Twelve scholars in religion and the humanities present Christian interpretations of tragedy in literature, including works by Nietzsche, Kafka, Faulkner, Shakespeare, Milton and others.

This volume brings together fourteen of the best papers by the late Philip Quinn, one of the world's leading philosophers of religion. It covers the following topics: religious epistemology, religious ethics, religion and tragic dilemmas, religion and political liberalism, topics in Christian philosophy, and religious diversity.

My goal in this brief introduction is twofold: first, to briefly sketch some of the life of this remarkable man; and second, to provide an overview of the papers that make up this collection. The papers themselves have been organized around the following central topics in Quinn’s research: religious ethics, religion and tragic dilemmas, religious epistemology, religion and political liberalism, Christian philosophy of religion, and religious diversity.

This article explores the nuanced interaction early Nietzsche affords towards the thought and mission of the Christian priest in The Birth of Tragedy and its associated The Dionysiac Worldview. In terms of positive engagement, first, Nietzsche’s project of ‘justification’, central to these works, can be seen as pertaining to the project of the Christian priest, as Nietzsche understands him. Second, Nietzsche chooses to characterise and demonstrate his preferred ‘justifications’, the ‘Apollonian’ and ‘Dionysian’, by paralleling and borrowing from historical efforts of (...) theodicy formulated by the priest. Third, Nietzsche’s self-embraced project to revive a ‘Tragic’ culture, to ‘hallow’ the Dionysian, tracks the repeated historical role he attributes to the priest. Fourth, and here by way of critical engagement, Nietzsche’s analysis of the ‘Socratic’ justification, again paralleling elements from Christian theodicy, anticipates what will become Nietzsche’s mature, no longer nuanced, hostile stance towards the thought and function of the Christian priest figure. (shrink)

In postwar Western culture, the myth of Antigone has been the subject of noted literary, literary-critical, dramatic, philosophical, and philological treatments, not least due to the strong influence of one of the key plays of the twentieth century, Jean Anouilh’s Antigone. The rich discussion of the myth has often dealt with its most famous formulation, Sophocles’ Antigone, but has paid less attention to the broader ancient context; the epic sources (the Iliad, Odyssey, Thebaid, and Oedipodea); the other tragic versions (Aeschylus’s (...) Seven Against Thebes and his lost Eleusinians; Euripides’s Suppliants, Phoenician Women, and Antigone, of which only a few short fragments have been preserved); and the responses of late antiquity. This paper analyses the basic features of this nearly thousand-year-long ancient tradition and shows how they connect in surprising ways – sometimes even more directly than Sophoclean tragedy does – with the main issues in some unique contemporary traditions of its reception (especially the Slovenian, Polish and Argentine ones): the question of burying the wartime (or postwar) dead and the ideal of reconciliation. (shrink)

New Blackfriars, Volume 102, Issue 1100, Page 589-593, July 2021.

The acknowledged masterpiece of Unamuno expresses the anguish of modern man as he is caught up in the struggle between the dictates of reason and the demands of his own heart.

Phenomenological philosophizing is practiced out of a sense of responsibility for contemporary culture, which is experienced as existing in a profoundcrisis. The first part of this contribution contains a systematization of the theory of crisis, a theory developed in many of Husserl's works: the description of the main phenomena of the consciousness of crisis, the explanation of crisis with regard to its causes, and the demands raised in order to overcome the crisis of scientific culture (»reflection«). Husserl's teachings on crisis (...) are placed into close relation with his idea of science and science's Greek origin, an origin from which, according to Husserl, modern science has tragically distanced itself. It is argued, however, that Husserl was not at all a philosopher of decline or decay. The second part of this contribution represents an attempt to provide a critical and complex answer to the question as to the modern relevance and usefulness of Husserl's theory of crisis. (shrink)

The Orphan of Zhao" exemplifies a quintessential Chinese tragedy that encapsulates the values of loyalty and kindness, deeply rooted in Chinese cultural and philosophical traditions. This study embarks on an exploration of the ethnic and cultural nuances of this tragedy, contrasting it with Western dramatic forms to elucidate divergent philosophical foundations and religious influences. Central to this analysis is the comparison of cultural backgrounds, thematic focus, value systems, structural compositions, and narrative techniques that distinguish Chinese tragedies from their Western counterparts. (...) The distinctions between Chinese and Western dramatic tragedies are profoundly influenced by their respective cultural and historical milieus—Confucianism in China and Christianity in the West. These foundational beliefs shape the narrative structures and stylistic expressions of tragedies in each culture. For instance, Chinese tragedies typically employ a retributive justice framework reflective of Confucian ethics, whereas Western tragedies often explore dramatic conflicts and moral confrontations rooted in Christian theological themes. The Orphan of Zhao" not only showcases the characteristics of Chinese tragic narratives but also bridges understandings with Western dramatic forms, thereby serving as a fertile ground for cultural exchange and deeper mutual appreciation. Through a detailed examination of "The Orphan of Zhao" and its comparative analysis with Western tragedies, this paper illuminates the universal themes of tragedy while highlighting distinct philosophical and religious dimensions. Such comparative studies enrich our comprehension of global tragic expressions and inspire contemporary theatrical writing across cultures. In essence, "The Orphan of Zhao" offers a distinctive lens through which to view the interplay between tragedy and the philosophical and religious contexts that shape it. By dissecting the similarities and differences in tragic storytelling across cultures, this study contributes valuable insights to the ongoing discourse on the role of philosophy and religion in the arts, enhancing our understanding of how tragedies can transcend cultural boundaries yet remain deeply rooted in their ethnic and philosophical origins. (shrink)

