Arranged in the form of a phenomenology, the work deals with such matters as the veneration of the environment; carved images of the divine; the orisha ...

As religiões de matriz africana no Brasil possuem um rico e complexo sistema de crenças, ritos e mitos que caracterizam a sua experiência religiosa. Este trabalho limita-se a estudar alguns temas religiosos do Candomblé de raiz nagô. A ideia de criação funda-se na concepção de um duplo cosmos, organizado em dois planos: o universo físico (aiyê) e o seu duplo espiritual (órum). Deus (Olorum), concebido como ser supremo e criador de todos os outros seres, estabelece relação com os seres humanos (...) pela mediação dos ancestrais coletivos (Orixás) e familiares (Egúns). Não há uma separação nítida entre os Orixás, enquanto divindades relacionadas às forças da natureza, e os ancestrais fundadores do povo. A partir dessas concepções, destaca-se o Axé como o elemento mais importante dessa tradição, perpassando todo o seu drama religioso na busca de uma experiência na participação na força vital (Deus), envolvendo a vida dos adeptos e as suas relações sociais na comunidade do terreiro de Candomblé. Palavras chave: Espiritualidade nagô. Religiosidade afro-brasileira. Axé.The religions of African origin in Brazil have a rich and complex system of beliefs, rites and myths, which characterizes their religious experience. This work aims to study some of the religious themes' Candomblé Nago. The idea of ​​creation is based on the design of a dual cosmos, organized in two levels: the physical universe (Aiye) and its spiritual double (Orum). God (Olorun), conceived as the supreme being and creator of all other beings, establishes relationship with humans through the mediation of collective ancestors (Orishas) and their families (EGUNS). There is no clear separation between the Orishas as deities related to the forces of nature, and the founding ancestors of the people. Based on these concepts, the Axe is highlighted as the most important element of this tradition, passing all his religious drama in search of an experience of participation in the life force (God), involving the lives of followers and their social relations within the community of Candomblé titled Terreiro. Key-words: Nago spirituality. Afro-Brazilian religiosity. Axé. (shrink)

Apesar dos estudos sobre o tema das religiões de matrizes africanas já realizados no país, ainda subsiste o desconhecimento e a discriminação em relação a elas, por parte significativa da população brasileira. Não obstante a produção existente é imperativa a necessidade de novas abordagens e perspectivas de análise. Esse é o objetivo desta Comunicação: traduzir numa linguagem clara e fundamentada as práticas rituais, a configuração do espaço sagrado e o culto as divindades do panteão africano, especificamente do Candomblé. O texto (...) apresenta uma compreensão e interpretação do sistema religioso dessa religião, tendo como base pesquisa recente realizada nos terreiros do município de Contagem, região metropolitana de Belo Horizonte, Minas Gerais. Finalmente, o trabalho reconhece a complexidade do universo simbólico ora apresentado, reafirmando a necessidade de novos estudos sobre o tema, a fim de tornar esse universo compreensível e cada vez mais familiar. Tarefa não muito fácil, mas necessária enquanto exigência legal e democrática do direito de culto de todos os cidadãos. Palavras-chave : Candomblé. Terreiro. Orixá. Iniciação. Mitos.Although studies on the subject of African Brazilian religions, there still remains the ignorance and discrimination towards them for a significant part of the population. Notwithstanding the existing production, new approaches and perspectives of analysis are needed. For this purpose, the present study translates into clear language some ritual practices, the configuration of the sacred space and worship performed to the deities of the African pantheon, specifically the Candomblé. The text presents an analysis and interpretation of the religious system of that religion, based on a recent survey conducted in the “terreiros” of Contagem, a metropolitan region of Belo Horizonte, Minas Gerais. Finally, the paper acknowledges the complexity of the symbolic universe of that region and reaffirms the need for further research on the topic, in order to make this reality understandable and increasingly familiar. This task is not easy, but it is necessary as a legal requirement and also as a democratic right of worship for all citizens. Keywords: Candomblé. Terreiro. Orisha. Initiation. Myths. (shrink)

Controversial Harlem-born rapper/singer, songwriter, and provocateuse Azealia Banks is the most famous, vocal, and visible proponent of Black Atlantic traditions in recent times—making a critical reckoning well overdue. I begin here by tracing Banks's engagement with Afro-Diasporic religions as a trajectory from vamp to bruja [witch]/santera to mayombera. A review of Banks's public statements reveals her growing commitment to championing “so-called voodoo” and urging other African Americans to do so as well. I argue that the release of Beyoncé's Lemonade in (...) 2016 catalyzed Banks's advocacy for Kongo-inspired Palo Mayombe, long overshadowed by Yorùbá-based orisha worship. I further demonstrate that Banks's espousal of Palo Mayombe has been bound up with her identity as a Womanist and dark-skinned, cisgender femme fatale. More than a political program, however, Banks's discursive constructions amount to a Black Atlantic metaphysics. Drawing on Irene Lara's formulation of “bruja positionalities,” I propose that the theoretical scaffolding for her metaphysics should be designated Brujx Womanism. Missteps notwithstanding, Banks emerges as a metaphysician, aspiring to repair Black bodies by re-membering Kongo traditions. In closing, I suggest that Banks's Brujx Womanism may contribute to the conceptualization of Conjure Feminism in four crucial respects. (shrink)

