowledge by which to explain the totality of things. In fact, the Greek language has always used the word onta , "beings," to refer to things. At the end of the sixth century BCE, Parmenides wrote a poem to affirm his fundamental thesis upon which all philosophical systems should be based: that there are beings. In By Being, It (...) Is , Nestor-Luis Cordero explores the richness of this Parmenidean thesis, which became the cornerstone of philosophy. Cordero's textual analysis of the poem's fragments reveals that Parmenides' intention was highly didactic. His poem applied, for the first time, an explicative method that deduced consequences from a true axiom: by being, it is . To ignore this reality meant to be a victim of opinions. This volume explains how without this conceptual base, all later ontology would have been impossible. This book offers a clear and concise introduction to the Parmenidean doctrine and helps the reader appreciate the imperative value of Parmenides's claim that "by being, it is." "This thorough and controversial book will certainly be valued highly by the international community of scholars devoted to the study of ancient philosophy as well as by educated readers worldwide." --Alfonso Gomez-Lobo, Georgetown University " By Being, It Is offers a meticulous discussion of one of the most puzzling theses in the history of philosophy. It is a highly challenging piece of work from a philosophical viewpoint, an outstanding model of philological work, and a contribution that causes anyone interested in philosophical matters to reflect." --Marcelo D. Boeri, National Council for Scientific and Technological Research, Argentina "Parmenides' importance consists in the fact that he represents an absolute beginning in history, and particularly in the history of thought. We can understand why, for more than twenty years now, N.L. Cordero has devoted tremendous efforts to understanding the few verses that remain to us of this Poem. The result is the present book, characterized by its completeness and its rigor. It is an essential work on a seminal author." --Luc Brisson, National Council for Scientific Research, France. (shrink)

Translated by Henrik Rosenmeier, _A History of Ancient Philosophy_ charts the origins and development of ancient philosophical thought. For easy reference, the book is divided chronologically into six main parts. The sections are further divided into philosophers and philosophical movements: *Pre-Socratic Philosophy, including mythology, the Pythagoreans and Parmenides *The Great Century of Athens, including the Sophists and Socrates *Plato, including The Republic, The Symposium and The Timaeus *Aristotle, including The Physics, The Metaphysics and The Poetics *Hellenistic Philosophy, including (...) the Sceptics, the Stoics, the Epicureans and Cicero *Late Antiquity, including Neoplatonism, Origen and St Augustine. This comprehensive and meticulously documented book is structured to make ancient philosophical thought and ancient thinkers accessible. It contains: *full references to primary sources *detailed interpretations of key philosophical passages, including surveys of previous philosophical readings *an overview of the development of ancient philosophical thought *discussions of the relationships between philosophers and their ideas *analyses of key philosophical concepts and ideologies including ontology, epistemology, logic, semantics, moral and political philosophy, theology and aesthetics *explanations of Greek philosophical terminology. (shrink)

I walk a well-trodden but still only partially explored path, along which we shall attempt to establish a basis for the study of the Parmenides poem’s unity by way of a comparison with twentieth-century physics. I investigate the hypothesis that Parmenides’ sphere-shaped τὸ ἐόν, as described in B8.42-49, could be understood as a hyperspherical unlimited whole cosmologically bounded by the διάκοσμος described by the complex sphere system in fragment B12.

Oxford Studies in Ancient Philosophy is a volume of original articles on all aspects of ancient philosophy. The articles may be of substantial length, and include critical notices of major books. OSAP is now published twice yearly, in both hardback and paperback.

Before Aristotle closed the earth into crystal spheres, many Greeks held the universe infinite, eternal and containing infinite worlds, each one surrounded by its own sky. Parmenides has enriched this conception with its fundamental discoveries on earth and on the heavenly bodies.