Many seem to think that AI-induced responsibility gaps are morally bad and therefore ought to be avoided. We argue, by contrast, that there is at least a pro tanto reason to welcome responsibility gaps. The central reason is that it can be bad for people to be responsible for wrongdoing. This, we argue, gives us one reason to prefer automated decision-making over human decision-making, especially in contexts where the risks of wrongdoing are high. While we are not the first to (...) suggest that responsibility gaps should sometimes be welcomed, our argument is novel. Others have argued that responsibility gaps should sometimes be welcomed because they can reduce or eliminate the psychological burdens caused by tragic moral choice-situations. By contrast, our argument explains why responsibility gaps should sometimes be welcomed even in the absence of tragic moral choice-situations, and even in the absence of psychological burdens. (shrink)

This book argues that Christian ethics urgently needs the category of tragic dilemmas. The author argues for a definition of tragic dilemmas that responds to philosophical concerns in a Christian context, using insights from the Protestant and Roman Catholic traditions, and in light of psychological evidence of moral injury after combat. Jackson-Meyer suggests that in a tragic dilemma an agent deliberates on, with sufficient knowledge, an issue that involves non-negotiable moral requirements in line with Christian obligations to protect human life (...) and the vulnerable. The agent is morally responsible for the harm caused and/or the obligation not acted upon. However, culpability is mitigated due to the constraints of the situation as long as the agent acts with, what Aquinas calls, "repugnance of the will." Tragic dilemmas are often the result of sin, a reality to which the Augustinian tradition is keenly attuned. When involvement in a tragic dilemma produces emotional harm, this has the power to undermine character because passions and the moral life are inextricably related. In turn, the agent's life is marred. In light of this harm, it is incumbent on Christian communities to offer opportunities for moral healing after tragic dilemmas. (shrink)

Recognition of the narrative character of Christian convictions for the formation of the character of community and individuals is crucial for understanding how such convictions can be said to be true or false. In particular the truth of Christian convictions is revealed by their power to form and sustain a community capable of witnessing to the God of heaven and earth in a divided and violent world. The ethics of such a community contrasts sharply with those moral theories that ignore (...) or deny the narrative nature of morality by seeking to free ethics from the traditions of historic communities. The recognition of the narrative quality of moral reflection does not destroy the possibility of moral confrontation between different sets of convictions. The church serves the world best by providing categories of interpretation that help us understand the often tragic but hopeful character of our existence. (shrink)

The solemnity, sacrifice, and concern for the state of the soul portrayed at Opie's funeral seems out of place among anarchists on motorcycles. The chapter analyzes if Opie's wake should be regarded as a religious rite as Sons of Anarchy are not a Christian sect, nor do they belong to any religious body that Americans commonly embrace. The chapter touches upon gender inequality in religious rites, and male bonding that becomes a primary good and maybe even something like a religious (...) duty. German classicist Walter Burkert terms such a group is a Männerbund (or MB), literally an “all‐male society.” The chapter explains the significance of ubiquitous symbol for the Sons of Anarchy MC – the Grim Reaper logo. Like the image of Santa Muerte, the Reaper logo is what scholars of religion call a hierophany. Finally, the chapter talks about the tragic flaws in the faith of SAMCRO. (shrink)

This short but thought-provoking volume asks the question 'What is it that tragedy makes us know?'. The focus is on tragedy as a mode of representing the experience of radical suffering, pain, or loss, a mode of narrative through which we come to know certain things about ourselves and our world--about its fragility and ours. Through a mixture of historical discussion and close reading of a number of dramatic texts--from Sophocles to Sarah Kane--the book addresses a wide range of debates: (...) how tragedy is defined, whether there is such a thing as 'absolute tragedy', various modern attempts to rework the classical heritage and the relation of comedy to tragedy. There is also a fresh discussion of whether religious--particularly Christian--discourse is inimical to the tragic, and of the necessary tension between tragic narrative and certain kinds of political as well as religious rhetoric. Rowan Williams argues that tragic drama both articulates failure and frailty and, in affirming the possibility of narrating the story of traumatic loss, refuses to settle for passivity, resignation, or despair. In this sense, it still shows the trace of its ritual and religious roots. And in challenging two-dimensional models of society, power, humanity and human knowing, it remains an intrinsic part of any fully humanist culture. (shrink)

The transformation of the meaning of the order of nature in both philosophy and science cannot be fully understood without delving fully into Renaissance humanism and the new conception of man that appears in stages at that time and leads within a short period to an image of man and his relation to God, of other peoples, and of the order of nature radically different from what had existed in the medieval period in the Christian West and also from what (...) exists today in all non-Western civilizations to the extent that they remain faithful to their own traditions. This chapter demonstrates how the type of humanism that grew in the Renaissance developed in a direction so different from other traditions that it denied all historical links with the Islamic adab tradition from which it had drawn so much and even developed a particular hatred for Islam. (shrink)

In this paper, I argue by example for the possibility of genuine dilemmas internal to Christian ethics. My example is the life of Sebastian Rodrigues, who is the protagonist of Shusaku Endo's moving novel "Silence". The first part of the paper is devoted to retelling Endo's story, highlighting salient ethical and religious features of the life of Rodrigues. The latter half of the paper argues for an interpretation of the story according to which Rodrigues confronts a real conflict between the (...) obligation to love God with total devotion and the obligation to love one's neighbor as oneself. I conclude with the suggestion that the outcome of this conflict is not ultimately tragic because it serves providentially to move Rodrigues closer to Christ in suffering love. (shrink)

