Since the turn of the twenty-first century, we have seen a revival of interest in world literature and, in its wake, interest in its parent discipline: comparative literature. Many of the more recent interventions charge these disciplines, including the subdiscipline of poetics, with Eurocentrism. Though the debate ranges most intensively in US academe, Chinese scholars also have increasingly ventured onto this terrain. The present contribution elaborates on the "re-orientation" of comparative poetics and on the possibility of a world poetics.