In this paper, the problem of compatibility between the two parts of the poem by Parmenides of Elea is addressed. This is done on the basis of a number of fragments from the poem – B 8, 9, 12, 16 and others – and a study of their ancient testimonia. In this way, the Parmenidean conception of the world and of human perceptive and gnoseological activity within it is reconstructed. Furthermore, starting from textual clues that show a certain need (...) to go beyond this view of the world, an attempt has been made to argue how τὸ ἐόν can be understood as the All, i.e. as the universe, but seen in its unity. In order to do so, a tempative answer was proposed, using the philosophical category of limit, to recent aporias raised by interpreters. (shrink)

This article uses a Chinese narrative of ‘nature-human harmony’ as the main thread to connect the contributions of ontological anthropology. I argue that the best of the critiques of nature-human or nature-culture dualism in social anthropology propose rebuilding a world that ‘pursues harmony while preserving difference’ in the double sense of nature and culture. Given that most social scientific problems are indeed related to utilitarian individualism, I argue that research on ‘ontology’ should re-engage the ancient notion of ‘ ji’, (...) construed as ‘others-comprised self’, which forms the foundation of a perspective of ‘broad human relationship’ between humans and their others (other humans, things, and divinities). Perspectivism inherits many categories of Western cosmology that it critiques and represents a kind of inert ontology. Grounded in the cosmology of life ( sheng), we hope to contribute to a new anthropology of the compatibility between self/others and subject/objects. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Elements of Eleatic Ontology' MONTGOMERY FURTH THE TASKOF AN INTERPRETERof Parmenides is to find the simplest, historically most plausible, and philosophically most comprehensible set of assumptions that imply (in a suitably loose sense) the doctrine of 'being' set out in Parmenides' poem. In what follows I offer an interpretation that certainly is simple and that I think should be found comprehensible. Historically, only more cautious claims are possible, for (...) several portions of the general view from which I 'deduce the poem' are not clearly stated in the poem itself; my explanation of this is that they are operating as tac/t assumptions, and indeed that the poem is best thought of as an attempt to force these very assumptions to the surface for formulation and criticism -that the poem is a challenge. To be sure, there are dangers in pretending, as for dramatic purposes I shall, that ideas are definite and explicit which for Parmenides himself must have been tacit or vague--that Parmenides knew what he was doing as clearly as I represent him; I try to avoid them, but the risk must be taken. I even believe that not to take it, in the name of preserving his thought pure from anachronous contamination, actually prevents us from seeing the extent to which he, pioneer, was ahead of his timc the argument works both ways. So let me hedge my historical claim in this way: the view I shall discuss could have been an active-indeed a controlling---element of Eleaticism; to suppose that Parmenides held it not only explains the poem, but also helps explain the subsequent reactions to Eleaticism of Anaxagoras, Democritus, and Plato (though there is not space to elaborate this here). In addition, it brings his thought astonishingly close to some contemporary philosophical preoccupations. In the first of the following sections, I lay down some sketchy but necessary groundwork concerning the early Greek concept of 'being.' Then in Section 2 an interpretation is given of what I take to be the central Parmenidean doctrine, that 'it cannot be said that anything is not.' This section is the lengthiest and most involved, but it also contains all the moves that appear to be important. Of the remaining sections, Section 3 exp]Mn.qthe principle: 'of what is, all that can be said is: it is,' Section 4 deals briefly with the remaining cosmology of "The Way of Truth," and Section 5 considers the question whether Parmenides himself believed the fantastic conclusions of his argument. There is a short postscript on a point of methodology. 1. A Word on 6v If we are to examine Parmenides' reasoning profitably, an indispensable pre1This paper wasprepared while the author was beneficiary of a Grant-in-Aid of Research from the American Council of Learned Societies, hereby gratefully acknowledged. [111] 112 HISTORY OF PHILOSOPHY liminary is to estabhsh at least a provisional reading for the Greek words translated "is" or "it is" (tar,v), "what is" or "being" (Sv,rb 5v), "to be" (alva0. For while it is evident enough that in his poem Parmenides purports to be delivering an insight of the utmost significance concerning rb tbv (as he calls it), still the construction which he puts upon the term and its cognates, and the understanding which he expects of his listener, are not so clear and have been topics of dispute. Especially notable, and often noted, is the fact that Parmenides' discussion of 'being' shows no sign of the conceptual distinction considered elementary nowadays, between the "is" linking subject and predicate and the "is" of existence; and in fact it needs no documentation here that this distinction was not reflected in either ordinary or philosophical Greek idiom until, at least, a much later date than his, the word tare expressing both concepts. Also highly visible in the poem is the abundance of occurrences of tare used absolutely, unaccompanied by any predicate expression. As a result of this last, the poem can create in the contemporary reader the impression that r5 tSv is being used to mean what is in the existential sense only, to mean what there is; indeed some students of the poem conclude not only that Parmenides... (shrink)