Emilsen, William W On the cusp of the Second Vatican Council the distinguished American Lutheran historical theologian, Jaroslav Pelikan, then at the University of Chicago, published a groundbreaking volume titled The Riddle of Roman Catholicism. In this book Pelikan gave a sympathetic yet critical examination of the evolution of Roman Catholicism, its distinctive beliefs and, most importantly, he offered a discussion of the theological issues Protestants face in their conversations with Roman Catholics on Christian unity. The Riddle of Roman Catholicism (...) met an obvious need. It was quickly reprinted by Abingdon Press in the United States and published by Hodder and Stoughton in Great Britain the following year. It was also widely acclaimed in both the Protestant and Catholic presses. The Christian Century magazine, representing the voice of mainstream Protestantism in America, published excerpts from the book claiming that it 'sets the stage for realistic discussion of Christendom's sad divisions'. The Presbyterian theologian and ecumenist from Princeton, John A. Mackay, reviewed it in Theology Today as an 'outstanding book', 'the most significant to appear on Roman Catholicism in many years'. Daniel Walther, professor of church history at the Seventh-day Theological Seminary at Andrews University in Michigan extolled Pelikan's book as 'a significant omen of the new Protestant approach', one that attempted 'to end the "hot war" between the confessions'. Catholic scholars, too, were receptive. Bonaventure Schepers's review in the Thomist, for example, thanked Pelikan for his 'courage and honesty' and invited the journal's readers 'to rejoice with us at the appearance of his important work'. Gustave Wiegel's lengthy review in the Jesuit review, America, named it as 'probably the most important' of the many interesting Protestant studies of Roman Catholicism at the time. Although Pelikan was still a relatively young scholar at the time, The Riddle of Roman Catholicism established him as a serious thinker on the topic of Christian unity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Tragic Vision of African American ReligionPaul E. CapetzThe Tragic Vision of African American Religion Matthew V. Johnson New York, N.Y.: Palgrave Macmillan, 2010. 189 pp. $75.00Matthew Johnson’s profound book The Tragic Vision of African American Religion sheds new light upon the distinctive nature of African American religion. Adequate interpretation of this topic requires understanding the traumas inflicted upon Africans sold into slavery, their existential predicaments before and (...) after emancipation, and the ongoing plight of their descendants whose psyches have been indelibly scarred by this traumatic history. Johnson avails himself of the resources of philosophical theology, psychoanalytic theory, and literary criticism to argue his thesis that African American religion expresses a tragic vision of reality. Besides providing an illuminating analysis of the traumatic experience underlying this religious vision, Johnson presents a compelling constructive proposal as to the broader implications of his thesis for Christian theology at large.As a student of David Tracy and Langdon Gilkey, Johnson sees the necessity for rigorous philosophical reflection in theology. Because the spirituality of the black church stands in some real tension with the traditional theological categories inherited from Europe, Johnson proceeds with “a phenomenological orientation grounded in a philosophical hermeneutical approach” that allows him to excavate the traumatic experiences informing this spirituality (4). He skillfully uses the concepts of mourning, loss, longing, and desire developed in psychoanalytical theory to probe the significance of trauma for grasping the dynamics of African American spirituality. He engages literary criticism and argues convincingly for a distinction between “tragedy” as a literary genre and the tragic vision it articulates. Indeed, the tragic vision is prior to tragedy. The tragic is not the encounter with meaninglessness per se but “the always already aesthetic representation of the encounter, which preserves its terrible truth in a transfigured vision of reality” (6). This vision affirms life while facilitating “the recognition and embrace of the darker, more fundamental truths of life” (7).Cognizant that other theologians have declared the incompatibility of Christian faith with a tragic vision of reality, Johnson believes otherwise. He insists that the tragic is fundamental to human experience as such, although it is frequently evaded by strategies of foreclosure—including those of Christian theology—that falsify the experience. Yet the distinctive thing about the black religious experience is the way African Americans made the Christian faith [End Page 215] their own by transforming it at a deep spiritual level through their tragic vision. Mildly critical of previous formulations of black theology, Johnson contends that this involved much more than the affirmation that God cares about the sociopolitical liberation of oppressed people. The Christian tragic vision of the black experience offers the possibility of a new basis for “theology in an African American key” (6). Since he understands himself primarily as a Christian theologian, however, Johnson addresses an audience consisting of more than fellow black theologians. He rightly highlights a profound truth that white theologians have largely failed to grasp: the contribution of the black church “transcends the confines of African American culture to speak meaningfully to a Christian faith struggling to remain viable in a meaningful way” (10).James Cone once issued this challenge: “Why don’t white theologians make racism their issue?” White theologians who ponder Johnson’s book will begin to understand the full import of this challenge: by opening ourselves unreservedly to the pain of our black sisters and brothers, we may discover anew the meaning of that genuine humanity to which the gospel summons all people. A theological reformulation of Christian faith as tragic in the light of the traumas of the black experience could occasion a much needed reformation of the white churches in America.Paul E. CapetzUnited Theological Seminary of the Twin CitiesCopyright © 2012 The Society of Christian Ethics... (shrink)

Early in the COVID-19 pandemic in the United States, concern that there could be a shortage of ventilators raised the possibility of rationing care. Denying patients life-saving care captures our moral imagination, prompting the demand for a defensible framework of ethical principles for determining who will live and who will die. Behind the moral dilemma posed by the shortage of a particular medical good lies a broad moral geography encompassing important and often unarticulated societal values, as well as assumptions about (...) the nature and purpose of health care and the consequences of long-standing choices about health care as a social good. This article explores what COVID-19 has exposed concerning values and choices around health care in the United States. Employing the lens of Catholic Social Thought, it argues for an approach to rationing that is grounded in respect for human dignity, committed to distributing social goods in light of the common good, and self-conscious about the construction of vulnerability to illness and death. (shrink)

This is the masterpiece of Miguel de Unamuno, a member of the group of Spanish intellectuals and philosophers known as the "Generation of '98," and a writer ...