The Coates–Coogler expansion of the Wakandan afterlife in name, membership, and deed toward West African and transatlantic African diasporic ideas, concerns, and sentiments puts Erik Killmonger's last words in Black Panther into a different light. There are different metaphysical problems confronting Killmonger's postmortem existence in the Wakandan afterlife. Killmonger would have sought out theoretical alternatives less destabilizing to the prospect of continuing his existence postmortem. Wiredu's theory, quasi‐physicalism, would have alleviated some of Killmonger's substance abuse problems. Killmonger in Coates's comics (...) would recognize ori‐inu in part from when he defeated Bast, an orisha, at Orisha Gate, home of Wakanda's pantheon. Cast in Yoruba philosophical terms, the subjectivity that Killmonger wants to persist after death takes on new unconventional meaning. Killmonger chose "death over bondage." He apparently wants to join the ancestors. The very least a man called "Killmonger" would demand from such philosophy is that it help him fight for his destiny. (shrink)

Deeply informed by jazz as music and sociality, Fumi Okiji explores black movement of thought as marked by a failure to be adequately disturbed by contradiction. The tarrying with the negative so crucial to European critical theory cannot quite account for the exorbitance characteristic of black thought. This is an orientation that allows for an oversubscription of intention, sense, and logic, against the parsimony prized by the dialectical form. Attending to the black immoderation that registers as nonsense or deafening feedback (...) from the perspective of European thought, Okiji tunes in to moments ranging from the Haitian revolutionary forces' singing of "La Marseillaise" to Cecil Taylor's synesthetic poetics to the aporetic mien of the orisha Esu. She brings our attention to a galaxy of intimacies that flash up with such improvisatory and untimely thought. Extending the encounter between black study, Frankfurt School critical theory, and sound studies developed in Jazz as Critique, and drawing Yoruba aesthetics into this cluster, On Black Exorbitance is both a statement of non-citizenry and a preparation for practices of intoxication. (shrink)

Esta obra pretende atender uma necessidade referente ao tema imposto pela Lei 10.639, de 09 de janeiro de 2003, que inclui nos currículos escolares a temática afro-brasileira. Não é uma obra que aborda preceitos, rituais, mitos e fundamentos religiosos. Mas sim que trata de questões éticas, sociais, filosóficas e históricas sobre o culto aos Orixás no Brasil.

A Amazônia constituiu-se, ao longo de sua formação histórica e sociocultural, em importante território de crenças em saberes de cura que expressam interculturalidades entre humanos e sobrenaturais. Nas fronteiras que separam e interligam o período colonial e os tempos contemporâneos, fios de memórias escritas e orais trazem à tona experiências em que religiosidades nativas, coloniais e diaspóricas se conformam em profunda bricolagem com a natureza, erigindo um panteão de divindades afroindígenas na região. Neste artigo, sob a orientação teórica dos Estudos (...) Culturais, do Pensamento Pós-Colonial e da Antropologia das Religiões, exploramos diálogos realizados com memórias de um pai de santo, um curandeiro, uma irmã consagrada e uma “pajé”, além de percepções de um sacerdote católico e escritos de uma outra pajé. A análise dessas fontes evidencia que crenças em saberes de cura, aspectos constituintes das cosmologias afroindígenas, traduzem modos específicos com os quais populações amazônicas, com destaque para a Amazônia Marajoara, lidam com encantados, espíritos, santos, orixás em seu fazer religioso. Por esse ângulo, a cultura é apreendida como território de experiências intersticiais e a natureza se refaz como paisagem cultural, pois sofre intervenções e interfere na configuração do sistema religioso local. Palavras-chave : Saberes de Cura. Natureza. Afroindígena. Interculturalidade. Amazônia Marajoara.The Amazon has been constituted, throughout its historical and socio-cultural formation, in an important area of beliefs towards healing knowledges that express interculturalism between the humans and the supernatural. Within the borders that separate and connect the colonial and contemporary times, written and oral memories bring up experiences where the native, colonial and diasporic religiosity configure themselves into a deep tinkering with nature and erect a pantheon of Afroindigenous deities in the region. In this article, under the theoretical guidance of Cultural Studies, Postcolonial Thought and Anthropology of Religions, we explore dialogues conducted with memories of a saint father, a medicine man, a Catholic nun and a “Pajé” (a female shaman or witch-doctor), besides the perceptions of a Catholic priest and writings of another female Shaman. The analysis of these sources shows that beliefs in healing knowledges, constituent aspects of Afro-indigenous cosmologies, translate specific modes with which Amazonian populations, especially the Marajoara Amazon ones, deal with enchanted beings, spirits, saints, African orishas in their religious practices. From this perspective, culture is perceived as a territory of interstitial experiences and nature is remade as a cultural landscape, once it suffers interventions and also interferes within the local religious system configuration. Keywords : Healing Knowledges. Nature. Afroindigenous. Interculturalism. Marajoara Amazon. (shrink)