Are all forms of difference contained in what is, or is there some form of difference that escapes, negates, or constitutes what is? Parmenides and Heraclitus may have had the greatest effect on how philosophy has answered this question. This paper shows that Heraclitus is not a partisan of difference: identity and difference are mutually generative and equally fundamental. For his part, Parmenides both makes an argument against opposing being and non-being in the False Road Story, and then uses precisely (...) this opposition to put up signs on the Way of Truth. The paper responds to this impasse by making the case that the poem’s philosophical character is didactic, rhetorical, and mythological, which is why both these signs, and the opposition between non-being and being, are presented as names created by mortals. (shrink)

This paper argues that the resolution of the dilemma of participation presented in the first part of Plato’s Parmenides is a central purpose of the arguments of the first hypothesis and the beginning of the second hypothesis in the second part of the dialogue. I maintain that the training demonstrated by Parmenides in the first and second hypotheses, by shifting the consideration away from sense objects to intelligible objects and away from forms to the one, enables Parmenides to develop an (...) understanding of what it means for anything to be one. This understanding shows that multiplicity is not inimical to the one remaining one when participated in. It argues for an intelligible one that is divisible and still remains one when divided. The model of participation in the second part of the dialogue differs from that in the first part where the dilemma of participation initially arises, insofar as there is a strong ontological connection in part two between the one and whatever participates in the one, a connection that is not present in part one, where sense objects participate in intelligible forms. I conclude by taking stock of how far the resolution of the dilemma of participation has been progressed to resolution by 144e7 and what problems still remain to be analysed and resolved. (shrink)

It is generally held that Presocratic cosmologies are sui generis and unique to their authors. If, however, a division is made between sixth-century and fifthcentury BC cosmologies, some salient differences emerge. For instance, heavenly bodies in sixth-century cosmologies tend to be light, ephemeral, fed by vapors, and located above the earth; those in fifth-century cosmologies tend to be heavy, permanent, heated by friction, and to travel below the earth. The earlier cosmologies seem to embody a meteorological model of astronomy, the (...) latter a lithic model. The change in models can be accounted for on the basis of Parmenides’ discovery that the moon is illuminated by the sun and hence is a spherical, permanent, opaque or earthy body. This insight generated empirical evidence to confirm itself and rendered obsolete earlier cosmologies. (shrink)