In his travels, and in his accompanying readings, he had come to the conclusion that the essential secret of life was harmony. . . . And he proceeded to put his philosophy into practice by forcing order into the established world, translating the mystic word harmony into the practical word organisation.1 Harmony becomes organization. And Gerald dedicates himself to work, to feverish, totally absorbing work, inspired with an almost religious exaltation in his fight with matter. The world is split in (...) two: on one side matter , on the other side his own isolated will. He wants to create on earth a perfect machine, "an activity of pure order, pure mechanical repetition"; a man of the twentieth century with no nostalgia for the superannuated ideals of Christianity or democracy, he wishes to found his eternity, his infinity, in the machine. So inchoate and mysterious is the imaginative world Lawrence creates for Women in Love that we find no difficulty in reading Gerald Crich as an allegorical figure in certain chapters and as a quite human, even fluid personality in others. As Gudrun's frenzied lover, as Birkin's elusive beloved, he seems a substantially different person from the Gerald Crich who is a ruthless god of the machine; yet as his cultural role demands extinction , so does his private emotional life, his confusion of the individual will with that of the cosmos, demand death—death by perfect cold. He is Lawrence's only tragic figure, a remarkable creation on a remarkable novel, and though it is a commonplace thing to say that Birkin represents Lawrence, it seems equally likely that Gerald Crich represents Lawrence—in his deepest, most aggrieved, most nihilist soul. · 1. All quotations from Women in Love are taken from the Modern Library edition. Joyce Carol Oates' works include the novels Childhood, Son of the Morning, and a collection of short stories, Night-Side. “Lawrence’s Götterdämmerung” is part of a larger work exploring tragedy and comedy. Her contributions to Critical Inquiry include "Jocoserious Joyce" , and "The Picture of Dorian Gray: Wilde's Parable about the Fall". (shrink)

This essay examines the complex relationship between Christianity and the climate crisis. It first looks at theological convictions found in statements made by church leaders meant to advance Christian engagement. It then examines the now legendary acerbic attacks made by historian Lynn White in the late 1960s, criticizing these same theological convictions for actually disabling environmental engagement. Centrally, it then turns to the progressive, eco-theology of Sallie McFague who, while echoing White’s concerns, offers more recent and thorough criticisms of (...) tradition-based Christian theology, focusing especially on its propagating an outdated anthropology and earth-fleeing spiritualities. Finally, the essay focuses on the tragic immediacy of the climate catastrophe, suggesting that a North American culture of optimism and consumerism is causing millions to respond with indifference and denial, and that an activist-oriented pessimism may be a more mature and constructive response to the dire situation we now face. (shrink)

Socialism is dead and Christianity, at least in the modern West, is not feeling too good either. What remains of the substantive goals, ethics, and ideals of socialism in an epoch of political defeat and in the aftermath of a century of tragic experiments? Are ‘still existing’ socialists simply nostalgic, seeking consolation in an opiate of lost dreams, or are there fragments of ideas and policies that constitute a still living politics of hope for humanity? Christian socialism is one (...) socialist tradition well-suited to address these meta-questions of faith, meaning and goal, not least because it has no unitary political ideology, party or even movement. It is argued here that Christian socialism’s best legacy and use-value today is in its historic failure to be anything other than a modest discourse and practice of a social ethic of free association, political pluralism and a gift economy. To these ends, I use a case study of a clash between two rival versions of contemporary Christian socialism. I then explicate the more difficult and radical version to be found in the work of its leading representative. I outline Milbank’s arguments for Christian socialism as a counter ontology to the secular politics of the modern nation state, an alternative complex space that conceives of community as ‘nomadic city’, and a free market economy based on the poetic practice of gift-giving. This is an agenda, a discourse and a poetic practice bound to failure. Therein is its use value to socialism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies.1.1 (2001) 129-130 [Access article in PDF] Book Review The Sound of Liberating Truth: Buddhist-Christian Dialogues in Honor of Frederick J. Streng The Sound of Liberating Truth: Buddhist-Christian Dialogues in Honor of Frederick J. Streng.Edited by Sallie B. King and Paul O.Ingram. Surrey: Curzon Press, 1999. Fred Streng was a close friend of mine. We were born the same year, 1933, and shared many interests. The last time (...) I saw him was in 1992, in Boston.We both took part in the Society for Buddhist-Christian Studies' fourth Buddhist-Christian Dialogue Conference, we both also delivered sermons at Boston University's chapel, and both of us gave commemorative addresses at a memorial service for Dr. Martin Luther King Jr. I was in exile at the time, fleeing from the oppression of the Thai National Peacekeeping Council, which had staged a coup d'etat the year before. Fred offered sincere concern for my well-being and safety, and he encouraged me, when it was most needed, to complete my work on socially engaged Buddhism. Not long after that, I received the tragic news that Fred had died of cancer at age sixty.I've always admired Fred Streng's positive disposition. His metta karuna,.oving and compassionate way, deeply shone through him. And his religious views, though different from mine, were always captivating. Fred was a Christian, yet his attitude and works greatly benefited a Theravada Buddhist like me. I especially learned from his Emptiness: AStudy in Religious Meaning.1974) and the textbook series, "Understanding Religious Life," that he edited.We are in need of different ways of perceiving and understanding reality, ways in which the brain and mind/heart are able to unite as one. In his summary of Dr. Streng's thinking, Paul Ingram summarizes his commitment to interreligious dialogue as a path in itself: [H]e was convinced that religious knowledge and authentic living at their deepest level are dependent upon seeking out alternative forms of religious experience, comparing them, and entering into dialogue with them. Interreligious dialogue, he believed, may involve (1) a mystical sense of unity underlying the diversity of humanity's ways of being religious, (2) the perception that the religious ways of humanity are alternative or complementary means of ultimate transformation, (3) a focus on enriching one's personal faith and participation in one's own religious tradition, or (4) a combination of all three of [End Page 129] the above. Fred also developed these themes further in an essay entitled "Selfhood without Selfishness: Buddhist and Christian Approaches to Authentic Living" (pp. xiv-xv). Reading The Sound of Liberating Truth,.he new collection of writings in Frederick Streng's honor edited by Sallie King and Paul Ingram, evokes fond memories of this kayanamittata(spiritual friend). The book's title is not just appealing and meaningful, it was the "life koan" that Fred grappled with during his final years: what is the sound of liberating truth? Religions can be more harmful and corrupting than even Marx thought. But the highest intention of religions remains unsurpassed--the ultimate transformation from selfishness to selflessness. In a genuine way, this book is a vehicle for helping us realize this noble outcome.I am truly impressed by the wide range of ideas I have picked up reading this volume. In addition to the important contributions by the book's two editors, there are thought-provoking articles by David Chappell and Winston King on "Interreligious Dialogue," by Bonnie Thurston and Paula Cooey on "Nature and Ecology," by Sallie King and John Keenan on "Social and Political Issues of Liberation," and by Tom Kasulis and Ruben Habito on "Ultimate Transformation or Liberation." In each of these, there are challenging dialogues and good responses, too. The Buddhist and Christian epilogues by Taitetsu Unno and John Cobb, respectively, crown all the other dialogues in depth and thoughtfulness.This volume is a well-deserved tribute to Frederick J. Streng, whose memory will be with his many friends--Buddhists, Christians, and so many others... (shrink)