The work of Hesiod, an ancient Greek epic poet, is considered, in particular, his poem “Theogony”, as one of the first cosmogonic constructions in European culture. Particular attention is drawn to the image and concept of Chaos – the initial state of the world, which also has a creative, creative essence. The primary instances that appear together with Chaos – Gaia, Tartarus and Eros also act as elements of the basic ontological model. The attitude of the ancient philosophical (...) tradition to the concept of Chaos, which was problematized even by the pre-Socratics and compared with the famous Orphic cosmologies, is analyzed. In this sense, the image of Chaos in Hesiod can be considered as the first principle of building the world by analogy with the search for arché in later philosophers, as well as in its abstract, idealized form – the initial theoretical model of being and the beginning of ancient ontology. Of particular interest in this sense is Chaos, a rather complex and mysterious reality that is primary in relation to others and, moreover, is itself a creative force. The problem can be formulated as follows: can Chaos in Hesiod’s poem be considered a mythological-poetic ontology, an analogue and prerequisite of the philosophical concept of being, or even a certain essence of the world, its eternal integral part. The task of the study is to describe a general approach to understanding Chaos in Hesiod’s poem as an ontological essential first principle, which serves as a prototype of the philosophical ontology of later philosophers. Chaos can be interpreted as the original state of being and as a reference system for all world coordinates and the ideal beginning of the world. The original, initial state of the world, as well as the origin of the latter, is a cross-cutting theme of ancient Greek philosophy and science. Already in the early theogony, in the Orphics and in Hesiod, we find a certain mythological-poetic and, at the same time, religious-philosophical model of the origin of the world and its first elements. It would be too bold to consider these rather fantastic images and constructions as a real philosophical or scientific theory, which already in the understanding of the ancient Greeks should have had clearly defined principles and a consistent logical structure. Nevertheless, already in the first attempts to describe the structure of the universe we see an attempt to find the beginning from which a kind of ontological intuition of ancient Greek philosophy begins and which will later lead to the emergence of the main philosophical schools. Moreover, this intuition allowed us to pose a question that is still the basis of ontological problems. Even a preliminary consideration of the historical-philosophical material demonstrates the possibility of various interpretations of the ontological constructions of early ancient cosmogonies. The vision of Chaos in Hesiod proposed here is the first step towards a hermeneutic reconstruction of the primary foundations of ancient Greek philosophy and its mythological and poetic origins. (shrink)

Against the traditional interpretation of Doxa as intrinsically and thoroughly deceiving and untrustworthy, the present essay examines the passages which follow the self-characterization of the goddess’ speech as ‘deceitful.’ The traits of an extensive cosmogony and cosmology open up the possibility for discerning two aspects of Doxa: first a presentation of mortal erroneous opinions, but then also their correction within the framework of the ‘appropriate world-arrangement’ presented by the goddess.

As the world's literary, religious, and philosophical traditions attest, deficiency in the world is a matter of perennial human concern. Ontologically speaking deficient existence is a problem that has occupied metaphysical thinking from Heraclitus to Heidegger. What is it to exist deficiently? ;This dissertation addresses the question, first, through a survey of answers given by six ancient philosophers. Parmenides describes deficient existence as changing multiplicity; Plato, as being in an inferior world; Plotinus, as mis-seeing; Augustine, as disorderedness; Gregory of (...) Nyssa, as "nothingification" &parl0;`h e ,xoud e&d12;nwsi v&parr0; ; Dionysius, as failed participation. The dissertation then gives a more systematic answer through close study of the metaphysics of John Scotus Eriugena , who builds on the foundation established by these thinkers. ;The Eriugenian cosmos is a "theophanic" one. To be is to be the showing or expression of God. What exists, then, is divine and good. Furthermore, all deficiencies, such as they are, must be characterized as privations or impoverishments. ;What can deficient existence be in such a world? Eriugena's first answer is that it is existence on an inferior level of reality. This dualistic view must be rejected, however, because it is not consistent with the fundamental metaphysical principles that reality is an ontological unity and every being is divine. ;Two better descriptions of deficient existence can be found in his metaphysics. First, to be deficiently is to see the world deficiently; that is, deficient existence is a misunderstanding of reality. Second, deficient existence is metaphysically incomplete existence. Being as a whole is an ontological work in progress, a creatio ex nihilo that is a creatio ex nihilo hic et illuc et ubique ---here, there, and everywhere. ;Such a creation depends in part on human choice and is subject to the destructive influences of non-being. But rather than a fall from some primordial perfection, creation is a movement towards perfection. Hence the existence that it constitutes is an existence in the theophanic world. Moreover, creation is theophanic to the extent that it does exist, even though, as deficient, it does not yet fully exist. (shrink)

À lire le dernier essai de Pierre Kerzberg, ce que nous appelons la nature n’est plus que l’ombre d’elle-même. Avons-nous donc vraiment perdu la nature ? Ne sommes-nous pas en train de redécouvrir ce qu’elle est et ce qu’elle vaut ? Une certaine effervescence existe de fait aujourd’hui qui rend probable un intérêt nouveau pour une philosophie de la nature. Mais discerner ce qu’il en est exactement exige une certaine attention à une longue histoire. La philosophie de la nature que (...) l’on a perdue depuis longtemps et qui éveille toujours la nostalgie est celle des Anciens. Les philosophies modernes de la nature, elles, ne répondent plus au programme de ces cosmologies antiques et médiévales dont le propos est clairement ontologique.Au vu des possibilités qu’atteste l’histoire des philosophies de la nature, on ne peut envisager la situation actuelle à partir de la simple alternative du retour ou du non retour d’une philosophie de la nature que l’on situe en fait dans l’optique de la cosmologie ancienne. La situation est nettement plus complexe et les options plus nombreuses. According to Pierre Kerzberg’s latest essay, what we call nature is no longer but the shadow of itself. Have we really lost nature, then? Or, rather, are we not in the process of rediscovering what it is and what it is worth? There is a certain effervescence in the air today that makes a new interest in a philosophy of nature quite likely. However, discerning exactly where things stand requires we pay some attention to history over a longer time. The philosophy of nature that we lost long ago and that still awakens nostalgia is the Ancients’ philosophy of nature. Modern philosophies of nature, on the other hand, no longer correspond to the program set out by ancient and medieval cosmologies, the substance of which is clearly ontological.In view of the possibilities attested by the history of philosophies of nature, we can no longer envisage the present-day situation on the basis of a simple alternative between the return or non-return of a philosophy of nature which is in fact placed in the perspective of ancient cosmology. The situation is considerably more complex and the options far more numerous. (shrink)

Parmenides, um 500 v. Chr. in Unteritalien lebend, ist neben Xenophanes aus Kolophon und Heraklit aus Ephesos der älteste der griechischen Denker, von dessen Überlegungen wir eine genauere Vorstellung gewinnen können. Seine Wirkung auf die Geschichte der Philosophie bis in die Gegenwart lässt sich kaum abschätzen: Er ist, wie die Griechen sagen würden, der "Erfinder" der Ontologie, er entdeckte die Sphäre der Logik und gab als Erster eine umfassende Beschreibung und Deutung der empirischen Welt. Die von Ernst Heitsch vorgelegte Ausgabe (...) der wörtlich erhaltenen Fragmente gibt eine neue Übersetzung und versucht durch einleitende Erläuterungen zentraler Begriffe und durch Erklärung eines jeden Fragments, dem modernen Leser einen Zugang zu den faszinierenden Anfängen der europäischen Philosophie und Wissenschaft zu vermitteln. (shrink)

Sophists were active participants in ancient discussions about being or what-is at the most general level. This chapter discusses the contributions of Gorgias, Protagoras, Xeniades, and Lycophron in the context of the Eleatic philosophers Parmenides, Zeno, and Melissus. All of these figures share a serious commitment to ontological inquiry as well as a concern with the problems that arise when discussing being or what-is. They also share an approach to these problems that is at times paradoxical and self-undermining. -/- (...) The chapter begins with a brief discussion of Parmenides’ poem, a work that serves as an important backdrop for later ontology. It then covers Gorgias’ On Not-Being, a response to the Eleatics and a unique contribution in its own right. Gorgias’ work is then compared with that of Zeno and Melissus. Finally, the more limited evidence we have of Protagoras, Xeniades, and Lycophron’s ontological theorizing is discussed. (shrink)