ALTHOUGH STOIC THOUGHT HAS SHAPED THE CHRISTIAN TRADITION IN decisive ways, Christian ethicists largely overlook the insights Stoicism offers for contemporary Christian discussion of virtue. This essay expands and elaborates our retrieval of ancient ethics of virtue by exploring Stoic "assent" and its possible intersections with Christian ethics. Rather than being tragically fatalistic, Stoic assent functions as a response to divine providence that is compatible with theological commitments that find particular expression in historical Protestant traditions: the claim that salvation occurs (...) by faith alone and a conviction that humans are both morally accountable and utterly dependent upon God. Stoic moral thought offers a framework for developing a morally rich account of the virtues that takes seriously these Christian beliefs. (shrink)

In Truthfulness and Tragedy Stanley Hauerwas provides an account of moral existence and ethical rationality that shows how Christian convictions operate, or should operate, to form and direct lives. In attempting to conceptualize the basis of Christian ethics in a manner that will render Christian convictions morally intelligible, the author casts fresh light on traditional theoretical issues and articulates the distinctive Christian response to contemporary concerns such as suicide, medical ethics, and child care. The first section of the book deals (...) with methodological issues: the meaning and nature of practical reason, obligation claims, natural law, and self deception, and the affinity of story and ethics. It focuses on the relation of truthfulness and tragedy and the need for a story--a set of religious convictions or "grammar of theology"--that does justice to the tragic character of human existence. The second section addresses substantive issues: suicide, euthanasia, and the value of survival; the moral limits of population growth; the definition of "person" for medical reasons; and social involvement and Christian ethics. The overall theme is the need for a community in which truthfulness is a way of life. In the final section, devoted to the problem of how to care for retarded children, the implications of the author's ethical position are given concrete expression. He discusses the assumptions underlying the willingness to have children, criteria for humanness, medical ethics, and how truthful communities deal with suffering. In Truthfulness and Tragedy Stanley Hauerwas extends and clarifies the ethical position set forth in his earlier books Character and the Christian Life and Vision and Virtue. He is associate professor of theology at the University of Notre Dame. He was a senior fellow in Christian medical ethics at the Joseph and Rose Kennedy Institute for the Study of Reproduction and Bioethics, and taught medical ethics at the University of Texas medical branch in Galveston. (shrink)

The paper examines the roles of manager and therapist as formed by an emotivist culture, by a recognition of tragedy, and by a Christian narrative. The Christian story provides resources to resist an emotivist culture, to cope with tragedy, and to reform the roles of manager and therapist. The context for the examination is provided by reflection about the development of a mission statement for Pine Rest Christian Hospital.

In lieu of an abstract, here is a brief excerpt of the content:An I for an I: Projection, Subjection, and Christian Antisemitism in The Service for RepresentingAdam1 Richard J. Prystowsky Irvine Valley College You know well enough how to look in a mirror: Now look at this hand for me, and tell If my heart is sick or healthy. The Servicefor Representing Adam Far from experience producing his idea of the Jew, it was the latter which explained his experience. If (...) the Jew did not exist, the anti-Semite would invent him. Jean-Paul Sartre, Anti-Semite and Jew These wretched Jews, my own kindred, /... have more to be unhappy about than other peoples. The Holy Resurrection No modern theorist has done more to help us understand the nature of inter- and intra-personal and communal violence than has René Girard. Perhaps his most important insight into the workings of such violence, an insight grounding his other provocative discoveries concerning human conflict, is that the antagonistic participants in acts ofinter- and intra-personal and communal violence are "doubles" of each other. By demonstrating that 1 In their hyphenated forms, the terms "anti-Semite," "anti-Semitism," and "anti-Semitic" have sometimes proved more problematic than helpful. In order to avoid "fosterfing] the false impression that there is a wider ethnic entity against which 'anti-Semitism' is leveled" (Telushkin 467), and in light of the importance of the concept of antisemitism to the history of Jewhating, throughout this essay I follow the lead of those scholars who do not hyphenate the words "antisemite," "antisemitism," or "antisemitic." For more information concerning this issue, see Telushkin. 140Richard J. Prystowsky people fight not because they are different, but because they are the same, Girard has shown us how "violence is a great leveler of men" and has helped us to understand the serious consequences that either follow or can follow from mimetic rivalry (Violence 79). For example, he has helped us see how the internal violence occurring in a community in which differentiation has broken down finds its outlet in scapegoating, that mechanism by means of which a community in conflict with itself attempts to save itselfby sacrificing an expendable, arbitrary victim (who lacks a champion but whose real guilt or innocence is irrelevant) onto whom the collective victimizers have projected their own guilt, their own mimetically-oriented self-hatred—their own "sins," we might say. Among other things, Girard's critique of the mimetic rivalry characteristic of what we might call "the conflicted communal Self" also sheds light on the nature of the violence and victimization that we find in the history of Christian persecution of Jews. Without referring to Girard's ideas, the eminent historian Léon Poliakov nevertheless captures a Girardian view of this tragic history when he writes that "to massacre first, and then, from fear of revenge, to accuse afterward; to attribute to the victims one's own aggressive intentions; to impute to them one's own cruelty: from country to country and from century to century, under various disguises, this is the device we find" (106-7). In the present essay, I will attempt to show that such vengeance-laden acts of Christian persecution of Jews, of the Jew-as-Other, derive from antisemitic Christians' mimetic rivalry with Jews—an "I" for an "I," as this essay's title would suggest—and that underlying this rivalry is the introjection ofreal or imagined Jewish self-hatred.2 1 hope to demonstrate that this projected intra-victimization is marked, in part, by Christians' mimetic appropriations of fantasized or real acts of Jewish self-incrimination, punishment, or more generalized suffering. Ultimately, I will try to provide support for the idea that, despite its obvious promise and appeal of love, peace, and brotherhood, Christianity cannot wrest itself entirely from its moorings in real or fantasized Jewish self-hatred, that is, in an appropriation of enacted or imagined Judaism against itself. If my contentions prove even partially legitimate, then an overwhelming question for good-faith Christians is whether or not the peculiar brand of antisemitism discussed above is endemic to Christianity and, if it is, whether 2Sander L. Oilman's Jewish Self-Hatredremains the preeminent work on the relationship between Jewish self-hatred and antisemitism. Among... (shrink)