"Ever since Vlastos' "Theology and Philosophy in Early Greek Thought," scholars have known that a consideration of ancient philosophy without attention to its theological, cosmological and soteriological dimensions remains onesided. Yet, philosophers continue to discuss thinkers such as Parmenides and Plato without knowledge of their debt to the archaic religious traditions. Perhaps our own religious prejudices allow us to see only a "polis religion" in Greek religion, while our modern philosophical openness and emphasis on reason induce us to rehabilitate (...) ancient philosophy by what we consider the highest standard of knowledge: proper argumentation. Yet, it is possible to see ancient philosophy as operating according to a different system of meaning, a different "logic." Such a different sense of logic operates in myth and other narratives, where the argument is neither completely illogical nor rational in the positivist sense. The articles in this volume undertake a critical engagement with this unspoken legacy of Greek religion. The aim of the volume as a whole is to show how, beyond the formalities and fallacies of arguments, something more profound is at stake in ancient philosophy: the salvation of the philosopher-initiate."--Publisher's website. (shrink)

The dóxa is a major aspect of Parmenides’ “scientific” commitment, as evidenced by studies of its discoveries in various fields of knowledge. Among them in astronomy. However, these studies have ended up identifying a scientific plan separate from the mythicalreligious and philosophical one of the first part. This survey explores the possibility of reconsidering the presence in the Parmenides’ dóxa of ontology and theology. It does so by proposing the hypothesis that the proem contains among the multiple semantic-linguistic layers the (...) mythopoeic presentation of the astronomical theorem of the identity of Eos and Hesperus, with the intent of showing, from the very beginning and in the most authoritative language for his audience, the alḗtheia of «being» on the divine stage of the celestial sphere. In our reading, therefore, the deities that enter the scene give life to a firmament that interconnects every cosmic dimension with each other and leads the one who knows (the εἰδότα φῶτα; B1, 3) – he knows that πᾶν πλέον ἐστὶν ὁμοῦ φάεος καὶ νυκτὸς because ἐπεὶ οὐδετέρωι μέτα μηδέν (B9, 3-4) – on the other side of the sky, in the presence of the theá that will reveal to him the meaning of everything. (shrink)

Plato's late dialogues have often been neglected because they lack the literary charm of his earlier masterpieces. Charles Kahn proposes a unified view of these diverse and difficult works, from the Parmenides and Theaetetus to the Sophist and Timaeus, showing how they gradually develop the framework for Plato's late metaphysics and cosmology. The Parmenides, with its attack on the theory of Forms and its baffling series of antinomies, has generally been treated apart from the rest of Plato's late work. (...) Kahn shows that this perplexing dialogue is the curtain-raiser on Plato's last metaphysical enterprise: the step-by-step construction of a wider theory of Being that provides the background for the creation story of the Timaeus. This rich study, the natural successor to Kahn's earlier Plato and the Socratic Dialogue, will interest a wide range of readers in ancient philosophy and science. (shrink)