This study explores Nietzsche's political education as a means of understanding his wider political thought. Incorporating biographical details of Nietzsche's own education, it outlines the course of political education that Nietzsche recommends as an antidote to the crisis in Western European culture. Heilke begins by examining Nietzsche's formulation of this crisis, especially his conceptions of "Romantic Pessimism," "Socratism," and Christianity. For Nietzsche, only a properly ordered education could resolve the problem of how one can transform a society whose fundamental (...) cultural and political premises one rejects. Through education Nietzsche sought to establish a new political and social system founded upon the principles of tragedy and grounded in the aesthetic tradition of German Romanticism. Nietzsche's Tragic Regime focuses on Nietzsche's political philosophy until his resignation from his post as professor in 1876, with attention also to the later writings. (shrink)

Upon initial publication in 1956, this book was an attempt to re-state certain problems concerning the aesthetics and ethics of the tragic form; to examine these in relation to contemporary work in psychology and anthropology; to enquire into the significance of ‘the fact or experience called tragedy’ in the modern world; and to suggest a synthesis in terms of the Christian tradition. This is a reissue of the corrected second edition of the work, first published in 1966.

Many would acknowledge today that the question of understanding and relating to ‘the other’ has become a vital and urgent question in our globalised world, which brings ‘the other’ right in front of us. The tragic realities of migration around the world and the recent refugee crisis point forcefully to the scale and urgency of the matter. This article offers a biblical perspective on the unambiguous love and concern of God for strangers, immigrants and refugees, with the resulting imperative for (...) Christians to practice hospitality and welcome ‘the other’. It is argued that hospitality and welcome represent the very heart of the mission of God and the essence of the gospel illustrated in the self-giving of God in Christ and in the Spirit, and so they should become a central concern for all those who follow Christ in our suffering and troubled world. (shrink)

The personal tragedies of life as well as the horrors of genocide and plague leave many people wondering whether Christian hope is not an empty sentiment. Despite the strong incarnational thrust of his Christology which led to a kind of optimism about the human prospect, Karl Rahner recognized the problems of falsereligious hope. His “optimism” is therefore framed within a stark realism, or “pessimism” about a human condition marked by guilt, suffering and death. Hope is found not in pious escapism, (...) in evasion of darkness, but in standing squarely within and facing the tragic dimensions of life. A comprehensive understanding ofRahner’s Christian pessimism opens up both the history of human entanglement in guilt (Rahner’s rendering of original sin), and the implication of God in darkness of death (the classic issues of providence and divine suffering). Rahner’s incarnationalism is offset in his later work by a theology of the cross, where theincomprehensibility of human suffering rests in the incomprehensibility of God. An eschatological hope is thus rooted in the suffering and death of Jesus. The Christian is one who can dare to hope in the face of tragedy because the cross is where God’s saving presence is most realistically revealed. (shrink)

The author seeks, through an examination of the characters of Dostoevsky, to interpret the nature of man and his fate. A "Christian existentialist," he sees man's life as essentially tragic, torn between the "dialectical opposites," God and nature. Man's only hope for harmony and synthesis lies in the total "surrender of his autonomy to the demands of God." Sometimes obscure in meaning, the book contains nevertheless a number of interesting suggestions.--V. C. C.

A Festschrift for Justin Champion, who tragically passed away in June 2020, this outstanding collection of essays stands as testament to the range, depth, and pre-eminence of his superb scholarship...