In Plato’s Parmenides 132a-133b, the widely known Third Man Paradox is stated, which has special interest for the history of logical reasoning. It is important for philosophers because it is often thought to be a devastating argument to Plato’s theory of Forms. Some philosophers have even viewed Aristotle’s theory of predication and the categories as inspired by reflection on it [Owen 1966]. For the historians of logic it is attractive, because of the phenomenon of self-reference that involves. Bocheński denies any (...) possibility of correct logical reasoning before Aristotle. In particular, he flatly declares of Plato that “correct logic we find none in his work” [1951, 15]. In this line, many papers have been written that call attention to the violation of a metalogical principle – the type rules – because of the Third Man Paradox. The problem of interpretation of the paradox raised many discussions, since the 50’s, and the literature devoted to this topic is today enormous. Nevertheless, many points in Plato’s reasoning remain obscure. Hitherto, it is commonly believed that the paradox was simply stated by Plato in his "Parmenides", but not actually solved. Even more, it is believed that it is hardly possible for Plato to have suggested a solution, because he confused the categories of substance and attribute. B. Russell has also argued that Plato violates in his arguments the restrictions imposed on language by the theory of logical types. This view is encouraged by the linguistic difficulties, which Plato has faced in his attempt to formulate an ontology of abstract entities, i.e. that in Greek language abstract and concrete terms are formally indistinguishable [Kneales 1984]. In this paper, we analyse the logical structure of the argument in an attempt to give a systematic consistent reconstruction of the text appealing to methods and concepts of modern logic and semantics. Already in 1954 G. Vlastos had noted in his seminal paper “The ‘Third Man’ Argument in the Parmenides” that “if any progress … is to be made at this juncture it must come from some advance in understanding the logical structure of the Argument”. Accordingly, our analysis is primarily focused on the line of logical reasoning, rather than the metaphysical underpinnings and philosophical implications of the paradox for Plato’s theory of Forms. We divide the Platonic text into three parts, presenting apparent thematic coherence: a) Formulation of the Third Man Paradox (132a-132b). The central issue of this part is a step-like generation of Forms that can continue ad infinitum. b) Discussion of the paradoxical situation (132b-c), by passing to the use of terminology echoing Eleatic philosophy. The concept of “thought” and the underlying semantics of Eleatic origin are central in this passage. c) Solution of the paradox (132d-133a). In our view, this part contains not only a resemblance regress, as most interpretators con-sider, but also the solution of the paradox by the introduction of a sound definition of the concept of “similarity”. We should note that the name ‘Third Man Paradox’ never occurs in Plato, who, strictly speaking, formulates a ‘Third Large Paradox’. The name ‘Third Man Paradox’ appears in the works of Aristotle and the commentators of the Peripatetic tradition. Later commentators have identified Aristotle’s Third Man with Plato’s Third Large Argument. In our paper, we also examine other testimonies about the Third Man Paradox found in the works of commentators in order to illuminate the logical structure of the argument. Although the vocabulary used in these versions is different, they do not affect its logical structure, but rather reveal different understandings by the ancient authors. These testimonies are divided into two main categories: those met in Neo-Platonic authors, notably in Proclus’ "Commentary on Plato’s Parmenides", and the versions of the Third Man Paradox found in texts of the Peripatetic tradition (Eudemus, Aristotle, Alexander). From our discussion, it becomes clear that the approaches to the paradox by the various scholars of antiquity are different, depending also on their participation in the one or the other campus of philosophical thought. We show that the Peripatetic authors are aware of the source of the paradox. However, the first scholar of antiquity who explicitly ascribes a solution to Plato seems to be Proclus. (shrink)

The subject of the study is the ontological ideas of ancient Chinese music in the context of the formation of philosophical schools of Ancient China, which make it possible to identify a number of philosophical categories that underlie traditional chinese music and outline different approaches to its understanding and interpretation. Most Chinese researchers in the field of musical aesthetics focus on the art of music, rare to pay attention to the philosophical origins of the categories of music that (...) past thinkers wrote about when analyzing laws of existence of the universe. Restoring and rethinking these values in the context of the philosophical and cultural analysis of ancient Chinese music is key to this work, which allows us to gain an understanding of the specifics of ancient Chinese culture and its musical heritage. The novelty of the work lies in carrying out the correlation of genesis of the musical ontology of Ancient China with the dynamics of the formation of the philosophical schools of Confucianism, Taoism and Buddhism, their rise or fall depending on the historical and cultural situation. Musical philosophy in China has not yet become an independent discipline, so the presented work makes a significant contribution to the field of musical ontology. During the study, the authors revealed three main aspects which are basic for the ontology of ancient Chinese music: The nature of music has its source three categories: Tao, air and sound, existing both in a natural state in nature and embodied in musical structure and instruments; Sound and rhythm being the essence to any musical work, organize the sounding space in accordance with the cosmic order; The metaphysical nature of music is justified by the basic principles of Taoist philosophy and number theory. (shrink)