This wide-ranging collection of recent addresses and essays, collected in 1968, is published together with "Conversations between Paul Ricoeur and Gabriel Marcel," which appeared in the same year. Tragic Wisdom contains fourteen essays all loosely connected about "The Questioning of Being," originally presented to the Société française de philosophie in 1958. Peripheral essays, which Marcel likens to currents crisscrossing a magnetic field, explore philosophy, humanism, truth, freedom, life, death, evil, atheism, philosophical passion, and tragic wisdom. Throughout there is an effort (...) to address the question of being and its relationship to "the concrete situation of man today" in a manner surprisingly similar to that of the later Heidegger. The influence of Nietzsche,, and of Heidegger, illuminate a facet of Marcel’s ongoing philosophic quest which has heretofore lain undetected within his Christianity. (shrink)

In his sixth seminar, Desire and Its Interpretation (1956–1957), Lacan patiently elaborates his theory of the ‘phantasm’ ($◊a), in which the object of desire (object small a) is ascribed a constitutive role in the architecture of the libidinal subject. In that seminar, Lacan shows his fascination for an aphorism of the twentieth century Christian mystic Simone Weil in her assertion: “to ascertain exactly what the miser whose treasure was stolen lost: thus we would learn much.” This is why, in his (...) theory, Lacan conceptualizes the object of desire as the unconsumed treasure—and, in that sense, the “nothing”—on which the miser’s desire is focused. But the more Lacan develops his new object theory, the more he realizes how close it is to Christian mysticism in locating the ultimate object of desire in God, in a sevenfold “nothing” (to quote the famous last step in the ascent of the Mount Carmel as described by John of the Cross). An analysis of Shakespeare’s Hamlet allows Lacan to escape the Christian logic and to rearticulate the object of desire in an ‘unchristian’ tragic grammar. When he replaces the miser by the lover as paradigm of the subject’s relation to its object of desire, he substitutes a strictly Greek kind of love—eros, not agape—for the miser’s relationship to his treasure. Even when, in the late Lacan, “love” becomes a proper concept, its structure remains deeply “tragic.”. (shrink)

The present argument focuses on part of Augustine’s defense of Christianity in The City of God. There Augustine argues that the Christian religion did not cause the sack of Rome by the Goths in 410 CE. Augustine revised the definitions of a ‘people’ and ‘republic’ found in Cicero’s De Republica in light of the impossibility of true justice in a world corrupted by sin. If one returns these definitions to their original context, and accounts for Cicero’s own political teachings, (...) one finds that Augustine follows Cicero’s republicanism on several key points. First, civil rule differs from mastery over slaves. Second, political life is indeterminate, so a republic could be any regime suitable for governing free human beings. Third, the prudent man may not abstain from public service. For Augustine the duty to public service is connected to his tragic portrayal of life and suffering in society after ‘the fall’. Augustine’s contribution to the republican tradition is not to be found in the concept of a natural order, but in an explanation of why that order fails. (shrink)

One of the most intriguing and underappreciated aspects of Alfred North Whitehead’s philosophy is his treatment of peace as a civilizational aim of culture. The problem of peace is the subject in the final chapter of Whitehead’s Adventures of Ideas. It is considered along with the other four qualities of civilized societies, “Adventure, Art, Beauty, and Truth.” Although his analysis is driven by examples from Western and Christian history, respectively, the treatment of peace developed is not limited to this or (...) any specific experiential epoch. Peace is a transcultural value, the “harmony of harmonies,” which lies at the heart or in the “nature of things.” Whitehead designates the permanence-flux contrast of peace in human life as a tension between the “dream of youth” and “harvest of tragedy.” Our lives give way to the dance of the possible and actual that both unites and divides us. This article explains how Whitehead attempts to argue for peace by way of “balanced intensity” in response to the triumphs and tribulations of life. Section one deals with the ways in which youth and eros symbolize possibility and orient us toward the possible. Tragedy, or the determination of the individual in its own subjective realization and the consequent nature it produces through the “unity of adventure,” is the focus of the second section. In section three, the erotic-tragic contrast is presented in relation to peace as an “intuition of permanence.” In conclusion, Whitehead’s humanism will be offered as a viable alternative against the modern belief of progress or the quest for worldly success, in which prosperity becomes antithetical to the achievement of peace given its propensity to evade or outrun tragedy. (shrink)

Skillful, sophisticated translations of two of Nietzsche's essential works about the conflict between the moral and aesthetic approaches to life, the impact of Christianity on human values, the meaning of science, the contrast between the Apollonian and Dionysian spirits, and other themes central to his thinking.

This two-volume work examines far-reaching debates on the concept of courage from Greek antiquity to the Christian and mediaeval periods, as well as the modern era. Volume 1 begins with Homeric poetry and the politics of fearless demi-gods thriving on war. The tales of lion-hearted Heracles, Achilles, and Ulysses, and their tragic fall at the hands of fate, eventually give way to classical views of courage based on competing theories of rational wisdom and truth. Fears of the enemy and anxieties (...) about suffering and death are addressed through the lenses and teachings of medicine, geography, military history, moral philosophy, and metaphysics. For early Christian thinkers, the ethics of fear, fate, and fealty to the Almighty supplant the voice of reason and the wisdom of virtue. Much of Christian doctrine's history is a long journey towards bridging the gap between Greek philosophy and devotion to God and spirits in heaven. Some Church Fathers attempt to dispel the fear of suffering through a joyful craving for martyrdom and the eternal blessings that follow. Others show openness to one or more of the following principles: the abstractions of moral philosophy, the metaphysics of Gnostic enlightenment, the gift of free will and intentionality, the growth of church authority and hegemony, and the intrinsic worth of life on Earth. Augustine, Ambrose, Cassian, and Chrysostom play a central role in revisiting the foundations of Christian fortitude along some or all of these lines. They lay the groundwork for the scholastic adaptations of faith-based rationalism proposed by Peter Lombard, Philip the Chancellor, Albert the Great, and Thomas of Aquinas. The mediaeval period ends with church dissidents and Protestant Reform leaders condemning Rome’s corruption and calling for a return to early Christian faith and the courage of godly fear, submission, suffering, and fate. (shrink)

First published in 1953, Tragedy and the Paradox of the Fortunate Fall argues that our response to tragedy is made up of a series of responses: the impact of experience which produces the archetypes of belief; the formation of the archetype of rebirth; the crystallization of the archetype of rebirth in the myth and ritual of the ancient Near East; the transformation of myth and ritual in the religions of the ancient world, including Christianity; the formalization of the archetype (...) of rebirth into the concept of felix culpa, the paradox of the fortunate fall and finally the secular utilization of the paradox of the fortunate fall as the substance out of which tragedy is made. This book will be of interest to students of literature, philosophy and history. (shrink)

In the summer of 1914, Archduke Franz Ferdinand was assassinated in Sarajevo, an event which led to the horror of World War I and which many historians suggest marked the beginning of the twentieth century. In 1992, Sarajevo again lurched into prominence as the focal point of one of the century’s bloodiest civil wars. Yet Sarajevo at one point epitomized the dreams of the Enlightenment, a city where Christians, Jews, and Muslims peacefully coexisted. In the midst of Sarajevo’s recent decline (...) into chaos and destruction, Susan Sontag decided to produce Act I of Waiting for Godot, which, despite ever-looming danger, played to packed houses. Why? Why did this city of hope lie crushed at the end of the twentieth century? Why did Sontag stage an artistic production in the middle of such overwhelming tragedy? Why Waiting for Godot ? And, most important, why the appreciative, silent tears of audience members who risked their lives to attend a play in the middle of a war?These are the questions that guide David Toole’s theological reflections in Waiting for Godot in Sarajevo, where he seeks to come to terms with what it means to live a life of dignity in a world of undeniable suffering. Toole skillfully weaves together Friedrich Nietzsche’s views on nihilism with Michel Foucault’s analysis of power to produce a metaphysics of tragedy, or a “politics of dying.” Such politics are then used to shed new theological light on the Christian apocalypse and what it means to be alive at the end of the twentieth century. In making his argument, Toole draws innovative connections between such diverse figures as John Milbank, Alasdair MacIntyre, Euripides, John Howard Yoder, and Norman Maclean (author of A River Runs Through It and Young Men and Fire ), all the while using Beckett’s play as a compass for his direction. The end result is a fascinating, eminently readable, unexpectedly adventurous theological inquiry into the meaning of life. (shrink)

The angels in Isaiah's vision of God's heavenly temple (Isa. 6) used threefold repetition to praise His holiness, the superlative form of emphasis in the Hebrew language. Their cry tells us that nothing is as significant as the holiness of God. Tragically, the holiness of God has been obscured in our time, and as a result, the church's doctrine and ethics have been tarnished, entertainment has replaced worship in many places, the gospel is misunderstood and neglected, and the church assimilates (...) itself to the culture instead of seeking to transform it through the preaching of God's Word. Holy, Holy, Holy: Proclaiming the Perfections of God offers a corrective. Here, the holiness of God is defined, explored, and praised by a lineup of leading evangelical pastors and scholars, who show how it affects our worship, doctrine, and personal walks with Christ. Adapted from the addresses at the 2009 Ligonier Ministries National Conference, Holy, Holy, Holy unfolds the character of God and the holiness that sets Him apart. Here is high theology in understandable language, bringing deeper knowledge of God and promoting love for Him. Book jacket. (shrink)

The paper consists of two parts. In the first one the author analyses the situation of mankind in the last decades of the 20th century, regarding it as tragic; in his reflections he refers mainly to the conceptions of Georg W. F. Hegel, Karl Marx and some Christian thinkers. The second part is a critique of Karl Popper’s conception of history, especially his main claim that history has no meaning.

Impossible love -- Between nature and culture -- Surviving, forever foreign -- Cryptic crossing -- Touching transcendence, in the flesh -- The tragedy of Christianity.

This paper argues that the passages on tragedy in Nietzsche's Daybreak , taken together, articulate a conception of tragic psychology that plays a pivotal role in the overarching argument of the book. I maintain that in Daybreak , Nietzsche construes tragedy as the embodiment of a superior alternative to the (modern, Christian) moral worldview that is the main target of his critique, and that in the curious phenomenon of tragic pleasure, Nietzsche identifies a potent antidote to what he calls the (...) Circean seductions of morality. (shrink)

Sixteen centuries ago the Neoplatonist philosopher Hypatia was murdered by a mob of Christians. Ever since, she has been remembered in poems, plays, paintings, and films as a victim of religious intolerance whose death symbolized the end of the classical world. But before she was a symbol Hypatia was a person. As one of antiquity's best-known female scholars, Hypatia's immense skills as a philosopher and mathematician redefined the intellectual life of her home city of Alexandria. Her talent as a teacher (...) enabled her to assemble a circle of dedicated male students. Her devotion to public service made her a force for peace and good government in a city that struggled to maintain trust and cooperation between pagans and Christians. These intellectual and political triumphs were all the more astonishing for being accomplished in a climate of gossip, scrutiny, and misogyny.Hypatia: The Life and Legend of an Ancient Philosopher is a major new account of this remarkable woman and the culturally rich and turbulent context in which she lived. Utilizing new techniques for reading ancient letters and mathematical and philosophical commentaries-as well as a number of previously unnoticed early modern sources-Edward J. Watts provides a revelatory narrative of Hypatia's life, her formidable achievements, the tragic story of the events that led to her murder, and the rich legacy of her life and death. (shrink)

In The Problem of Christianity, Josiah Royce describes the case of the traitor as embodying "the exemplary type of moral tragedy" which he will use toward the adumbration of a theory of atonement. Royce describes the redemptive process of the traitor as a "tragic reconciliation, " for his sinful deed can never be undone. Still, the traitor can, with regard to his treason, "bring out of the realm of death a new life that only this very death rendered possible." (...) In this article, it is argued that Royce's use of "death" here is no mere metaphorical flourish. Drawing from The World and the Individual and The Problem of Christianity, it is proposed that for Royce, sin and death are different instances of the same evil. Moreover, it is suggested that Royce's novel and perceptive understanding of the limits of human nature leads him to valuable ways of coping with our finitude, both as individuals and communities. (shrink)